Himself (archive footage) (uncredited)
A documentary overview of silent cinema pioneer Edwin S. Porter.
Director
A CHRISTMAS PAST offers a nostalgic peek into the Yuletide pleasures of the early 1900s. Evoking the Victorian charm of Currier and Ives prints, these picturesque comedies and tender dramas were produced as cinematic Christmas cards offered to moviegoers of the silent era.
Director
Bella Donna se enamora del exótico Baroudi y planea envenenar a su marido.
Director
A silent romantic drama film directed by Hugh Ford and Edwin S. Porter
Director
Leone, a Papal guard, is devastated when his wife drowns herself after mistakenly thinking that he had abandoned her. He turns over his son David to be brought up by nuns, then enters a monastery. David is brought to London and is raised to be a beggar and thief until he is rescued by Dr. Roselli, an Italian political refugee, who raises David with his daughter Donna Roma. Years later David gets heavily involved in Italian politics and incurs the enmity of the corrupt Italian Prime Minister, which leads him to discover the hidden secrets of his family's past--and present.
Director
A silent comedy drama film directed by Hugh Ford and Edwin S. Porter
Director
A lost film. Queen Anna Victoria of Herzegovina is exiled from her tiny country and forced to live in poverty in America. Meanwhile, King Stephen of Bosnia, whom she loves but cannot marry due to political reasons, also is exiled to America. When both are forced by circumstances to get jobs, they go to work for wealthy New York meat packer Adolph Lauman who soon decides that his daughter should marry Stephen for social status. Eventually, Lauman's daughter convinces her father that she is in love with an American and Stephen and Anna are returned to their respective thrones, now free to marry each other. -From TCM.com Database, powered by the AFI.
Director of Photography
A young girl, squatting on a wealthy man's land fights for her fellow squatters' right to stay.
Director
A young girl, squatting on a wealthy man's land fights for her fellow squatters' right to stay.
Director of Photography
A partially lost film, with only one surviving reel. A movie released in 1914 directed by Edwin S. Porter.
Director
A partially lost film, with only one surviving reel. A movie released in 1914 directed by Edwin S. Porter.
Director of Photography
A lost film. A man and a woman are shipwrecked on a desert island. It doesn't take long before they fall in love and, figuring that they would never see civilization again, declare themselves married and eventually have a child. One day, however...
Director
A lost film. A man and a woman are shipwrecked on a desert island. It doesn't take long before they fall in love and, figuring that they would never see civilization again, declare themselves married and eventually have a child. One day, however...
Editor
A French sailor, imprisoned for years on false charges of conpiring against the king, escapes and exacts revenge on his accusers.
Director of Photography
A French sailor, imprisoned for years on false charges of conpiring against the king, escapes and exacts revenge on his accusers.
Director
A French sailor, imprisoned for years on false charges of conpiring against the king, escapes and exacts revenge on his accusers.
Director
Mr. Norton discovers his wife in the arms of his neighbor, Captain Roberts, a married man. His first maddened impulse is to kill his faithless wife, but on his way for the gun his little child runs to his arms to say good-night. The incident unnerves him and his wild determination is destroyed. He decides upon another course. He goes to Mrs. Roberts and tells her that he intends to ruin the Captain's home as her husband had ruined his, and that unless she consents to elope with him at ten o'clock that night he will shoot her husband on sight.
Director
A lost film. A successful stage actress with a hidden past as a criminal is kept on the path of righteousness by a benefactor.
Director
King Rudolf of Ruritania is saved from a coup attempt by the help of his lookalike cousin, who falls in love with the king's fiancee.
Director
Pretty Ann, and Joe, the hostler, one day chance to meet. Strong is Joe, and simple, and Ann is shy and sweet. As man and maid have done before, they love, and marry, too. And live happy ever after? Ah, this tale is new to you! Yes, the tale is drear, prosaic; and so poetry won't do. A baby boy comes to bless the union. Joe is working in the stables when they tell him of his joy: his heart is gay and happy, and he tells the horses so. Then, it might be the angels were jealous of such mortal happiness; it might be the devil, seeing the stage so set, entered to play the leading role.
Writer
A marital romance in which a married artist woos the wife of another man.
Director
A marital romance in which a married artist woos the wife of another man.
Director
The old lighthouse keeper lives peacefully with his two daughters, who are both engaged to fisherman. One night he receives a message announcing the shipwreck...
Director
Little Sherlock Holmes, Jr., reads the doughty doings of his hero-god, and at once determines to become a detective himself.
Director
A 1911 silent drama film written and directed by Edwin S. Porter and Lois Weber. Starring Lois Weber, Phillips Smalley, and Charles De Forrest.
Director
During the American Revolution, an innkeeper's daughter learns of a plot to assassinate George Washington while he will be staying at her father's inn.
Director
This holiday-themed melodrama released by Edison Studios in 1910 concerns Robert, a young man who leaves his mother’s home in New England to forge a career in the big city. When he achieves “fame and fortune” six years later, his proud mother can’t wait to welcome him home for Thanksgiving. Robert, however, intends to stay in the city to enjoy a holiday feast with his society friends and beautiful fiancée. When Mom decides to pay a surprise visit on Thanksgiving Day, she is saddened to find that her son is so ashamed of her that he relegates her to an upstairs room, out of sight and out of mind.
Producer
A country girl follows a city suitor, but is left alone and must fend for herself.
Director
Made by the Edison Manufacturing Company and directed by Edwin S. Porter, the film starred Gladys Hulette as Alice. Being a silent film, naturally all of Lewis Carroll's nonsensical prose could not be used, and, being only a one-reel picture, most of Carroll's memorable characters in his original 1865 novel similarly could not be included. What was used in the film was faithful in spirit to Carroll, and in design to the original John Tenniel illustrations. Variety complimented the picture by comparing it favorably to the "foreign" film fantasies then flooding American cinemas.
Director
First, the eye is introduced to the old mill itself, with a gay betrothal party in progress, and laughter and merriment on all sides. Suddenly the laughter is hushed by the martial tread of feet, and the smile of joy fades from the two young lovers' faces as the French soldiers march into the courtyard and prepare to defend the mill against the oncoming attack of the German army. The mild summer afternoon has but half way run its course towards its western home when a wounded outpost comes staggering into the courtyard with the news of the advancing German army stamped upon his blood-stained forehead. Suddenly the courtyard is filled with the smoke of battle, and we know that the long-expected attack is on.
Director
Faust, an aged philosopher and magician who has grown weary of life and has sought in vain for the secret of eternal youth, decides, after a night's long vigil, to call forth from the realms of darkness the evil one to aid him. Mephistopheles appears and offers him his services in return for Faust's soul. The aged philosopher refuses to accept until the devil shows him a vision of Marguerite in all her maiden simplicity and beauty. Faust agrees to accept the compact providing Mephistopheles will give him youth, wealth and love.
Producer
One of the first, of not the first, film adaptation of Grimm's fairytale.
Producer
Antonine, a worthless, good-for-nothing scoundrel, demands money of his cousin Galora, an energetic, provident husband and father. His demands are met with a positive rebuff, and when he becomes insistent be is forcibly ejected by Galora. As he leaves the tenement he vows to get even, and lies in wait until Galora has gone out on business. Climbing to the fifth floor, on which the Galoras live, he watches his chance, which comes when Mrs. Galora goes for an instant to visit a neighbor on the same floor. Darting into the apartment and raising the window he perceives the awful result of a drop to the ground, five stories below, and so evolves a plan that is dastardly in the extreme. Taking the infant child from the cradle, and placing it in a basket he lets it out with a short rope, the end of which he secures by letting the sash down on it, so that to raise the window would precipitate the baby to destruction.
Director
Directed by Edwin S. Porter.
Scenario Writer
The Proposal: The gentleman burglar walking with his lady love. They admire the grandeur and beauty of nature. He proposes and she accepts. She does not suspect his occupation. Turning Over a New Leaf: The thieves' den. The gang drinking and playing cards. The gentleman burglar arrives. Announces his coming wedding. Apprises them of his decision to quit his life of crime. He bids them good-bye and departs. Engaged to Another: Reception hall of the girl's home. A rival lover sues for her hand. She informs him of her engagement to another. He leaves her in sadness. Two Years Later: The gentleman burglar returns with his bride to her father's house.
Director
The Proposal: The gentleman burglar walking with his lady love. They admire the grandeur and beauty of nature. He proposes and she accepts. She does not suspect his occupation. Turning Over a New Leaf: The thieves' den. The gang drinking and playing cards. The gentleman burglar arrives. Announces his coming wedding. Apprises them of his decision to quit his life of crime. He bids them good-bye and departs. Engaged to Another: Reception hall of the girl's home. A rival lover sues for her hand. She informs him of her engagement to another. He leaves her in sadness. Two Years Later: The gentleman burglar returns with his bride to her father's house.
Director
A handful of short tales of love, framed by leaf masks.
Director of Photography
After receiving a scolding for falling asleep on the job, Cupid is sent out in search of potential lovers to unite. While flying over a city, he finds a ballroom dance and identifies a likely couple. He is successful in getting them to meet, but many obstacles still stand in the way of Cupid achieving his goal for them. (IMDb)
Director
A broken-hearted husband thinks about the past as he sits by the fireplace.
Cinematography
A woodsman leaves a hut followed by a woman with their baby. Nearby some men chop down a tree. The baby is left outside the hut, but an eagle flies away with it.
Director
An office worker takes desperate measures in an attempt to get up on time in the morning.
Director
The Life of an American Cowboy is a Western short film.
Director
A generous boy tries to help a girl who does not believe in Santa Claus because of her family's poverty.
Director
A woman goes to the dentist for a toothache and is given gas. On her way home on the subway she can't stop laughing, and every other passenger catches the laughter from her.
Director
While in a park, a young woman sees her fiancé being quite affectionate with another woman. When she calls him on the telephone to demand an explanation, he tells her that it was his sister. She is not satisfied, and insists on coming over to meet his 'sister'. As the young man broods over how to get out of trouble, an old college friend comes over, and he offers to pretend to be the sister. At first this works, but soon it has created even more complications.
Director
Jack and the daughter of a horse trainer are in love with each other, but when the trainer discovers them together, he makes it clear that Jack is unwelcome. Later, at the stables, another suitor for the daughter's hand appears. An unusual agreement is reached, under which the result of a race will determine which of the two the daughter will marry. But Jack's rival proves to be unscrupulous, and he will stop at nothing to be successful.
Director
An energetic man steals kisses from passing ladies, until bystanders give chase.
Director
Chollie and George compete for a young woman's affection, using trickery and sabotage.
Director
A shopkeeper suffers the loss of some valuable merchandise, and thinks of a way to regain his losses.
Director
Vesta Victoria Sings 'Poor John'.
Director
A combination of the story of Goldlocks and the Three Bears with the true story of how Teddy Roosevelt spared a bear cub after killing its mother while hunting, an event which led to the popularization of the teddy bear. Goldilocks goes to sleep in the bears' home after watching six teddy bears dance and do acrobatics, viewing them through a knothole in the wall. When she is awoken by the returning bear family, they give chase through the woods, but she runs to the aid of the Old Rough Rider, who saves her.
Director
A jealous husband arrives in the office of Hawkshaw, a private detective. The husband is certain that his wife is being unfaithful, and he wants the detective to produce photographic evidence. The detective tails the wife, and thinks he has caught her, but a sudden mishap prevents him from getting a photo. Despite this and further setbacks, the dedicated detective presses on, determined to fulfill his assignment.
Director
Captain Clearfield, a wealthy landlord, assaults Kathleen with the help of an accomplice, but Terence O'More arrives in time to break up the attack. Clearfield then tries to get his way by intimidating Kathleen and her father, but again help arrives in time. Clearfield and his accomplice then come up with their most violent plan yet.
Director
An office boy plays hooky from work so he can watch a ballgame perched high atop a telephone pole. Includes footage of an actual baseball game as if seen through a telescope.
Director
A cowboy gets involved in the kidnapping and rescue of a pretty young girl.
Director of Photography
In this color-tinted short, we first see a close-up of a red rose, perfectly formed. Then, we see the rose held by a young woman who is wearing a bright yellow dress. She's the second beauty. Behind her is a slow dissolve to the US flag, tinted in red, white, and blue, blowing in the wind. Behind the flag is a star-lit sky.
Director
In this color-tinted short, we first see a close-up of a red rose, perfectly formed. Then, we see the rose held by a young woman who is wearing a bright yellow dress. She's the second beauty. Behind her is a slow dissolve to the US flag, tinted in red, white, and blue, blowing in the wind. Behind the flag is a star-lit sky.
Director
Two boys and their dog set out to play a series of practical jokes on their neighbors. After they have caused several disruptions, the police are called, and soon the boys are on the run, pursued by the police and others. In their efforts to escape, the boys receive considerable help from the resourceful dog.
Director of Photography
Two groups of young women get into a pair of horse-drawn carts, and go off for a straw ride through the snowy streets. As they pass by a group of children, the children throw snowballs at the riders, and they and other persons begin to join in the fun. Then one of the carts tips on its side, spilling some of its occupants into the snow. Everyone soon decides that they enjoy playing in the snow even more than riding.
Director
Two groups of young women get into a pair of horse-drawn carts, and go off for a straw ride through the snowy streets. As they pass by a group of children, the children throw snowballs at the riders, and they and other persons begin to join in the fun. Then one of the carts tips on its side, spilling some of its occupants into the snow. Everyone soon decides that they enjoy playing in the snow even more than riding.
Producer
A live-action film adaptation of the comic strip Dream of the Rarebit Fiend by American cartoonist Winsor McCay. This silent short film follows the established theme: the “Rarebit Fiend” gorges himself on rarebit and thus suffers spectacular hallucinatory dreams.
Director
A live-action film adaptation of the comic strip Dream of the Rarebit Fiend by American cartoonist Winsor McCay. This silent short film follows the established theme: the “Rarebit Fiend” gorges himself on rarebit and thus suffers spectacular hallucinatory dreams.
Director
Police officers pursue a speeding automobile that almost hit a small child. This short is an outtake from Life of an American Policeman (1905). Once that film had been edited to fit a standard 1,000 foot reel, this sequence was left over, so it was sold as a separate short.
Director of Photography
On Christmas Eve, Santa feeds his reindeer and loads his sleigh, before going on his journey to deliver toys to the children of the world.
Director
On Christmas Eve, Santa feeds his reindeer and loads his sleigh, before going on his journey to deliver toys to the children of the world.
Director
A policeman has breakfast with his wife and children, and then prepares for the day's work. While on his beat, he finds and helps a lost child. Later, several officers try to save a woman who has attempted to drown herself. And there are some even more hazardous situations yet to come.
Director
Film shot with the help of the New York City (Metropolitan) Police.
Director
A romance between a railroad engineer and the switchman's daughter is nearly ruined by train wreckers who knock out the girl and leave her on the tracks to be run over. The engineer perches on the engine's cow catcher and rescues the girl.
Director
Hazel, the miller's daughter, is courted by a country boy and a sophisticated city boy. Her father favors the country boy, but she elopes with the city boy. Before they can marry, his wife shows up and stops the ceremony. Hazel tries to return to her father, but he has disowned her. She jumps into the river, but is rescued by the country boy, who later marries her.
Director
Several men take watermelons from a melon patch, and are pursued.
Director
Two members of a vigilante group known as 'The White Caps' post a warning sign on a man's home. When the man comes home, he tears down the sign, and then proceeds to abuse his wife both verbally and physically. As soon as she can get away from him, the wife leaves home with her child to find a place of refuge. When the vigilantes find out about this, they arm themselves with rifles and immediately go to confront the abusive husband.
Director
In this parody of 1903's "Great Train Robbery", also made by Edwin S. Porter, young bandits rob the passengers of a kiddie train and are chased by police officers.
Director
If ever a film was in need of some narration this was it. Screened in four parts, lasting a total of approximately twelve minutes, it shows a bunch of old boys, some in full military regalia, others in top hats and suits travelling by boat from one dock to another. From there they make up part of a parade as they travel to a hotel. The men are Russian and Japanese envoys gathered by President Teddy Roosevelt to hammer out a peace deal to bring the Russo-Japanese war to an end.
Camera Operator
The second Empire State Express, behind a 4-4-2 Atlantic locomotive, demonstrates how to take water on the fly by scooping it out of a pan set between the railroad tracks.
Director
A burglar escapes from the apartment he's robbing by sliding down the clothesline, but in the end he's caught by the family dog.
Camera Operator
Amusing characters board an unsteady trolley at each stop, and then abandon the streetcar in order to chase a man who brought on board a basket full of snakes that got loose. A goose gets involved in the chase, and is stolen by a tramp. The chase ends when the crowd arrives at a stream that the tramp has already crossed, with the goose under his arm.
Director
A panorama of Coney Island, taken at night: the camera sweeps across the scene from a vantage point well above the area. It then moves in for closer views of Dreamland and Luna Park.
Director
A portrait of the Dam family.
Director of Photography
Jones is on his way home, carrying a roll of money, when he meets a neighbor who is a notorious miser. The neighbor unexpectedly invites Jones to dinner, and serves him a large meal with plenty of wine. After dinner, the neighbor suggests a way of passing the time - and soon his real intentions become clear.
Director
Jones is on his way home, carrying a roll of money, when he meets a neighbor who is a notorious miser. The neighbor unexpectedly invites Jones to dinner, and serves him a large meal with plenty of wine. After dinner, the neighbor suggests a way of passing the time - and soon his real intentions become clear.
Director
A well-dressed woman leaves her home and takes a carriage to a department store. While she is in the store, she steals several items, and is caught by store employees. Meanwhile, a poor woman with two small children steals a loaf of bread out of desperation, and she is quickly caught and arrested. Both women are taken to the police station and then into court, to see what penalty each of them must face.
Director
A couple who have known each other all of their lives are shown together at different stages of life. First, as children, they play together affectionately. Soon afterwards, they are at school together, and as they grow older, they become lovers. Later on, their relationship and their lives move on to more important matters.
Director
A married couple faces the demands of what Theodore Roosevelt called 'the strenuous life'.
Director
A pump stands outside a farmhouse, just inside a picket fence. A boy comes out of the house and dresses up the pump handle and its post as a scarecrow, so that he can play a practical joke on a drunken acquaintance when he passes by. The boy then hides and waits for him, but things do not turn out quite as he planned.
Director
The title of this early US film is something of a con really. Another rube couple had appeared in an entertaining movie set at Coney Island the previous year, and that film had been quite entertaining (for it's day) so any audience of the time would have been forgiven for thinking this film would provide them with more comedy along the lines of the first film.
Director
A recently-released convict attempts to do right but struggles to support his wife and ailing daughter.
Director of Photography
Klingsor seeks admission to the Holy Grail. Evil summons Kundry. Herzeloid appears with the child Parsifal. Crowning of Amfortas. Wounding of Amfortas. Carrying Amfortas to his bath. Kundry brings relief to Amfortas. Parsifal reproached for killing the Swan. Kundry succumbs to Evil. Knights entering the Holy Grail. Parsifal unmoved. Klingsor summons Kundry. Parsifal enters the Magic Garden. Kundry kisses Parsifal. Parsifal calls upon the Saviour. Parsifal repulses Kundry. Klingsor hurls the Sacred Spear. Destruction of the Magic Garden. Guernemanz restores Kundry. Parsifal appears with Sacred Spear. Kundry washes Parsifal's feet. Amfortas tears open his wound. Parsifal heals Amfortas. Parsifal becomes King of the Holy Grail.
Director
Klingsor seeks admission to the Holy Grail. Evil summons Kundry. Herzeloid appears with the child Parsifal. Crowning of Amfortas. Wounding of Amfortas. Carrying Amfortas to his bath. Kundry brings relief to Amfortas. Parsifal reproached for killing the Swan. Kundry succumbs to Evil. Knights entering the Holy Grail. Parsifal unmoved. Klingsor summons Kundry. Parsifal enters the Magic Garden. Kundry kisses Parsifal. Parsifal calls upon the Saviour. Parsifal repulses Kundry. Klingsor hurls the Sacred Spear. Destruction of the Magic Garden. Guernemanz restores Kundry. Parsifal appears with Sacred Spear. Kundry washes Parsifal's feet. Amfortas tears open his wound. Parsifal heals Amfortas. Parsifal becomes King of the Holy Grail.
Director
A tramp gets involved in mischief on a train.
Director
A true-crime short of a bank robbery and chase and capture.
Director
An over-the-hill American tourist has a terrible time on his European "rest cure" vacation.
Director
A French aristocrat, who has recently arrived in America, has placed a personal advertisement in the newspaper...
Director of Photography
A fire fighting demonstration in Luna Park, Coney Island. on August 15, 1904.
Director
The subject of this documentary is an orphan asylum for infants. The beginning portion includes the dining facilities for the children. A woman dresses as a nurse leads approximately two hundred small children into the eating area where they stand behind their chairs. At a given signal, each child sits down and begins eating. The remainder of the film is devoted to showing some of the infants, less than a year old, being pushed in baby carriages and bathed, and later having haircuts. All of the children wear similar attire and the nurses wear uniforms. New York City.
Director of Photography
With a tree-lined river bank dominating the top and back of the frame, the Charles River flows toward a stationary camera. A flotilla of canoes passes by. Some have one occupant, some two, a few three or four. Some men wear ties, a few wear boaters. Only a handful of the canoes have more than one paddler. None go quickly. There are more than 40 canoes packed close together. Off camera, down left, they seem to make a circle and head back to enter the frame from the left.
Director
A “madman” escapes prison and the torments of his warders.
Director
When a group of diners boards a carriage, one man is left behind and chases after them on foot.
Director
A brief vaudeville-style demonstration of a "Dog Transformator," a machine that instantly turns dogs into sausages, and amazingly, sausages back into dogs.
Director
Shows a band of mischievous cowboys being chased by Indians. A number of shots are fired at the pursuing Indians by the cow punchers, and the Indians' arrows are seen landing in the water pretty close to the fleeing men.
Director
A band of robbers are playing cards in the foreground of the picture. Suddenly one of the gang who has been on the lookout for the stage coach rides up in great haste. They quickly dodge behind a clump of trees and lay in wait. Soon the coach appears and is stopped by the bandits. The occupants are compelled to come down from their hiding places at the point of the gun and after being relieved of their valuables, are allowed to continue on their way. As soon as the stage drives off the robbers make for their ponies and take to the woods.
Camera Operator
Renactment of a skirmish that was likely to have occurred in the Russo-Japanese War. Opens with an establishing scene entitled "A Japanese outpost on the Yalu River," which shows the Japanese soldiers of the infantry outpost doing rifle drills and raising the flag. Following scenes are entitled "The Attack," "The Capture," and "The Retreat". In them, the Japanese fire their cannon; the Russian infantry demolish the camp, replace the Japanese flag with their own, and then fire their rifles at the enemy; and the Japanese recapture the outpost and once again run up their flag. Photographed from a single camera position.
Director
Renactment of a skirmish that was likely to have occurred in the Russo-Japanese War. Opens with an establishing scene entitled "A Japanese outpost on the Yalu River," which shows the Japanese soldiers of the infantry outpost doing rifle drills and raising the flag. Following scenes are entitled "The Attack," "The Capture," and "The Retreat". In them, the Japanese fire their cannon; the Russian infantry demolish the camp, replace the Japanese flag with their own, and then fire their rifles at the enemy; and the Japanese recapture the outpost and once again run up their flag. Photographed from a single camera position.
Director
Scene V of the Buster Brown Series. Shows an Italian balloon vendor near the "Flat-iron" Building, New York City. Mrs. Brown and Buster appear on the scene. Buster begins teasing his mamma to buy him a balloon, but she refuses. Buster whistles for Tige, and at the same time jostles the vendor, who roughly brushes him aside. Seeing a chance to get a balloon for nothing, Buster sets Tige upon the Italian, and points towards the balloons.
Director
Scene II of the Buster Brown Series. Shows a millinery store in the shopping district, and Mrs. Brown with a lady friend, admiring the hats displayed in the window. Buster and Tige are standing in the foreground. A howling swell, leading a small dog bedecked with ribbons, recognizes Mrs. Brown and stops to chat. Buster becomes impatient, tugs at his mamma's dress, and endeavors to hurry her; but the dude waves him aside. Buster gets angry at this and retaliates by setting Tige on the dude's dog.
Director
Scene IV of the Buster Brown Series. Shows a kitchen and Bridget busy making crullers. Buster enters and begs Bridget to give him one. Bridget refuses and places all the crullers in a basket on the top pantry shelf. She warns Buster not to touch them, and leaves the room. Buster secures a stepladder and proceeds to climb to the top. As he is about to secure the coveted prize his mamma enters, chastises him severely, and ties Buster fast to the table, and leaves the room.
Director
Scene I of the Buster Brown Series. The opening scene shows Bridget asleep at the kitchen-table, and Buster enters on tip-toe. After tying her apron over her head and to the back of the chair, he tries to reach a jar of jam on the top shelf of the pantry. After several futile attempts, he gives up. His attention is now attracted by a tramp at the window...
Director
Scene III of the Buster Brown Series. Shows a bargain counter in a department store and a large gathering of women examining goods. It is a special sale, and a great deal of interest is shown by the ladies, who jostle and crowd each other to secure the choicest bargains. Mrs. Brown enters, accompanied by Buster and Tige. Mrs. Brown is unable to get near the counter and is in despair.
Director
Buster Brown series, scene I. Buster Brown wants a snack, but he can't reach it so he invites a tramp in to get it for him. The boy then tells his mom so that the tramp will get a beating.
Director
Buster Brown creater R.F. Outcault sketches his creation. Part of the Buster Brown series for Edison film studio.
Camera Operator
The severe cold of the winter of 1903-04 allowed the rapids of Niagara Falls to freeze over, allowing the brave tourists to enter the chasm and cross to the other side over the formed ice bridge.
Director
Directed by Edwin S. Porter.
Director
Buster Brown plays a practical joke on his mother, persuading her to to put her hands into a pan of lobsters, then puts a bunch of them in his father’s bed. They made two versions of this gag. One where a lobster is pinching his butt, the other not. This one does NOT have a lobster on his backside.
Producer
Narra el asalto a un tren por parte de unos bandidos. Escrita y dirigida por Edwin S. Porter, a quien se le atribuye en ocasiones la paternidad del cine de ficción, Porter trabajó en el estudio de Thomas Alva Edison, creando la que sería la primera película estadounidense importante. De 8 minutos de duración, "Asalto y robo de un tren" influyó de forma decisiva en el desarrollo del cine porque incluía innovaciones como el género escogido (western) y sobre todo el montaje de escenas filmadas en diferentes momentos y lugares para componer una unidad narrativa. Al hacer esto, Porter inició el montaje, uno de los fundamentos de la creación cinematográfica, proceso en el que diferentes fragmentos elegidos de las diversas tomas realizadas —o disponibles— se reúnen para conseguir un conjunto coherente.
Writer
Narra el asalto a un tren por parte de unos bandidos. Escrita y dirigida por Edwin S. Porter, a quien se le atribuye en ocasiones la paternidad del cine de ficción, Porter trabajó en el estudio de Thomas Alva Edison, creando la que sería la primera película estadounidense importante. De 8 minutos de duración, "Asalto y robo de un tren" influyó de forma decisiva en el desarrollo del cine porque incluía innovaciones como el género escogido (western) y sobre todo el montaje de escenas filmadas en diferentes momentos y lugares para componer una unidad narrativa. Al hacer esto, Porter inició el montaje, uno de los fundamentos de la creación cinematográfica, proceso en el que diferentes fragmentos elegidos de las diversas tomas realizadas —o disponibles— se reúnen para conseguir un conjunto coherente.
Director of Photography
Narra el asalto a un tren por parte de unos bandidos. Escrita y dirigida por Edwin S. Porter, a quien se le atribuye en ocasiones la paternidad del cine de ficción, Porter trabajó en el estudio de Thomas Alva Edison, creando la que sería la primera película estadounidense importante. De 8 minutos de duración, "Asalto y robo de un tren" influyó de forma decisiva en el desarrollo del cine porque incluía innovaciones como el género escogido (western) y sobre todo el montaje de escenas filmadas en diferentes momentos y lugares para componer una unidad narrativa. Al hacer esto, Porter inició el montaje, uno de los fundamentos de la creación cinematográfica, proceso en el que diferentes fragmentos elegidos de las diversas tomas realizadas —o disponibles— se reúnen para conseguir un conjunto coherente.
Director
Narra el asalto a un tren por parte de unos bandidos. Escrita y dirigida por Edwin S. Porter, a quien se le atribuye en ocasiones la paternidad del cine de ficción, Porter trabajó en el estudio de Thomas Alva Edison, creando la que sería la primera película estadounidense importante. De 8 minutos de duración, "Asalto y robo de un tren" influyó de forma decisiva en el desarrollo del cine porque incluía innovaciones como el género escogido (western) y sobre todo el montaje de escenas filmadas en diferentes momentos y lugares para componer una unidad narrativa. Al hacer esto, Porter inició el montaje, uno de los fundamentos de la creación cinematográfica, proceso en el que diferentes fragmentos elegidos de las diversas tomas realizadas —o disponibles— se reúnen para conseguir un conjunto coherente.
Director
Buster Brown plays a practical joke on his mother, persuading her to to put her hands into a pan of lobsters, then puts a bunch of them in his father's bed. They made two versions of this gag. One where a lobster is pinching his butt, the other not. This one has the lobster clawing his backside.
Director of Photography
A woman riding a train must contend with the unwelcome advances of a male passenger.
Director
A woman riding a train must contend with the unwelcome advances of a male passenger.
Director
An engaged couple, dressed in white, meet each other at a train station. When the train arrives, they get on board, and they enjoy the sights from the platform on the last car. The workers on the train are eager to help, and they make some special arrangements for the couple.
Director
"Cholly" wishes to call on his best girl and sends her a large bouquet. To find out if the girl really loves him, he sends a note with the messenger boy requesting her to "wear this" if she does. The boy delivers the note and a package which the young lady opens and finds an old pair of trousers and other masculine wearing apparel.
Director
This scene opens with a view of a stage setting and private box. After Miss Dolly Lightfoot has finished a clever dance, a card is placed upon the stage announcing an extra turn. An Italian vocalist appears and starts to sing. He is received with a shower of missiles. (Edison Catalog)
Director
A policeman confronts a group of boys who have ignored a 'No Bathing Allowed' sign.
Director
Shows a bedroom and a man asleep in bed. A burglar cautiously raises the window, climbs in, and proceeds to go through the man's clothes...
Director of Photography
A woman being fitted for shoes exposes her ankle to the shoe clerk, who is intrigued. He kisses her, but her chaperone hits him with her umbrella.
Director
The first scene shows a country couple entering Steeplechase Park. They proceed to amuse themselves on the steeplechase...
Director
A woman being fitted for shoes exposes her ankle to the shoe clerk, who is intrigued. He kisses her, but her chaperone hits him with her umbrella.
Director
Based on the novel by Harriet Beecher Stowe: Eliza, a slave who has a young child, pleads with Tom, another slave, to escape with her. Tom does not leave, but Eliza flees with her child. After getting some help to escape the slave traders who are looking for her, she then must try to cross the icy Ohio River if she wants to be free. Meanwhile, Tom is sold from one master to another, and his fortunes vary widely.
Director
A view of Riker's Island and its landfill, filmed from a passing boat on 9 May 1903. While heavy steam powered construction equipment construct a sea wall, nearby garbage scows are unloaded by steam shovel.
Director
A magnificent picture of this boat making a run and starting the water from a least a dozen nozzles at once...
Director
There must have been millions of subjects for Edison's filmmakers to point there cameras at back in 1903 so why on earth they thought that the collection and disposal of New York City's rubbish would prove a suitable subject to present to their dwindling audiences is a mystery. Add to this the fact that the camera has been positioned about a dozen feet from the men and you're left with a film that's as dull as it is unmemorable.
Director
It seems as if there was no subject so mundane or seedy that it was considered unworthy of filming by Edison and his contemporaries at the turn of the century. Here the cameras - and New York City in 1903 must have been teeming with intrepid cameramen roaming the streets in search of something - anything - to film - capture the work of a few poor souls employed to spread the garbage dumped onto a massive wharf docked by the edge of the (apparently) East River.
Director
A fine picture of the celebrated "White Wings" or street-cleaning department of one district of Greater New York, showing over 350 men in line, and over 100 carts that are used to carry the refuse away to the dumping-wharf, marching through the streets of New York.
Director
Scene, interior of a street-car. A stout man enters and sits down alongside of a friend and proceeds to read a comic paper. He shows a joke in the paper to his friend, and the both laugh heartily. The friend leaves the car, and his absence is not noted by the stout man. An elderly matron takes the seat. Without looking up the stout man shoves the paper in front of the face of the old lady, thinking his friend is still there.
Director
The "Patrol" is seen chasing a row-boat containing river pirates. The pirates are pulling at the oars with all their strength, but a few shots from the Police Boat weaken their nerves and they give up. When the "Patrol" comes up near them, it lowers a dory and a number of policemen make the capture. As the pirates are landed on the Police Boat a fierce fight takes place between them and the police, but the latter overcome the offenders and land them safely on the boat.
Director
A fine panoramic view of this busy market on a Friday morning. Immense throngs of people are passing along the stands and making their purchases of fish.
Policeman
Una de las primeras películas americanas que muestra un montaje paralelo, narrando el rescate de una mujer atrapada en un edificio en llamas. (FILMAFFINITY)
Director
Una de las primeras películas americanas que muestra un montaje paralelo, narrando el rescate de una mujer atrapada en un edificio en llamas. (FILMAFFINITY)
Director
This is a film taken of the execution of Topsy, an elephant employed to help build Luna Park on Coney Island.
Director of Photography
This is a film taken of the execution of Topsy, an elephant employed to help build Luna Park on Coney Island.
Director
Three girls are taking a bath in a quiet, shady spot along a beautiful stream. Another young lady in bathing attire reclines on the bank. The latter suddenly discovers two hoboes coming toward the bathers and immediately gives the alarm. They throw water over the hoboes, who gather up the clothes of the fair bathers and make off, compelling the bathers to walk home in barrels. In order to conceal themselves as much as possible they hold the barrels rather high.
Director
Scene Bowery. Young woman drops her handkerchief while passing a Rube. He picks it up and gives it to her. She induces him to go into a side door of a saloon. Second scene, saloon. Rube and woman enter, take seats at table and order drinks. While the Rube is paying for same, woman puts knock-out drops in the Rube's glass. They drink and the Rube falls asleep. Woman takes all his valuables and leaves. Waiter wakes him up. He discovers his watch gone, fights with waiter, and is thrown out. Third scene, outside of saloon. Police patrol drawn up. They put Rube in and drive off.
Director of Photography
Porter's sequential continuity editing links several shots to form a narrative of the famous fairy tale story of Jack and his magic beanstalk. Borrowing on cinematographic methods reminiscent of 'Georges Melies' , Porter uses animation, double exposure, and trick photography to illustrate the fairy's apparitions, Jack's dream, and the fast growing beanstalk.
Director
Porter's sequential continuity editing links several shots to form a narrative of the famous fairy tale story of Jack and his magic beanstalk. Borrowing on cinematographic methods reminiscent of 'Georges Melies' , Porter uses animation, double exposure, and trick photography to illustrate the fairy's apparitions, Jack's dream, and the fast growing beanstalk.
Director
A businessman makes a luncheon appointment with a young lady, but finds that his wife disapproves of the arrangement.
Director
This picture shows the prisoners after completing their day's work of cleaning up the grounds of the Charleston Exposition, taking their positions along the long chain which secures the whole band of prisoners. They are marched past our camera to the prison, accompanied by the guards, who carry shotguns to prevent any from escaping.
Director
The Washington Star of April 1st, 1900, gave the following account of the ceremony: "Over 40,000 women and children passed through the White House Gates to-day during the hours set apart for the great National show of Egg Rolling, and when the President stepped on the south front gallery at 4:15 P.M., at least 20,000 were within the grounds. The Marine Band rendered a programme of popular music. The President's children entertained at least fifty young friends during the day with a view of the egg rolling from the balcony, but none of them mingled with the great throng, preferring to view the panorama from the distance. They were much amused with the antics of the great crowd of children, who were of all colors and from every walk of life."
Director
A baker's assistant throws a handful of dough at a rat. The dough sticks to the side of a barrel and the assistant proceeds to sculpt the dough into various faces and shapes. There is some experimental use of stop motion.
Director
A despondent-looking man sits behind a table that holds a drink and a gun. He hesitates, thinks things over, starts to take a drink, and then puts down the glass. Then he picks up the gun and raises it to his temple.
Director
A fire has swept through Durland's Riding Academy in Manhattan. The fire has mostly died down, but firefighters are still at the scene, hosing down the smoking remains of the buildings. Many others are there as well, helping to clean up, inspecting the ruins, or just getting a look at everything.
Director
Country rube thinks what he sees on the movie screen is real. He jumps out of his seat to try to stop a kissing scene.
Director
The public throughout the world is acquainted with the sensational capture of the Biddle Brothers and Mrs. Soffel, who, through the aid of Mrs. Soffel, escaped from the Pittsburg jail on January 30th, 1902.
Director
A comic picture that defies description. It depicts the Twentieth Century up-to-date tramp flying over the chimney tops of New York City in the latest improved flying machine. Weary Willie has the indispensible tin can hanging from his waist and he waves his hands to his friends as he flies along. He passes over the top of the Equitable Life building and other New York sky scrapers. He flies over the East River and clears the top of the Brooklyn Bridge, and appears to be making his way toward Staten Island. When he is about in the centre of the river, his flying machine explodes, and like the unfortunate McGinty, down goes Weary William.
Director of Photography
Our presidential hunter runs across the landscape and falls down in the snow, gets up with his rifle, and gazes upward at a treed animal which isn't in the camera's view. He fires a shot into the tree, then leaps on the ground to grab the fallen prey, a domestic cat, finishing it off with wild blows of his hunting knife while his companions, a photographer and a press agent, record the event that will be reported far and wide as a manly moment. Teddy then rides out of the forest followed by two companions afoot, never mind that they all originally arrived afoot. Perhaps it was funnier in its day than it is now, but apparently shooting cats was regarded as funny in those days. The larger point was to use a minor whimsy as a political criticism, in this case of Teddy Roosevelt's easy manipulations of the press. It was based on two frames of a political cartoon that had appeared in the paper a mere week before the film was made.
Director
Our presidential hunter runs across the landscape and falls down in the snow, gets up with his rifle, and gazes upward at a treed animal which isn't in the camera's view. He fires a shot into the tree, then leaps on the ground to grab the fallen prey, a domestic cat, finishing it off with wild blows of his hunting knife while his companions, a photographer and a press agent, record the event that will be reported far and wide as a manly moment. Teddy then rides out of the forest followed by two companions afoot, never mind that they all originally arrived afoot. Perhaps it was funnier in its day than it is now, but apparently shooting cats was regarded as funny in those days. The larger point was to use a minor whimsy as a political criticism, in this case of Teddy Roosevelt's easy manipulations of the press. It was based on two frames of a political cartoon that had appeared in the paper a mere week before the film was made.
Director
The scene opens in an artist's studio, the artist asleep in his chair. A large old fashioned clock opens and a young lady comes out and awaking the artist, requests him to paint her picture. While the artist is executing the work a clown comes from the clock, takes in the situation and begins to make love to the lady. The artist detects him and compels him to desist his love making. He continues to paint. The clown becomes interested and asks the artist to allow him to paint the picture, and begins smearing a whitewash brush over the canvas, when lo, a most perfect image of the young lady appears. The image then steps down from the frame, joins the young lady in the studio, and the figures, each a perfect counterpart of the other begin to dance to the great astonishment of the artist. The clown the by waving his hand causes the figures of the two girls to merge into one. The artist then assumes his seat and awakens from his dream with a great shock.
Director
Shows a suburbanite asleep in bed. He discovers he has overslept himself, and jumps out of bed.
Director of Photography
This early docudrama shows Auburn Prison and recreates the electrocution of Leon Czolgosz, the assassin of President McKinley of the United States.
Director
This early docudrama shows Auburn Prison and recreates the electrocution of Leon Czolgosz, the assassin of President McKinley of the United States.
Director
A most perfect picture of the Pan-American Exposition buildings, including the Electric Tower and Temple of Music, as they appear at night.
Director
The stage of a vaudeville theatre. A lady in evening costume is performing on a trapeze. Two Rubes are seated in a box. The lady begins to disrobe, and here the fun commences. As she removes her garments one by one and throws them at our rural friends, they begin going through antics, which to say the least, are highly amusing. When the stockings come off, the climax takes place. The Rubes jump from their seats and make things lively for a short time in the theatre.
Director
This film is difficult to classify. It opens on a scene showing a mourner with bowed head sitting in front of what appears to be a tombstone. Shortly afterwards, the face of Abraham Lincoln and then of two other presidents, Garfield and McKinley, can be seen on the monument and then they disappear. There is a figure huddled at the foot of a statue of Justice, as if asking forgiveness.
Director
A great feature of the Pan-American Exposition, as unanimously conceded by all visitors, was the electric illumination of the Exposition grounds at night. After a great deal of experimenting and patience, we succeeded in securing an excellent picture of the buildings at the Pan-American as they appeared when lighted up at night.
Director
We present here a series of interesting pictures and show a number of scenes just as witnessed by a visitor to the Great Forepaugh and Sells Bros. combined four-ring circus. We begin by showing the complete circus parade as it takes place in the street. The first scene shows the parade coming down a broad asphalt avenue with park in background. Entire parade shows elephants, camels, band wagons, chariots, cages of animals, and full circus paraphernalia, making a most interesting subject. The next picture shows the assembly or grand entry, and includes the entrance into the arena of the elephants, chariots, wild animals, horses, camels, etc.
Director
This subject is in three scenes, showing beautiful dissolving effects. Scene 3. The Man Behind that Teacup shows Admiral Sampson the centre of attraction of a group of old maids at an afternoon tea party.
Director of Photography
A most interesting picture at the Pan-American Exposition. The picture was taken from the north side of the Electric Tower. It presents the most perfect and diversified views of the Transportation Building, Mexican Plaza, the Stadium and the north side of the Electric Tower. (Edison Catalog, 1902)
Director
A most interesting picture at the Pan-American Exposition. The picture was taken from the north side of the Electric Tower. It presents the most perfect and diversified views of the Transportation Building, Mexican Plaza, the Stadium and the north side of the Electric Tower. (Edison Catalog, 1902)
Director of Photography
Here we have recorded a very novel scene, the camera having been placed in the basket of the captive balloon at the Pan-American Exposition...
Director
A few people swimming.
Director of Photography
“The picture [shows] a number of Esquimaux picking nickels from cracks in a board with their dog whips, in which sport they are very expert. In the background will be seen one of their "Topeks," a sealskin tent in which they live during their short summer.” (Edison catalog)
Director
A street level view from the sidewalk, looking along the length of 23rd Street. Following actuality footage of pedestrians and street traffic, the actors, a man in summer attire and a woman in an ankle-length dress, walk toward the camera.
Director
Shows a tramp asleep. Two mischievous boys appear on roller skates. One removes his skates and they strap them to the feet of "Weary Willie." They then wake him...
Director
Shows a bedroom in a hotel. On the wall of the room is a conspicuous sign "Don't blow out the gas." A hayseed enters the room, accompanied by a bellboy. The boy deposits the Rube's bag and umbrella, turns a somersault, and vanishes through the door. The Rube then removes his hat and coat and places them upon the table. They immediately vanish. He then blows out the gas. The scene then instantly changes to a funeral procession, headed by Reuben's hearse, and followed by the carriages of his country friends. Strictly up-to-date picture. (Edison Catalog, 1901)
Director
This wonderful dog "Mannie," owned by the vaudeville star, Miss Laura Comstock, is a most learned animal. He has been trained to perform all sorts of tricks, and his intelligence is, perhaps, most marked in his latest and most difficult feat, that of punching the bag. This picture depicts him in a bag punching performance which is really wonderful. His high jumps and lightning-like punches are remarkable and cause one to marvel at the amount of patience that must be necessary to teach a dog such tricks.
Director
Shows a garden wall in the background. Two lovers appear and lean over the garden gate where the moon throws a shadow upon the ground. The young man invites the young lady to a settee, when the moon's face brightens into a very pronounced grin. As the pair begin love making, the moon winks one eye and then the other, and, finally, as the lovers become more interested, the moon comes down from the sky with a grin on his face as large as an old-fashioned apple pie.
Director
A gilded saloon, with a fancy bar, forms the background. A nobby bartender with white coat and apron is dispensing drinks to customers. Behind him are polished plate glass mirrors. A comical Irishman enters, sets a huge pail on the bar to be filled, and while he is drinking a glass of foam beer, Mrs. Nation and her followers enter with their hatchets. One of the women jams the Irishman's stiff hat down over his eyes and another one douses him with his own pail of beer. They then wreck the saloon and smash the mirrors, bottles, cash register and bar fixtures. The bartender plays a stream of seltzer water on Mrs. Nation, and as she backs away from behind the counter, a policeman enters and hustles everybody out. Full of comedy from start to finish. (Edison Catalog)
Director
The scene opens in the bedroom of Mr. Nation, husband of the famous Carrie Nation, the “Kansas Saloon Smasher”. Mr. Nation suddenly arises from the bed and picks up a crying infant from the cradle, and walks it up and down the floor. He suddenly steps upon a tack, becomes infuriated, and throws the baby back into the cradle…
Director
An old maid is walking about the studio while the photographer is getting his camera ready. She first looks at a hanger, which immediately falls from the wall, not being able to stand her gaze. Then she looks at the clock, and her face causes it to fall to the floor with a crash. She then walks over to the mirror, which suddenly cracks in several places. The photographer then poses her. Just as he is to press the button the camera explodes with a great puff of smoke, completely destroying the camera and demolishing the studio. The picture finishes up with the old maid tipping back in her chair and losing her balance, displaying a large quantity of fancy lace goods.
Director
The cook has trouble lighting the stove, so she adds kerosene, with explosive results.
Director
A female impersonator giggles and flirts. By the following decade, many female impersonators would be shown doing their acts on the stage and in the movies; the Eltinge Theater on 42nd Street in New York is named for Julian Eltinge, the most famous of them. This was probably the earliest "name" example for the movies. Gilbert Saroni plays an exceedingly ugly woman who coyly flirts with her fan.
Director
The scene opens in the interior of an artist's studio. Mephisto appears mysteriously and signals the pictures to come to life. They step down from the frames and walk forward, admiring their costumes. Mephisto then touches the artist on the shoulder, awakening him, and disappears. The artist, after rubbing his eyes, sees the picture on his right hand side and jumps up to embrace her. After embracing her once, he makes a second attempt and she disappears. The artist now wakes up, jumps to his feet, and runs to see if the picture are still in the frames. He examines them and finding that they are still fast on the wall, realizes that the has been dreaming and seeks consolation in the bottle.
Director
Marguerite is seated in front of the fireplace, Faust standing by her side. Mephistopheles enters and offers his sword to Faust, commanding him to behead the fair Marguerite. Faust refuses, whereupon Mephistopheles draws the sword across the throat of the lady and she suddenly disappears and Faust is seated in her place.
Director
This picture shows an old gentleman seated at his shaving table. The razor is evidently giving him a great deal of trouble...
Director
Poor Uncle Josh is trying to get to sleep, but being constantly bedevilled by a fellow in red long underwear with horns. A short early trick editing film using a stationary camera much more valuable for its historical, rather than entertainment value.
Director
The scene opens on a theatrical stage. The magician enters from the wings, and making a bow to the audience, removes his coat and hat and they disappear mysteriously in the air. He then takes a white handkerchief from his pocket, holds it over his knees, and his long trousers disappear, and behold! he is clad in knickerbockers. He next makes a pass with a magic wand and a table suddenly appears before the audience, on which is a large pile of tissue paper. The magician takes up the paper and shakes it a few times and three live geese fly out upon the floor. This is a highly pleasing and mystifying subject.
Director
The magician enters upon a stage, and removing a covering from a small table, shakes it before the audience to show that there is nothing whatever concealed inside, places the cloth upon the floor, and when he removes it five large geese are found to be swimming in the water. The magician takes the geese out of the tub, and places them on the stage, and they walk away. He again places the cloth over the tub, and when he removes it the tub disappears and a small boy stands in its place.
Director
The scene takes place in a fashionable cafe. A well dressed couple enter, and after a careful perusal of the menu, conclude on an order of boiled eggs and Welsh rarebit.
Director
The professor shows his power to Mephisto by mysteriously placing a young lady in a swing. Mephisto then shows his power by making the young lady disappear from the swing, to the surprise of the professor. The professor makes another mystic pass and produces a second young lady then in the swing, and also a skeleton.
Director
Uncle Josh returns in this sequel to UNCLE JOSH'S NIGHTMARE. This time he checks into a hotel, presumably to get a better nights rest than he got at home. Of course the way bad luck follows Josh around we know this is a forlorn hope. Sure enough, quicker than you can say "Georges Méliès" a ghost pops up to make sure Uncle Josh is denied yet another good nights rest.
Director
This commercial traveler has evidently had a wet day judging from the strange things he sees at his hotel. The hall boy shows him to his room, puts down his grips, and then disappears through the ceiling. Drummer pushes button five times for a drink, and waiter appears through the floor. Drummer turns to sit down on the bed it disappears. He fights with the waiter, is overcome, and waiter locks him in a trunk and sits on it. After a while he opens the trunk; behold, it's empty. Drummer appears mysteriously, picks up a big book, hits waiter on head, and drives him through the floor. Drummer dances in delirious glee.
Director
He sits asleep at a bare table; old witch enters, raps three times, then disappears; cavalier sees table spread for a sumptuous repast. Mephistopheles appears; then the old witch, who suddenly changes to a beautiful young girl. The changes and magical appearances are startling and instantaneous.
Director
We here introduce for the first time, a sublime religious subject, illustrating one of the best known hymns extant. A beautiful girl is seen clinging to a rock, over which huge billows are dashing, sending great volumes of spray and surf high into the air. As the maiden appears to be exhausted and about to give up in utter despair, a cross appears on the rock, showing at first thinly, but gradually growing clear until it stands out in bold relief. The maiden then takes new courage and throwing her arms about the cross, clings to it in safety, while the waves continue to surge against her.
