Natja Brunckhorst

The contrasts between Marlen (Corinna Harfouch) and Fynn (newcomer Daniel Sträßer) couldn't be any more extreme if they tried: Marlen's apartment is packed to the rafters with objects too valuable or important to throw away, while Fynn plans to go through life with only 100 things in his possession. The fact that they can't keep their hands off each other and end up falling in love holds true to the old adage that opposites really do attract...

The contrasts between Marlen (Corinna Harfouch) and Fynn (newcomer Daniel Sträßer) couldn't be any more extreme if they tried: Marlen's apartment is packed to the rafters with objects too valuable or important to throw away, while Fynn plans to go through life with only 100 things in his possession. The fact that they can't keep their hands off each other and end up falling in love holds true to the old adage that opposites really do attract...

A girl struggling with asthma is taken to a clinic in South Tyrol to be cured. After some time she decides to get out of this hell (that's how she feels about it) and soon she'll meet a new friend. Together they try to reach the peak of a mountain where, according to an old custom, she can be healed.

A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.

Worn-down pavements, broken paving stones. Trees that jut out of the concrete, casting shadows on to crumbling façades. The centre of Tbilisi in the summer of 2013. Glimpses of side and main streets, over railings and under balconies, of an architectural cacophony. The voiceover spoken by Natja Brunckhorst reflects on the nature of streets and public spaces.

“Imagino un espacio aéreo en el que se ha lanzado una bomba, que aún no ha llegado a su blanco, y que ya es imposible detener. Me pregunto qué clase de tiempo existe entre el lanzamiento y la explosión. No es el futuro, pues la destrucción aún no ha tenido lugar. Ni es el pasado, pues todo será destruido en un instante”. Así empieza The Airstrip, y ese instante que describe es el modernismo –auge y caída– del que da cuenta a través de edificios en Berlín, París, Buenos Aires, Brasilia, Saipan, y más. Un film en el que da esquinazo a toda idea preconcebida sobre su serie arquitectónica, y en el que la guerra, lo personal, e incluso el surrealismo, caben

A young woman called Fiona shows up in a city in the Ruhr area to work for the Bauer family as a housekeeper. Father, mother, daughter and son all live their own lives, co-existing without communicating. Nobody realizes that Fiona has made a decision.

Maggie (21) and Klaus (45) are touring in Germany in a camper and they seem to be lovers despite their age difference. However, at a camping site Maggie shows some affection for another man. The unavoidable conflict escalates fatally.

A man is swimming in the ocean. Suddenly he is hit by something. Unconsciously he drops to the bottom. When he wakes up on the beach again everything looks the same. But something is not entirely right.

A man is swimming in the ocean. Suddenly he is hit by something. Unconsciously he drops to the bottom. When he wakes up on the beach again everything looks the same. But something is not entirely right.

Germany 1982: The country is divided into two parts. Nele, coming from West-Germany, travels to East-Germany where she meets Captain, singer of a band. They fall in love with each other, but the regime "takes care" of their relationship, meaning: They can not see each other again. Germany 1990: The country is reunited. Nele starts searching their lost love...

El melancólico Bodo, siempre huyendo de todo, especialmente de sí mismo, y la reservada Sissi, enfermera de un hospital psiquiátrico, se conocen cuando él le salva la vida a ella, para después desaparecer sin dejar rastro. Sissi busca al misterioso extraño para aclarar si su extraordinario encuentro fue sólo casualidad o fue el destino.

After the corpse of the programmer Klaus Pape was found neatly dismantled in a freezer, Commissioner Beate Stein starts the research that will lead her to both the red-light district and the better society of Hamburg.

Maria embarks on a one-night stand with Lothar. Lothar proves to be a ruthless seducer and when Maria becomes pregnant, she sinks into a nightmare from which there seems to be no escape.

When Fritz returns from his studies in the United States he wants to walk on pink clouds with Maxie, a TV journalist, but they come upon a gun-running operation in which Fritz's father is involved. Fritz is caught between his loyalty to his family and his love for Maxie, who also can't decide what's more important, a career as a journalist or Fritz. They both are caught unaware by the enormous amount of individuals involved in the scandal and their unscrupulous reactions. Finally they both attempt to gather proof of the activities of this Hydra-headed organization in spite of the risks involved and independently of each other. A pandemonium of fragments of the Noricum, Bundeswuerde and Lucona scandals. The evil spirit of the late eighties in Austria.

Querelle es un marinero que ejerce un enorme poder de fascinación y de seducción sobre las personas que conoce; posee un atractivo y una personalidad irresistibles. Cuando desembarca en Brest empieza a frecuentar un extraño prostíbulo. Ahí descubre que su hermano Robert es el amante de la dueña, Lysiane. Las reglas del local consisten en una tirada de dados contra Nono, el marido de Lysiane. Si ganas, tienes sexo con Lysiane y si pierdes, con Nono. Querelle pierde a propósito...

Cristina es una adolescente de apenas 14 años que poco a poco se va enganchando a la heroína, hasta el extremo de tener que prostituirse para pagarse su dependencia. Durísimo relato sobre el efecto de las drogas en la juventud, basado en la historia real de Christiane Vera Felscherinow, una exadicta alemana que describió su lucha contra las drogas en la adolescencia en el libro "Los niños de la estación del Zoo". Dirigido por Uli Edel ("El cuerpo del delito", "RAF Facción del ejército rojo"), el filme fue protagonizado por una jovencísima y debutante Natja Brunckhorst ("La princesa y el guerrero"), que tenía solo 13 años cuando se rodó el largometraje. Como curiosidad, David Bowie realizó un 'cameo' en la cinta, pues justamente fue en un concierto que dio el cantante en Berlín donde la protagonista probó por primera vez la heroína.

After witnessing a catastrophe, a man named Hiob is lost in space.

After witnessing a catastrophe, a man named Hiob is lost in space.