Natja Brunckhorst

The contrasts between Marlen (Corinna Harfouch) and Fynn (newcomer Daniel Sträßer) couldn't be any more extreme if they tried: Marlen's apartment is packed to the rafters with objects too valuable or important to throw away, while Fynn plans to go through life with only 100 things in his possession. The fact that they can't keep their hands off each other and end up falling in love holds true to the old adage that opposites really do attract...

The contrasts between Marlen (Corinna Harfouch) and Fynn (newcomer Daniel Sträßer) couldn't be any more extreme if they tried: Marlen's apartment is packed to the rafters with objects too valuable or important to throw away, while Fynn plans to go through life with only 100 things in his possession. The fact that they can't keep their hands off each other and end up falling in love holds true to the old adage that opposites really do attract...

스스로를 대도시의 터프한 악동이라 여기는 13살 소녀 아멜리에는 실제로 베를린에서 가장 고집 센 아이이다. 어느 누구의 말도 듣지 않는 아멜리에게 천식 발작 이후 산 속 치료시설로 보내려는 부모님의 말이 귀에 들릴 리 없다. 시설로 가는 건 바로 아멜리에가 가장 원치 않는 일이기 때문이다. 그래서 아멜리에는 진료소에 입원하는 대신 아무도 자신을 찾을 수 없게 산 정상으로 도망쳐 숨는다. 하지만 이내 치료시설과 부모님 모두 아멜리에가 도망갔다는 사실을 알게 되고, 소녀를 찾는 대대적인 수색작업이 시작된다. 한편 산 속에 들어가 숨을 곳을 찾던 아멜리에는 바트라는 이름의 별난 소년을 만나게 된다. 그리고 바트가 자신의 목숨을 구해준 순간, 아멜리에는 바트가 첫인상에서 느꼈던 것보다 훨씬 멋진 소년이라는 것을 깨닫는다. 아멜리에가 아프다는 알게 된 바트는 아멜리에에게 일 년에 한 번 있는 오래된 전통 의식인 ‘알프스 파이어’에 대해 이야기해준다. 알프스 파이어는 사람이든 동물이든 병을 치료하는 데 도움이 된다고 알려져 있는 기적 같은 의식이다. 이제 시간에 맞춰 불을 피우기 위해 아멜리에와 바트는 희망과 진정한 우정의 모험을 시작한다. (2017년 제12회 부산국제어린이청소년영화제)

A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.

Worn-down pavements, broken paving stones. Trees that jut out of the concrete, casting shadows on to crumbling façades. The centre of Tbilisi in the summer of 2013. Glimpses of side and main streets, over railings and under balconies, of an architectural cacophony. The voiceover spoken by Natja Brunckhorst reflects on the nature of streets and public spaces.

In the 21st part of his Photography and beyond series, Heinz Emigholz projects as usual a series of structures into our brains and from there on to the screen: Airports, motorways and bus stops; department stores, market halls and warehouses.

A young woman called Fiona shows up in a city in the Ruhr area to work for the Bauer family as a housekeeper. Father, mother, daughter and son all live their own lives, co-existing without communicating. Nobody realizes that Fiona has made a decision.

Maggie (21) and Klaus (45) are touring in Germany in a camper and they seem to be lovers despite their age difference. However, at a camping site Maggie shows some affection for another man. The unavoidable conflict escalates fatally.

A man is swimming in the ocean. Suddenly he is hit by something. Unconsciously he drops to the bottom. When he wakes up on the beach again everything looks the same. But something is not entirely right.

A man is swimming in the ocean. Suddenly he is hit by something. Unconsciously he drops to the bottom. When he wakes up on the beach again everything looks the same. But something is not entirely right.

Germany 1982: The country is divided into two parts. Nele, coming from West-Germany, travels to East-Germany where she meets Captain, singer of a band. They fall in love with each other, but the regime "takes care" of their relationship, meaning: They can not see each other again. Germany 1990: The country is reunited. Nele starts searching their lost love...

Young nurse Sissi lives a secluded life entirely devoted to her patients at Birkenhof asylum. Her first encounter with ex-soldier and drifter Bodo has a lasting impact. He causes an accident in which he provides first aid, Sissi wonders if he may be the man of her dreams. But when she finds him weeks later she is rejected, as Bodo is stuck somewhere between a traumatic past and a criminal future.

After the corpse of the programmer Klaus Pape was found neatly dismantled in a freezer, Commissioner Beate Stein starts the research that will lead her to both the red-light district and the better society of Hamburg.

Maria embarks on a one-night stand with Lothar. Lothar proves to be a ruthless seducer and when Maria becomes pregnant, she sinks into a nightmare from which there seems to be no escape.

When Fritz returns from his studies in the United States he wants to walk on pink clouds with Maxie, a TV journalist, but they come upon a gun-running operation in which Fritz's father is involved. Fritz is caught between his loyalty to his family and his love for Maxie, who also can't decide what's more important, a career as a journalist or Fritz. They both are caught unaware by the enormous amount of individuals involved in the scandal and their unscrupulous reactions. Finally they both attempt to gather proof of the activities of this Hydra-headed organization in spite of the risks involved and independently of each other. A pandemonium of fragments of the Noricum, Bundeswuerde and Lucona scandals. The evil spirit of the late eighties in Austria.

위험한 매력의 선원 조르주 케렐이 탄 배가 브르타뉴의 브레스트에 도착한다. 조르주는 선원들이 즐겨 찾는 매음굴에서 달갑지 않게도 형 로베르를 만난다. 로베르는 술집 주인 노노의 부인이자 창부 리지안과 만나는데, 조르주 역시 그녀를 원한다. 한편, 조르주는 아편을 팔려다 사람을 죽인 뒤 쫓기게 되는데, 동성의 동료로부터 성적 학대를 당하다 살인을 저지른 질과 우연히 만나 함께 도망친다. 분방하고 대담한 표현으로 전위적이고 논쟁적인 작품들을 썼던 작가 장 주네의 1947년작을 영화화했다. 독일 영화의 새 시대를 열었던 파스빈더의 마지막 작품이기도 하다.

주인공 크리스티안은 어린 시절 아버지의 가정폭력에 시달려왔으며 이후 아버지와 이혼한 엄마와 여동생과 살고 있다. 그녀는 학교에서 반 친구에게 이끌려 디스코클럽에 가게되고, 이후 그곳에서 그녀는 마약을 하는 데틀레프를 만나며, 그녀는 점점 이런 상황에 깊이 빠져들게 되는데...

After witnessing a catastrophe, a man named Hiob is lost in space.

After witnessing a catastrophe, a man named Hiob is lost in space.