Artur Reinhart

A simple story of a meeting between two completely different and distant people. By chance, they spend a few days together.

A simple story of a meeting between two completely different and distant people. By chance, they spend a few days together.

A simple story of a meeting between two completely different and distant people. By chance, they spend a few days together.

Emi es una joven ambiciosa que sueña con tener éxito. Cuando surge una oportunidad, no duda en lanzarse a por ella y acaba convirtiéndose en escort. Rápidamente, será ella la que reclute a personas para satisfacer los deseos de los jeques árabes. Pero este mundo también tiene un lado oscuro.

Lova (Tomasz Zietek), un joven y apuesto campeón de motociclismo de velocidad, lucha contra sus problemas y miedos, persiguiéndolo tanto en casa como en la pista. Su vida cercana a la pobreza se vuelve aún más difícil cuando conoce a Roma (Jagoda Porebska).

Lova (Tomasz Zietek), un joven y apuesto campeón de motociclismo de velocidad, lucha contra sus problemas y miedos, persiguiéndolo tanto en casa como en la pista. Su vida cercana a la pobreza se vuelve aún más difícil cuando conoce a Roma (Jagoda Porebska).

Three Russian street kids, who live on their wits in a train station, take off to the countryside hoping to make it across the border to a better life in Poland. They are alternately looking for tenderness and pushing it away because they sense that it is a sign of vulnerability they can ill-afford. Kędzierzawska has the rare ability to take the world of children on its own terms. There is not a false note in this dazzlingly beautiful and emotionally involving story of three kids trying to find their path to a new life. - Adelaide Film Festival

Three Russian street kids, who live on their wits in a train station, take off to the countryside hoping to make it across the border to a better life in Poland. They are alternately looking for tenderness and pushing it away because they sense that it is a sign of vulnerability they can ill-afford. Kędzierzawska has the rare ability to take the world of children on its own terms. There is not a false note in this dazzlingly beautiful and emotionally involving story of three kids trying to find their path to a new life. - Adelaide Film Festival

Three Russian street kids, who live on their wits in a train station, take off to the countryside hoping to make it across the border to a better life in Poland. They are alternately looking for tenderness and pushing it away because they sense that it is a sign of vulnerability they can ill-afford. Kędzierzawska has the rare ability to take the world of children on its own terms. There is not a false note in this dazzlingly beautiful and emotionally involving story of three kids trying to find their path to a new life. - Adelaide Film Festival

An atmospheric coming-of-age story featuring an imaginative young boy named Marek who dreams of escaping an increasingly dangerous Poland on the eve of war for beautiful Venice.

An impressionistic, black-and-white portrait of the day-to-day of a nonagenarian woman as she experiences the final act of her life. Danuta Szaflarska stars as Aniela, who lives in a massive yet rapidly-deteriorating wooden house, filled with souvenirs and treasures of eras gone by. Aniela runs into conflict in her dealings with others, particularly a nasty neighbor who sees her property as an eyesore and wants to do everything in his reach to buy it up and tear it down, and her married adult son, who - though kindly - triggers paranoia within Aniela (she cannot help but believe that he is scheming and planning to wheedle the property away from her). Driven aback by these individuals, Aniela finds one of her only sources of comfort and reassurance in her daily talks with her dog, Fila - and develops a great affinity for spying on the neighbors' doings whenever boredom creeps in.

An impressionistic, black-and-white portrait of the day-to-day of a nonagenarian woman as she experiences the final act of her life. Danuta Szaflarska stars as Aniela, who lives in a massive yet rapidly-deteriorating wooden house, filled with souvenirs and treasures of eras gone by. Aniela runs into conflict in her dealings with others, particularly a nasty neighbor who sees her property as an eyesore and wants to do everything in his reach to buy it up and tear it down, and her married adult son, who - though kindly - triggers paranoia within Aniela (she cannot help but believe that he is scheming and planning to wheedle the property away from her). Driven aback by these individuals, Aniela finds one of her only sources of comfort and reassurance in her daily talks with her dog, Fila - and develops a great affinity for spying on the neighbors' doings whenever boredom creeps in.

Tomek, Marcel Lozinski's son, is eighteen now. Exactly twelve years ago, when he was six, his father filmed him while he was visiting a park in Warsaw. Tomek used to stop next to some old people sitting on the benches, and, with childish frankness, would ask them questions about joy, loneliness, fear of death, dreams, love and lack of love. Now, after twelve years, on his birthday, Tomek comes back to the garden of his childhood. A magical encounter will commence.

Producción de los hermanos Ridley Scott y Tony Scott sobre una leyenda medieval que relata el trágico amor de una princesa y un guerrero, que pondrá en peligro la frágil paz entre Inglaterra e Irlanda.

A mother of three is afraid of losing her husband if he finds out she's pregnant again, so she tries to conceal it.

A mother of three is afraid of losing her husband if he finds out she's pregnant again, so she tries to conceal it.

Bastard depicts the distress of needy children and the love of a nurse and a hard boiled criminal. A film from Polish director Maciej Dejczer and actor Til Schweiger’s first international film.

A life of little Maria who lives in a foster family breaks after a sudden appearance of her mother Melanie who was absent for five years...

A story of life and death, featuring Lozinski's six-year-old son Tomaszek and elderly people spending time on the benches of a Warsaw park. Riding his scooter, Tomaszek asks the elderly very adult, though basic, questions, which they are happy to answer. The boy's ideas of future and life are confronted with those of men at the end of their lives.

Twenty years old prostitute and drug addict, Jola, by chance meets Andrzej, a "railway station gay". They try to stay together, in spite of numerous diffculties. They both are carriers of the HIV virus. At the end of their travels they find themselves in the Red Palace - formerly the recreation centre for Party dignitaries, now a home for AIDS sufferers - which is run by father Jan. In the nearby small town aggression begins to grow again the unwanted guests; the house have been promised to the local people for housing purposes... The lives and fates of Jola, Andrzej, and father Jan become increasingly intertwined with one another...

This movie shows the simplest difference between Europe and former Soviet Union. It is the eponymous 89 mm - Russian train tracks are 89 mm wider than tracks in European countries. And because of this fact, it is not easy to go through the Soviet border by train in Brest as the passengers in the film do.

Henryk Greenberg is a Polish-born American who lost much of his family in the Holocaust. Certain of the location where his father and younger brother were murdered, Greenberg returns to find most of his former neighbors predictably claiming foggy memories at first; but soon their recollections come more easily.