Production Design
A simple story of a meeting between two completely different and distant people. By chance, they spend a few days together.
Producer
A simple story of a meeting between two completely different and distant people. By chance, they spend a few days together.
Director of Photography
A simple story of a meeting between two completely different and distant people. By chance, they spend a few days together.
Director of Photography
Based on a true story, Emi — a young, ambitious girl, dreams about life outside her small town. When an opportunity arises to become an exclusive escort, she jumps in without hesitation. Soon she climbs the ranks and starts her own VIP escort service; recruiting Polish celebrities, actors, singers, and models. However, the luxurious and enticing world eventually shows its dark side.
Producer
Lowa is motorcycle racing champion: the object of women's desires and the envy of rivals on the track. Cheerful, kind to people, "ordinary", he has fun in life and what he does. But his sly smile conceals daily struggles with fear and the specter of injuries and accidents. It all becomes even more complicated when the beautiful Roma (Jagoda Porębska) stands on his way. Will she compete with his love of speed and of motorcycles? When the sport is not only a crazy, youthful passion, but also an escape from the gray reality, can he find a place for true love in his heart?
Director of Photography
Lowa is motorcycle racing champion: the object of women's desires and the envy of rivals on the track. Cheerful, kind to people, "ordinary", he has fun in life and what he does. But his sly smile conceals daily struggles with fear and the specter of injuries and accidents. It all becomes even more complicated when the beautiful Roma (Jagoda Porębska) stands on his way. Will she compete with his love of speed and of motorcycles? When the sport is not only a crazy, youthful passion, but also an escape from the gray reality, can he find a place for true love in his heart?
Producer
Camera Operator
Director of Photography
Three Russian street kids, who live on their wits in a train station, take off to the countryside hoping to make it across the border to a better life in Poland. They are alternately looking for tenderness and pushing it away because they sense that it is a sign of vulnerability they can ill-afford. Kędzierzawska has the rare ability to take the world of children on its own terms. There is not a false note in this dazzlingly beautiful and emotionally involving story of three kids trying to find their path to a new life. - Adelaide Film Festival
Producer
Three Russian street kids, who live on their wits in a train station, take off to the countryside hoping to make it across the border to a better life in Poland. They are alternately looking for tenderness and pushing it away because they sense that it is a sign of vulnerability they can ill-afford. Kędzierzawska has the rare ability to take the world of children on its own terms. There is not a false note in this dazzlingly beautiful and emotionally involving story of three kids trying to find their path to a new life. - Adelaide Film Festival
Editor
Three Russian street kids, who live on their wits in a train station, take off to the countryside hoping to make it across the border to a better life in Poland. They are alternately looking for tenderness and pushing it away because they sense that it is a sign of vulnerability they can ill-afford. Kędzierzawska has the rare ability to take the world of children on its own terms. There is not a false note in this dazzlingly beautiful and emotionally involving story of three kids trying to find their path to a new life. - Adelaide Film Festival
Director of Photography
An atmospheric coming-of-age story featuring an imaginative young boy named Marek who dreams of escaping an increasingly dangerous Poland on the eve of war for beautiful Venice.
Director of Photography
An impressionistic, black-and-white portrait of the day-to-day of a nonagenarian woman as she experiences the final act of her life. Danuta Szaflarska stars as Aniela, who lives in a massive yet rapidly-deteriorating wooden house, filled with souvenirs and treasures of eras gone by. Aniela runs into conflict in her dealings with others, particularly a nasty neighbor who sees her property as an eyesore and wants to do everything in his reach to buy it up and tear it down, and her married adult son, who - though kindly - triggers paranoia within Aniela (she cannot help but believe that he is scheming and planning to wheedle the property away from her). Driven aback by these individuals, Aniela finds one of her only sources of comfort and reassurance in her daily talks with her dog, Fila - and develops a great affinity for spying on the neighbors' doings whenever boredom creeps in.
Editor
An impressionistic, black-and-white portrait of the day-to-day of a nonagenarian woman as she experiences the final act of her life. Danuta Szaflarska stars as Aniela, who lives in a massive yet rapidly-deteriorating wooden house, filled with souvenirs and treasures of eras gone by. Aniela runs into conflict in her dealings with others, particularly a nasty neighbor who sees her property as an eyesore and wants to do everything in his reach to buy it up and tear it down, and her married adult son, who - though kindly - triggers paranoia within Aniela (she cannot help but believe that he is scheming and planning to wheedle the property away from her). Driven aback by these individuals, Aniela finds one of her only sources of comfort and reassurance in her daily talks with her dog, Fila - and develops a great affinity for spying on the neighbors' doings whenever boredom creeps in.
Director of Photography
Tomek, Marcel Lozinski's son, is eighteen now. Exactly twelve years ago, when he was six, his father filmed him while he was visiting a park in Warsaw. Tomek used to stop next to some old people sitting on the benches, and, with childish frankness, would ask them questions about joy, loneliness, fear of death, dreams, love and lack of love. Now, after twelve years, on his birthday, Tomek comes back to the garden of his childhood. A magical encounter will commence.
Director of Photography
Na Europa da Idade Média as tribos lutam pelo poder, logo após a queda do império romano. Tristão (James Franco) teve toda sua família assassinada por conspiradores, que tinham o objetivo de impedir os planos de seu pai para unificar a Inglaterra. Adotado pelo tio, Lorde Marke (Rufus Sewell), Tristão cresce e se torna seu maior guerreiro. Imbuído do desejo em seguir os planos do pai, ele é ferido em combate e considerado morto, sendo jogado ao mar em um enterro viking. Porém é resgatado por Isolda (Sophia Myles), por quem se apaixona. O casal troca juras de amor, mas não revela seus nomes. Após se recuperar ele retorna à sua terra, sem saber que seu amor é a filha de Donnchadh (David O'Hara), o rei da Irlanda e também seu principal inimigo. Mas o destino fará com que se encontrem novamente, quando Donnchadh organiza um campeonato de lutas até a morte e promete como prêmio a mão de sua filha.
Editor
A mother of three is afraid of losing her husband if he finds out she's pregnant again, so she tries to conceal it.
Director of Photography
A mother of three is afraid of losing her husband if he finds out she's pregnant again, so she tries to conceal it.
Director of Photography
Bastard depicts the distress of needy children and the love of a nurse and a hard boiled criminal. A film from Polish director Maciej Dejczer and actor Til Schweiger’s first international film.
Cinematography
A life of little Maria who lives in a foster family breaks after a sudden appearance of her mother Melanie who was absent for five years...
Director of Photography
A story of life and death, featuring Lozinski's six-year-old son Tomaszek and elderly people spending time on the benches of a Warsaw park. Riding his scooter, Tomaszek asks the elderly very adult, though basic, questions, which they are happy to answer. The boy's ideas of future and life are confronted with those of men at the end of their lives.
Director of Photography
Director of Photography
Twenty years old prostitute and drug addict, Jola, by chance meets Andrzej, a "railway station gay". They try to stay together, in spite of numerous diffculties. They both are carriers of the HIV virus. At the end of their travels they find themselves in the Red Palace - formerly the recreation centre for Party dignitaries, now a home for AIDS sufferers - which is run by father Jan. In the nearby small town aggression begins to grow again the unwanted guests; the house have been promised to the local people for housing purposes... The lives and fates of Jola, Andrzej, and father Jan become increasingly intertwined with one another...
Cinematography
This movie shows the simplest difference between Europe and former Soviet Union. It is the eponymous 89 mm - Russian train tracks are 89 mm wider than tracks in European countries. And because of this fact, it is not easy to go through the Soviet border by train in Brest as the passengers in the film do.
Director of Photography
Henryk Greenberg is a Polish-born American who lost much of his family in the Holocaust. Certain of the location where his father and younger brother were murdered, Greenberg returns to find most of his former neighbors predictably claiming foggy memories at first; but soon their recollections come more easily.