Artur Reinhart

A simple story of a meeting between two completely different and distant people. By chance, they spend a few days together.

A simple story of a meeting between two completely different and distant people. By chance, they spend a few days together.

A simple story of a meeting between two completely different and distant people. By chance, they spend a few days together.

에미는 자신의 꿈을 위해 기회가 있을 때마다 주저 없이 돌진하는 야심찬 여자다. 그렇게 은밀한 세계에서 전문적인 에스코트가 된 에미. 어느 날, 중동의 어느 잘생긴 부자의 초대를 받아 에미는 미스 폴란드, 섹시 스타 및 모델을 모아 화려한 파티에 참석한다. 아름다운 여성들과 잘생긴 남성들, 그들만의 호화로움과 사치 속에서 도발적인 스캔들이 벌어진다.

Lowa is motorcycle racing champion: the object of women's desires and the envy of rivals on the track. Cheerful, kind to people, "ordinary", he has fun in life and what he does. But his sly smile conceals daily struggles with fear and the specter of injuries and accidents. It all becomes even more complicated when the beautiful Roma (Jagoda Porębska) stands on his way. Will she compete with his love of speed and of motorcycles? When the sport is not only a crazy, youthful passion, but also an escape from the gray reality, can he find a place for true love in his heart?

Lowa is motorcycle racing champion: the object of women's desires and the envy of rivals on the track. Cheerful, kind to people, "ordinary", he has fun in life and what he does. But his sly smile conceals daily struggles with fear and the specter of injuries and accidents. It all becomes even more complicated when the beautiful Roma (Jagoda Porębska) stands on his way. Will she compete with his love of speed and of motorcycles? When the sport is not only a crazy, youthful passion, but also an escape from the gray reality, can he find a place for true love in his heart?

Three Russian street kids, who live on their wits in a train station, take off to the countryside hoping to make it across the border to a better life in Poland. They are alternately looking for tenderness and pushing it away because they sense that it is a sign of vulnerability they can ill-afford. Kędzierzawska has the rare ability to take the world of children on its own terms. There is not a false note in this dazzlingly beautiful and emotionally involving story of three kids trying to find their path to a new life. - Adelaide Film Festival

Three Russian street kids, who live on their wits in a train station, take off to the countryside hoping to make it across the border to a better life in Poland. They are alternately looking for tenderness and pushing it away because they sense that it is a sign of vulnerability they can ill-afford. Kędzierzawska has the rare ability to take the world of children on its own terms. There is not a false note in this dazzlingly beautiful and emotionally involving story of three kids trying to find their path to a new life. - Adelaide Film Festival

Three Russian street kids, who live on their wits in a train station, take off to the countryside hoping to make it across the border to a better life in Poland. They are alternately looking for tenderness and pushing it away because they sense that it is a sign of vulnerability they can ill-afford. Kędzierzawska has the rare ability to take the world of children on its own terms. There is not a false note in this dazzlingly beautiful and emotionally involving story of three kids trying to find their path to a new life. - Adelaide Film Festival

An atmospheric coming-of-age story featuring an imaginative young boy named Marek who dreams of escaping an increasingly dangerous Poland on the eve of war for beautiful Venice.

아니엘라는 한때는 아름다웠지만 지금은 흉물스러워진 저택에서 유일한 말동무이자 친구인 충견과 함께 살고 있다. 비록 늙고 외로운 노인일지라도 자존심과 위엄을 잃지 않는 그녀는 이 퇴색한 저택과 많이 닮아 있다. 생의 화려한 순간들은 가고 죽음이 머지않은 그녀의 일상에서 아들이 가끔씩 걸어오는 안부 전화는 유일한 기쁨이자 기다림이다. 반면 자신에게서 아들을 빼앗아간 며느리나 이기적이고 철없는 손녀, 시시때때로 그녀의 정원을 넘나드는 이웃집 음악원 원생들은 그저 성가시기만 하고, 그들 역시 아니엘라를 고집 세고 괴팍한 노인네로만 여긴다. 영화의 각본은 아흔을 넘긴 폴란드 여배우 다누타 샤플라르스카를 위해 쓰여졌으며, 실제로 영화를 이끌어 가는 그녀의 힘은 나이를 초월해 놀랍기 그지없다. 고요하고 아름다운 영상 속에 삶과 죽음에 대한 성찰이 서정시처럼 그려진다.

아니엘라는 한때는 아름다웠지만 지금은 흉물스러워진 저택에서 유일한 말동무이자 친구인 충견과 함께 살고 있다. 비록 늙고 외로운 노인일지라도 자존심과 위엄을 잃지 않는 그녀는 이 퇴색한 저택과 많이 닮아 있다. 생의 화려한 순간들은 가고 죽음이 머지않은 그녀의 일상에서 아들이 가끔씩 걸어오는 안부 전화는 유일한 기쁨이자 기다림이다. 반면 자신에게서 아들을 빼앗아간 며느리나 이기적이고 철없는 손녀, 시시때때로 그녀의 정원을 넘나드는 이웃집 음악원 원생들은 그저 성가시기만 하고, 그들 역시 아니엘라를 고집 세고 괴팍한 노인네로만 여긴다. 영화의 각본은 아흔을 넘긴 폴란드 여배우 다누타 샤플라르스카를 위해 쓰여졌으며, 실제로 영화를 이끌어 가는 그녀의 힘은 나이를 초월해 놀랍기 그지없다. 고요하고 아름다운 영상 속에 삶과 죽음에 대한 성찰이 서정시처럼 그려진다.

Tomek, Marcel Lozinski's son, is eighteen now. Exactly twelve years ago, when he was six, his father filmed him while he was visiting a park in Warsaw. Tomek used to stop next to some old people sitting on the benches, and, with childish frankness, would ask them questions about joy, loneliness, fear of death, dreams, love and lack of love. Now, after twelve years, on his birthday, Tomek comes back to the garden of his childhood. A magical encounter will commence.

바다를 사이에 둔 아일랜드와 영국. 로마 멸망 후, 아일랜드는 번성하여 영국을 지배하고 영국은 여러 부족들로 나누어져 있었다. 또한 아일랜드의 왕에 의해 부족들간의 연합은 금지되어 있었다. 이러한 혼란기에 트리스탄은 어린 시절, 아일랜드의 습격으로 가족을 잃고 영국의 통합을 추진하는 한 군주 마크에게서 키워진다. 트리스탄은 최고의 기사로 성장했지만 아일랜드와의 전투에서 독이 묻은 칼에 부상을 당하게 된다. 모두 그가 죽은 것으로 알고 그들의 장례절차에 따라 배에 띄워 보낸다. 운명적인 사랑의 시작… 한편, 아일랜드의 공주 이졸데는 해안가에서 트리스탄을 실은 배를 발견하고 자신의 신분을 속이고 그를 치료하며 트리스탄과 사랑에 빠지게 된다. 그러나 곧, 트리스탄이 아일랜드 군에 의해 발각될 위기에 놓이면서 둘은 헤어진다. 그리고.. 운명이 된 비극의 시작… 시간이 흐른 후… 아일랜드 왕은 영국과의 평화를 위해 영국의 최고 군주에게 자신의 딸을 주기로 하고 시합을 개최한다. 트리스탄은 마크의 왕을 대신하여 이 시합에 나가게 되고 둘의 비극적인 사랑은 다시 시작되는데….

A mother of three is afraid of losing her husband if he finds out she's pregnant again, so she tries to conceal it.

A mother of three is afraid of losing her husband if he finds out she's pregnant again, so she tries to conceal it.

Bastard depicts the distress of needy children and the love of a nurse and a hard boiled criminal. A film from Polish director Maciej Dejczer and actor Til Schweiger’s first international film.

A life of little Maria who lives in a foster family breaks after a sudden appearance of her mother Melanie who was absent for five years...

A story of life and death, featuring Lozinski's six-year-old son Tomaszek and elderly people spending time on the benches of a Warsaw park. Riding his scooter, Tomaszek asks the elderly very adult, though basic, questions, which they are happy to answer. The boy's ideas of future and life are confronted with those of men at the end of their lives.

Twenty years old prostitute and drug addict, Jola, by chance meets Andrzej, a "railway station gay". They try to stay together, in spite of numerous diffculties. They both are carriers of the HIV virus. At the end of their travels they find themselves in the Red Palace - formerly the recreation centre for Party dignitaries, now a home for AIDS sufferers - which is run by father Jan. In the nearby small town aggression begins to grow again the unwanted guests; the house have been promised to the local people for housing purposes... The lives and fates of Jola, Andrzej, and father Jan become increasingly intertwined with one another...

This movie shows the simplest difference between Europe and former Soviet Union. It is the eponymous 89 mm - Russian train tracks are 89 mm wider than tracks in European countries. And because of this fact, it is not easy to go through the Soviet border by train in Brest as the passengers in the film do.

Henryk Greenberg is a Polish-born American who lost much of his family in the Holocaust. Certain of the location where his father and younger brother were murdered, Greenberg returns to find most of his former neighbors predictably claiming foggy memories at first; but soon their recollections come more easily.