Negro Street Dancers (1896)

A social worker is coming to Gru's house to check if it's suitable for children. Margo, Edith, Agnes and the Minions must take care of the situation.

舞台は昔のフランス。かの有名なヒーロー“三銃士”に憧れ、いつかは自分たちも輝かしい近衛銃士の一員になりたいと夢見る下働きのミッキー、ドナルド、グーフィー。ある日突然、落ちこぼれで失敗してばかりのミッキーたちが、ミニー姫の警護にあたる銃士に大抜擢される…。でもその裏には、ミニー姫を危険に陥れようとする近衛隊長ピートの悪巧みが隠されていたのです。大張り切りのミッキーたち“三銃士”は、力を合わせてミニー姫を守れるのでしょうか…？

Goofy's in the driver's seat, Mickey's in the kitchen, and Donald's in bed in Mickey's high-tech house trailer. When Goofy comes back to eat breakfast, leaving the car on autopilot, it takes them onto a dangerous closed mountain road. When Goofy realizes this, he accidentally unhooks the trailer, sending it on a perilous route. They come very close to disaster several times, while the oblivious Goofy drives on and hooks back up to them.

It's time to laugh like crazy as Mickey, Goofy and Donald fight against raging gears, twisted springs, deafening bells and a sleeping stork. Watch them reach new heights of humor as their valiant efforts to clean a bell tower turn into a real circus!

大きな製鉄工場で働くチャーリーは、スパナを手にひたすらベルトコンベアーを流れる部品にねじを回し続けるという単純作業を繰り返していた。その様子はテレビモニターで監視され、休む暇もなく働かされていた。ある日、チャーリーは労働者の食事時間を節約するために作られた自動給食マシーンの実験台にされ散々な目に合わされる。その後も仕事を続けていく内にチャーリーは発狂し、トラブルを起こして精神病院送りになってしまう。ようやく退院を迎えた日、トラックから落ちた赤旗を拾い運転手に返そうと追いかけていく内にいつの間にか労働者のデモ隊の先導をきってしまい、そのリーダーと間違われて捕まって拘置所に入れられてしまう。脱獄囚を撃退した功績で模範囚として放免され造船所の仕事を紹介されるものの、上手くいかず辞めてしまい、あてもなく街をうろつく生活に陥ってしまう。 拘置所が恋しくなったチャーリーはわざと無銭飲食をして捕まえられるが、護送車の中でパンを盗んだ浮浪少女（ポーレット・ゴダード）と出会う。護送車が急カーブで横転し、外へ投げ出されたチャーリーと少女は逃亡。少女と意気投合したチャーリーは、2人のために家を建てるという夢を胸に一念発起とばかり働き出す。デパートの夜回り、工場の技師の助手と仕事を獲得するものの結局上手くいかず、2件とも警察沙汰になるという不運な結果に終わってしまう。その後少女が勤め始めたキャバレー[3]のウェイターの職を得る。見世物の「ティティナ」を歌って大成功したが、少女の微罪のため、そこも追われてしまう。やっとの思いで手に入れた幸福すらも失い悲しみに打ちひしがれる少女を、チャーリーは力強く励ます。 そして、二人は未来に希望を見出し、現代社会の冷たさと束縛に囚われない自由な生活を求めて共に旅立っていくのだった。

A janitor at a bank is in love with a secretary and dreams that she has fallen in love with him too.

The Tramp gets drunk in a hotel lobby and causes some misunderstandings between Mabel and her lover.

220 million years ago dinosaurs were beginning their domination of Earth. But another group of reptiles was about to make an extraordinary leap: pterosaurs were taking control of the skies. The story of how and why these mysterious creatures took to the air is more fantastical than any fiction. In Flying Monsters 3D, Sir David Attenborough the world’s leading naturalist, sets out to uncover the truth about the enigmatic pterosaurs, whose wingspans of up to 40 feet were equal to that of a modern day jet plane.

The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger

Walking along with his bulldog, Charlie finds a "good luck" horseshoe just as he passes a training camp advertising for a boxing partner "who can take a beating." After watching others lose, Charlie puts the horseshoe in his glove and wins. The trainer prepares Charlie to fight the world champion. A gambler wants Charlie to throw the fight. He and the trainer's daughter fall in love.

ディズニーを代表するキャラクターであるミッキーマウスを主人公にした短編アニメーション。1928年に製作された「ミッキーマウス」シリーズの第1作『蒸気船ウィリー』を思わせるクラシックなモノクロ映像と、最先端技術を駆使した映像が融合する中、ミッキーマウスのユーモラスでスリリングな活躍が映し出されていく。『カーズ』シリーズなどのジョン・ラセターが製作総指揮を担当、彼の指示によってアーカイブに保存されているウォルト・ディズニー本人の音声を抽出してミッキーマウスの声が創造されている。なお本作は、『アナと雪の女王』の同時上映作品となっている。

The two pigs building houses of hay and sticks scoff at their brother, building the brick house. But when the wolf comes around and blows their houses down (after trickery like dressing as a foundling sheep fails), they run to their brother's house. And throughout, they sing the classic song, "Who's Afraid of the Big Bad Wolf?".

Mia recounts her most intimate confessions, uncensored, in her first approach to a totally new world of domination and submission.

ベルゲンのカレンダーにはクリスマスのお祝いがない事を知ったトロールの女王ポピーはブランチの助けを借りて、ブリジットたちにクリスマスの大切さを教えようとします。さぁ、友だちになったトロールたちとベルゲンはクリスマスをお祝いすることができるのでしょうか？

A very old woman wants to have dinner with her friends. As they are all dead, the butler has to play the role of every guest.

大好きな科学に夢中になるあまり、友達が一人もできない少年ヴィクター。そんな彼を両親は心配していたが、ヴィクターは愛犬スパーキーを相棒にして楽しい毎日を送っていた。しかし、思いも寄らぬ事故が起きて、スパーキーは天国へと旅立ってしまう。深い悲しみに沈んでいたヴィクターだったが、次第にスパーキーをよみがえらせたいという強い気持ちを抱くように。少しばかり危険な科学な知識を駆使してスパーキー蘇生に成功するが、その姿はつぎはぎだらけで、まるでフランケンシュタインのようだった。

Margo, Edith, and Agnes spot an ice cream truck. The three of them go after the truck but Agnes falls as she attempts to pedal to the truck. The Minions, seeing her so upset by this, decide to build her a unicorn-themed motorcycle. Agnes goes for a little ride around town.

A Minion, seeing many owners walk their dogs, wants a puppy of his own. He tries to leash a ladybug but fails. Luckily, a UFO that sweeps away the ladybug somehow agrees to become a Puppy.

Susan Murphy (a.k.a. Ginormica) and the Monsters are now working with the US government as special ops. So when an alien presence is detected in Susan's hometown of Modesto, California -- right before Halloween -- the team is dispatched to investigate. Everything appears normal, right down to the jack-o-lanterns peering out from every doorstep and windowsill. But when Halloween arrives, those innocent-looking carved pumpkins reveal themselves for what they really are mutant aliens. The altered pumpkins then start to implement their fiendish plan to take over Earth. The Monsters are there to combat the mutant gourds and try to smash their wicked scheme!

A documentary filmmaker interviews the now-famous Trevor Slattery from behind bars.

Cunard Vessel at Liverpool

Railroad from Georgetown to Silver Plume, Colorado.

The hen house occupies the entire left foreground of the picture, running back to the nearby road. The main foreground is filled with tall grass swept by the wind, the naturalness of which effect is remarkable. A thief appears 'round the corner, carrying a tattered sack. He suspiciously approaches the window, from which two fowl are handed to him by a black confederat, who himself suddenly appears at the window, falling out head first but clinging tenaciously to a fluttering white bird.

While the crowd slowly moves forward, a company of guards and the Imperial dais enter the church.

A great feature of the Pan-American Exposition, as unanimously conceded by all visitors, was the electric illumination of the Exposition grounds at night. After a great deal of experimenting and patience, we succeeded in securing an excellent picture of the buildings at the Pan-American as they appeared when lighted up at night.

A well-dressed, middle-aged man is enjoying a drink at a table with a pretty young woman. He flirts with her, and she seems not to mind his attentions. But is it all too good to be true?

An old proprietor is startled and haunted by the strange happenings inside his curiosity shop.

Firefighters ring for help, and here comes the ladder cart; they hitch a horse to it. A second horse-drawn truck joins the first, and they head down the street to a house fire. Inside a man sleeps, he awakes amidst flames and throws himself back on the bed. In comes a firefighter, hosing down the blaze. He carries out the victim, down a ladder to safety. Other firefighters enter the house to save belongings, and out comes one with a baby. The saved man rejoices, but it's not over yet.

A satire on the way that audiences unaccustomed to the cinema didn't know how to react to the moving images on a screen - in this film, an unsophisticated (and stereotypical) country yokel is alternately baffled and terrified, in the latter case by the apparent approach of a steam train.

A convicted criminal dreams about his past the night before his execution.

At the beginning of the scene Romeo in his gondola sings to Juliet a sentimental song, then goes away. Hardly has he departed when the colonnade falls to pieces, disclosing the devil. Juliet, frightened, runs to the window and calls Romeo. The latter attempts to enter and protect his fiancée, but at a gesture from the devil the window is instantly covered with a grating and Romeo makes frantic efforts to break it. The devil begins to dance a wild dance before Juliet, who is beside herself from terror. The devil gradually becomes the size of a giant (a novel effect). Juliet implores the statue of Madonna, which becomes animated, descends from its pedestal, and stretching out its arms orders the devil to disappear. (Méliès Catalog)

A documentary filmmaker interviews the now-famous Trevor Slattery from behind bars.

A young boy dances on a table top.

As a woman waits outside of a window, a man rides up on horseback, and she jumps on behind him. As the two of them ride off to elope, one of the man's friends stays behind, in case anyone comes after the couple. He soon finds out that this is, in fact, a necessary precaution.

With the exception of this film there are absolutely no genuine moving picture films representing genuine prize fights on the market. The prize fight films, so-called, are either taken by the fight promoters and retained by them for exhibition, not on sale and cannot be procured, or else they are the boldest fake reproductions put up the day following the fight by cheap, so-called fighters, who endeavor, to the best of their ability and under the direction of the enterprising photographer, to represent or reproduce as nearly as possible the scrap which occured the evening before between the genuine principles. It is easy to see how very little real value films produced in these ways possess for the average public, which quick to see that the so-called priniples in the fight are not the men they are advertised to be, and the fight is not the real thing.

A lad from a butcher shop is carrying a tray laden with a roast or a leg of lamb. A hobo grabs it and runs. The boy gives chase, joined by dogs, as neighbors watch the spectacle. The hobo jumps into a large rain barrel, followed by the dogs.

One long traveling shot through a sea front lined with tourists, workers, and sundry others.

A man attempts to engender a transformation of a giant worm into a butterfly.

A magician does tricks with the aid of his assistant, the Human Pump.

Filmed in 35mm and in black and white, this short silent film was produced by the English film pioneer R. W. Paul, and directed by Walter R. Booth and was filmed at Paul's Animatograph Works. It was released in November 1901. As was common in cinema's early days, the filmmakers chose to adapt an already well-known story, in this case A Christmas Carol by Charles Dickens, in the belief that the audience's familiarity with the story would result in the need for fewer intertitles. It was presented in 'Twelve Tableaux' or scenes. The film contains the first use of intertitles in a film.