血闘 (1952)

1800年。フランスのストラスブール。軽騎兵のフェロー中尉（ハーヴェイ・カイテル）が町の有力者の甥を決闘で傷つけた。“名誉のため”という名目だったが、軍の命令はフェローに厳しかった。その命令を単に伝える使命でフェローのもとを訪れた軽騎兵デュベール中尉（キース・キャラダイン）は、理由もなくフェローに決闘を申し込まれ、名誉のために受けてたち、彼に傷を与えた。この日から二人の宿命的な対決の人生がはじまった。フェローはデュベールとの決闘に執念を燃やし、彼の行く先々に姿を現わした。二度目の対決は、デュベールがアウグスブルグに駐屯していた時だった。決闘で負傷したデュベールに、将軍はこれ以上決闘を続ければ除隊させると告げた。しかし、1806年、リューべックではデュベールがフェローを傷つけて終わるが、1812年ロシア遠征では、奇妙な友情のような感情が芽ばえだし、凍るような寒さの中で互いに手をさしのべあうのだった。そして1814年、ルイ18世が即位したフランス。デュベールは、姉のすすめでアデル（クリスティーナ・レインズ）と結婚し、しあわせで平穏な生活を送っていた。そこにまたしてもフェローが現われ、決闘を申し込んだ。最後の決闘はピストルで行なわれることになった。廃虚に銃声が轟いた。しかし、優勢に立ったデュベールは、フェローから的をはずして発砲し、その場を去っていた。

After his family is killed in Japan by ninjas, Cho and his son Kane come to America to start a new life. He opens a doll shop but is unwittingly importing heroin in the dolls. When he finds out that his friend has betrayed him, Cho must prepare for the greatest battle he has ever been involved in.

18th century English aristocrat Sir Percy Blakeney leads a double life. He appears to be merely the effete aristocrat, but in reality is part of an underground effort to free French nobles from Robespierre's Reign of Terror.

鳳学園に転校してきた男装の美少女・ウテナ。かつての恋人である冬芽と再会した彼女は、そこで彼と同じ薔薇の刻印のついた指輪を手にする。その指輪を持つ者は、"薔薇の花嫁"と呼ばれる美少女・アンシーを賭けて、決闘ゲームに参加しなくてはならない。そして、そのゲームに勝利すれば、彼女とエンゲージし"永遠があるという城"へ行くことが許されるのだ。女性であるウテナは巻き込まれるようにゲームに参加するも、生徒会副会長の西園寺、フェンシング部キャプテンの樹璃と対決し、次々と勝利を収めていく。こうしてアンシーとエンゲージすることになったウテナは、彼女を"外の世界"へ連れ出そうとする。だが、巨大な洗車ブラシに取り込まれ、自動車にされてしまうウテナ。アンシーはそんなウテナ・カーに乗り込むと、追手を振りきり閉ざされた世界からの脱出に成功するのだった。

An account of the adventures of two sets of identical twins, badly scrambled at birth, on the eve of the French Revolution. One set is haughty and aristocratic, the other poor and somewhat dim. They find themselves involved in palace intrigues as history happens around them. Based, very loosely, on Dickens's "A Tale of Two Cities," Dumas's "The Corsican Brothers," etc.

During the French Revolution, a mysterious English nobleman known only as The Scarlet Pimpernel (a humble wayside flower), snatches French aristos from the jaws of the guillotine, while posing as the foppish Sir Percy Blakeney in society. Percy falls for and marries the beautiful actress Marguerite St. Just, but she is involved with Chauvelin and Robespierre, and Percy's marriage to her may endanger the Pimpernel's plans to save the little Dauphin

Six heroes are killed while investigating rampant lawlessness at Zhaoqing Temple where villains are posing as monks. The dead heroes’ senior brother Su-chen and his two apprentices pose as scholars in order to infiltrate the temple. When the life of the Emperor’s Inspector and his daughter are threatened, the trio leaps into battle as government troops prepare to storm the temple.

This early film made by Georges Hatot for the Lumière Company is a brief single shot-scene of the assassination of the French revolutionary writer, Jean-Paul Marat--who has the notorious distinction of having influenced the Reign of Terror.

Constance, an aristocrat from the Vendée, and François-Denis, a navy officer 10 years her senior, fall madly in love. But, during a hunting party, Constance has a terrible fall. Left crippled, she breaks off their relationship. Years go by. Whilst war wages on Constance and François-Denis' paths cross once more.

“Madame Tallien” (1916) depicts the libertine life and loves of the eponymous decadent aristocrat, an important activist who was ahead of her time in deciding to make both love and war before, during and after the French Revolution . She even caused Robespierre to lose his head (literally) because of her.

Jankovics's adaptation of the eponymous play is divided into multiple parts, and depicts the creation and fall of Man throughout history.

A law student becomes an outlaw French revolutionary when he decides to avenge the unjust killing of his friend. To get close to the aristocrat who has killed his friend, the student adopts the identity of Scaramouche the clown.

A parody of the French Revolution, on Arabian Nights background. Bagdad Calif is in Paris in 1789, where he decides to visit the Executionner equipment exhibition.

Dangerous Exile is a 1957 British historical drama film directed by Brian Desmond Hurst and starring Louis Jourdan, Belinda Lee, Anne Heywood and Richard O'Sullivan. It concerns the fate of Louis XVII, who died in 1795 as a boy, yet was popularly believed to have escaped from his French revolutionary captors.

Kath & Kim turn more than just heads when they go on an overseas trip and end up being the centre of their very own fairytale.

In the first half of the 1600's, France is at war with Spain. The cousin of the king of Spain, Isabella, is held captive in the French castle, and the Count of Seville is sent to France as a diplomat. While there, he is escorted by the Three Musketeers, who discover that he has secretly made a deal with Cardinal Richelieu to disclose Spanish military secrets in exchange for Isabella's release. However, he is merely bluffing and plans to take Isabella by force. When the musketeers discover this, they come to his aid, and together the four of them work at freeing the Countess. Meanwhile, the Count doubles as Zorro to free the Spanish court from a treacherous suitor.

The film explains the French Revolution of 1848. Bernard Blier's narration is supported by pictures once drawn by contemporary artists including Honoré Daumier. Preserved by the Academy Film Archive in 2010.

A dark forest, a castle in ruins, two medieval knights and a diabolic creature from times immemorial. Based on the horror comic by Antonio Rodrigues and Julio Shimamoto, a legend among Brasilian comic artists.

The time is the French Revolution; the place is the village of Travers, ensconsed in neutral Switzerland. Prussian aesthete Herman Beyer is on the verge of divorcing wife Corinna Harfouch. Radical writer Uwe Kokisch, Corinna's lover, hopes to find a way of smoothing out animosities. What follows, however, is a nonstop drinking binge. The film subliminally addresses the then-prevalent issue of a divided Germany. Whether or not it succeeds is unimportant; Treffen in Travers (Reunion in Travers) has proven to be a crowd pleaser wherever it has been shown.