Christina Crawford

出生 : 1939-06-11,

参加作品

Joan Crawford: The Ultimate Movie Star
Self
In this documentary on the life of Joan Crawford, we learn why she should be remembered as the great actress she was, and not only as "mommie dearest." caricature she has become. Friends, fellow actors, directors, and others reminisce about their association with her, and numerous film clips show off her talent from her start in silents to bad science fiction/horror movies at the end of her career.
Out of the Closet, Off the Screen: The Life of William Haines
Herself
Chronicles the life of William Haines, Hollywood's first openly gay movie star, who sacrificed his career to live openly with his lover.
Inside Out
Herself
A film that shows how "hard" it is to be son of celebrities.
愛と憎しみの伝説
Book
Renowned actress Joan Crawford, at the height of her career, adopts two orphans — Christina and Christopher — to fill the lonely gap in her personal life. However, as her professional and romantic relationships sour, Joan's already callous and abusive behavior towards Christina intensifies. Christina leaves home to pursue an acting path of her own, only to find her mother's presence still overshadowing her.
フェイシズ
Woman Scattering Coins on Bar
結婚後14年が過ぎ、夫婦関係が破綻しかけたリチャード とマリアは、ある日決定的な諍いを起こし、互いに別々の夜を過ごす。リチャードは美しい高級娼婦ジェニー と、マリアは友人たちと行ったディスコで出会った青年、チェット と。翌朝マリアは衝動的に自殺を図り、チェットに救われるが、夫が帰宅し、チェットは逃げ出した。家には2人だけが残され、深い沈黙が夫婦を包みこんでいくのだった。
Wild in the Country
Monica George
A troubled young man discovers that he has a knack for writing when a counselor encourages him to pursue a literary career.
Joan Crawford's Home Movies
Self
The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.