Christina Crawford

In this documentary on the life of Joan Crawford, we learn why she should be remembered as the great actress she was, and not only as "mommie dearest." caricature she has become. Friends, fellow actors, directors, and others reminisce about their association with her, and numerous film clips show off her talent from her start in silents to bad science fiction/horror movies at the end of her career.

Chronicles the life of William Haines, Hollywood's first openly gay movie star, who sacrificed his career to live openly with his lover.

A film that shows how "hard" it is to be son of celebrities.

Renowned actress Joan Crawford, at the height of her career, adopts two orphans — Christina and Christopher — to fill the lonely gap in her personal life. However, as her professional and romantic relationships sour, Joan's already callous and abusive behavior towards Christina intensifies. Christina leaves home to pursue an acting path of her own, only to find her mother's presence still overshadowing her.

Richard Frost (John Marley) resolveu deixar sua esposa, Maria (Lynn Carlin), para se encontrar com a jovem Jeannie Rapp (Gena Rowlands), que conheceu recentemente em um bar. Maria, por sua vez, decide ir a uma boate, onde se deixa seduzir por um garoto de programa.

Glenn Tyler quer ser um escritor de sucesso, porém, os conflitos de sua vida pessoal parecem demais para ele, até que ele envolve-se romanticamente com três mulheres, uma rica, uma psicóloga e uma espevitada, as três querem levá-lo a curtição e loucura total.

The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.