Christina Crawford

Рождение : 1939-06-11,

Фильмы

Joan Crawford: The Ultimate Movie Star
Self
In this documentary on the life of Joan Crawford, we learn why she should be remembered as the great actress she was, and not only as "mommie dearest." caricature she has become. Friends, fellow actors, directors, and others reminisce about their association with her, and numerous film clips show off her talent from her start in silents to bad science fiction/horror movies at the end of her career.
Out of the Closet, Off the Screen: The Life of William Haines
Herself
Chronicles the life of William Haines, Hollywood's first openly gay movie star, who sacrificed his career to live openly with his lover.
Inside Out
Herself
A film that shows how "hard" it is to be son of celebrities.
Дорогая мамочка
Book
Драматичная история взросления юной Кристины в семье своей приёмной матери Джоан Кроуфорд, одной из известнейших голливудских актрис 30-х годов.
Лица
Woman Scattering Coins on Bar
Ричард и Мария женаты уже четырнадцать лет, но их брак переживает не лучшие времена. Устав друг от друга, они решают поискать забытую остроту ощущений на стороне. Однажды вечером Ричард оставляет жену, чтобы провести ночь с другой женщиной...
Одиночка
Monica George
Персонаж Элвиса Прэсли — юноша с неукротимым нравом, что не может не вызывать симпатий. Ввязываясь в неприятности и разрываясь между тремя девушками на протяжение фильма, терпя предвзятое к себе отношение, как к неисправимому типу, в финале ему суждено обрести своё место в жизни и истинную любовь.
Joan Crawford's Home Movies
Self
The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.