Makoto Nagahisa

Under the impetus of the 75th anniversary of the bamboo top-handle bags, the House presents a contemporary retelling of an ancient Japanese story entitled ‘Taketori Monogatari (The Tale of the Bamboo Cutter).’ Makoto Nagahisa stages the plot of finding oneself, along with true love, in a Tokyo betwixt and between reality and a dream. Dressed in looks from the Gucci Love Parade collection, Hikari Mitsushima, Aoi Yamada, and Eita Nagayama star in the story shedding a new light on the Gucci Bamboo 1947 and Gucci Diana Beloved lines.

This is the story of one man’s life, set in a world where everybody knows the day they will die: their “DEATH DAY”.

This is the story of one man’s life, set in a world where everybody knows the day they will die: their “DEATH DAY”.

The movie director Makoto Nagahisa reinterprets Yukio Mishima's "Patriotism" by following a young couple during the coronavirus pandemic. This is the story of COVID-19, the live house, and the couple's self-determination.

両親を亡くし火葬場で出会ったヒカリ(二宮慶多)、イシ(水野哲志)、タケムラ(奥村門土)、イクコ(中島セナ)は、感情を失った自分たちの心を取り戻すため、それぞれの家を巡り始める。やがてたどり着いたゴミ捨て場で、LITTLE ZOMBIES というバンドを結成。そこで撮った映像が話題を呼び、社会現象になるほどのヒットを記録する。

両親を亡くし火葬場で出会ったヒカリ(二宮慶多)、イシ(水野哲志)、タケムラ(奥村門土)、イクコ(中島セナ)は、感情を失った自分たちの心を取り戻すため、それぞれの家を巡り始める。やがてたどり着いたゴミ捨て場で、LITTLE ZOMBIES というバンドを結成。そこで撮った映像が話題を呼び、社会現象になるほどのヒットを記録する。

2012年の夏。埼玉県狭山市にある中学校のプールに、夏祭りで余ったと考えられる400匹の金魚が放たれる事件が発生。犯人はその中学校に通う、15歳の少女4人組だった。“きれいだと思ってやった”と供述した4人がプールに金魚を放ったことには、実は意外な理由があった。4人は地方の町でそれなりに楽しく暮らしつつも退屈な毎日で、町に未来が無いと思い、閉塞感を覚えていた。そして4人はある夏祭りに出掛けるが……。

2012年の夏。埼玉県狭山市にある中学校のプールに、夏祭りで余ったと考えられる400匹の金魚が放たれる事件が発生。犯人はその中学校に通う、15歳の少女4人組だった。“きれいだと思ってやった”と供述した4人がプールに金魚を放ったことには、実は意外な理由があった。4人は地方の町でそれなりに楽しく暮らしつつも退屈な毎日で、町に未来が無いと思い、閉塞感を覚えていた。そして4人はある夏祭りに出掛けるが……。

Kumiko Hoshizaki’s “Akane Sasu Heya” is the story of Maki, a 20-something temp who is sick of her boring job and life in general. The rather bizarre solution she comes up with is to conceive a child behind her boyfriend’s back. Makoto Nagahisa offers the much more impressionistic “Frog.” The story meanders around a bunch of unrelated characters, using experimental techniques like repeated scenes, hallucinatory visuals, blurred shots and disconnected sounds. Lastly, we have “Bouquet Garni,” a much more conventional work from director Junpei Hatano. The plot is centered on a reporter, the relative of a kidnapping victim, and a woman who is obsessed with the case.

Kumiko Hoshizaki’s “Akane Sasu Heya” is the story of Maki, a 20-something temp who is sick of her boring job and life in general. The rather bizarre solution she comes up with is to conceive a child behind her boyfriend’s back. Makoto Nagahisa offers the much more impressionistic “Frog.” The story meanders around a bunch of unrelated characters, using experimental techniques like repeated scenes, hallucinatory visuals, blurred shots and disconnected sounds. Lastly, we have “Bouquet Garni,” a much more conventional work from director Junpei Hatano. The plot is centered on a reporter, the relative of a kidnapping victim, and a woman who is obsessed with the case.

Kumiko Hoshizaki’s “Akane Sasu Heya” is the story of Maki, a 20-something temp who is sick of her boring job and life in general. The rather bizarre solution she comes up with is to conceive a child behind her boyfriend’s back. Makoto Nagahisa offers the much more impressionistic “Frog.” The story meanders around a bunch of unrelated characters, using experimental techniques like repeated scenes, hallucinatory visuals, blurred shots and disconnected sounds. Lastly, we have “Bouquet Garni,” a much more conventional work from director Junpei Hatano. The plot is centered on a reporter, the relative of a kidnapping victim, and a woman who is obsessed with the case.