Makoto Nagahisa

Under the impetus of the 75th anniversary of the bamboo top-handle bags, the House presents a contemporary retelling of an ancient Japanese story entitled ‘Taketori Monogatari (The Tale of the Bamboo Cutter).’ Makoto Nagahisa stages the plot of finding oneself, along with true love, in a Tokyo betwixt and between reality and a dream. Dressed in looks from the Gucci Love Parade collection, Hikari Mitsushima, Aoi Yamada, and Eita Nagayama star in the story shedding a new light on the Gucci Bamboo 1947 and Gucci Diana Beloved lines.

This is the story of one man’s life, set in a world where everybody knows the day they will die: their “DEATH DAY”.

This is the story of one man’s life, set in a world where everybody knows the day they will die: their “DEATH DAY”.

The movie director Makoto Nagahisa reinterprets Yukio Mishima's "Patriotism" by following a young couple during the coronavirus pandemic. This is the story of COVID-19, the live house, and the couple's self-determination.

부모님이 재가 돼 버린 그 날, 화장터에서 우연히 만난 우리. 슬픈 게 정상인데 눈물이 나지 않았던 우리는 감정을 찾기 위해 모험을 떠났고, 밴드를 결성했다. 밴드 ‘리틀 좀비’는 꿈도, 미래도, 나아갈 힘도 없는 4명의 작은 좀비들이 마음을 되찾고자 떠나는 여정이다.

부모님이 재가 돼 버린 그 날, 화장터에서 우연히 만난 우리. 슬픈 게 정상인데 눈물이 나지 않았던 우리는 감정을 찾기 위해 모험을 떠났고, 밴드를 결성했다. 밴드 ‘리틀 좀비’는 꿈도, 미래도, 나아갈 힘도 없는 4명의 작은 좀비들이 마음을 되찾고자 떠나는 여정이다.

어느 여름날, 한 중학교 수영장에서 400마리의 금붕어가 발견되었다. 수영장에 물고기를 넣은 15살 소녀 네 명의 이야기이다.

어느 여름날, 한 중학교 수영장에서 400마리의 금붕어가 발견되었다. 수영장에 물고기를 넣은 15살 소녀 네 명의 이야기이다.

Kumiko Hoshizaki’s “Akane Sasu Heya” is the story of Maki, a 20-something temp who is sick of her boring job and life in general. The rather bizarre solution she comes up with is to conceive a child behind her boyfriend’s back. Makoto Nagahisa offers the much more impressionistic “Frog.” The story meanders around a bunch of unrelated characters, using experimental techniques like repeated scenes, hallucinatory visuals, blurred shots and disconnected sounds. Lastly, we have “Bouquet Garni,” a much more conventional work from director Junpei Hatano. The plot is centered on a reporter, the relative of a kidnapping victim, and a woman who is obsessed with the case.

Kumiko Hoshizaki’s “Akane Sasu Heya” is the story of Maki, a 20-something temp who is sick of her boring job and life in general. The rather bizarre solution she comes up with is to conceive a child behind her boyfriend’s back. Makoto Nagahisa offers the much more impressionistic “Frog.” The story meanders around a bunch of unrelated characters, using experimental techniques like repeated scenes, hallucinatory visuals, blurred shots and disconnected sounds. Lastly, we have “Bouquet Garni,” a much more conventional work from director Junpei Hatano. The plot is centered on a reporter, the relative of a kidnapping victim, and a woman who is obsessed with the case.

Kumiko Hoshizaki’s “Akane Sasu Heya” is the story of Maki, a 20-something temp who is sick of her boring job and life in general. The rather bizarre solution she comes up with is to conceive a child behind her boyfriend’s back. Makoto Nagahisa offers the much more impressionistic “Frog.” The story meanders around a bunch of unrelated characters, using experimental techniques like repeated scenes, hallucinatory visuals, blurred shots and disconnected sounds. Lastly, we have “Bouquet Garni,” a much more conventional work from director Junpei Hatano. The plot is centered on a reporter, the relative of a kidnapping victim, and a woman who is obsessed with the case.