Makoto Nagahisa
Рождение : 1984-08-02, Tokyo, Japan
История
Born August 2, 1984, in Tokyo, Makoto Nagahisa directed films and music videos while working as a commercial planner at a major ad agency. Nagahisa wrote and directed the short film And So We Put Goldfish in the Pool. (2017) and was the first Japanese director to win the Short Film Grand Jury Prize at the Sundance Film Festival. WE ARE LITTLE ZOMBIES is his first feature-length film. Influences include Juzo Itami, Nagisa Oshima, Gil Evans and Boris Vian. Has long hair, which he wears braided on formal occasions.
Source: Nagahisa's website
Director
Under the impetus of the 75th anniversary of the bamboo top-handle bags, the House presents a contemporary retelling of an ancient Japanese story entitled ‘Taketori Monogatari (The Tale of the Bamboo Cutter).’ Makoto Nagahisa stages the plot of finding oneself, along with true love, in a Tokyo betwixt and between reality and a dream. Dressed in looks from the Gucci Love Parade collection, Hikari Mitsushima, Aoi Yamada, and Eita Nagayama star in the story shedding a new light on the Gucci Bamboo 1947 and Gucci Diana Beloved lines.
Screenplay
This is the story of one man’s life, set in a world where everybody knows the day they will die: their “DEATH DAY”.
Director
This is the story of one man’s life, set in a world where everybody knows the day they will die: their “DEATH DAY”.
Director
Режиссер Макото Нагахиса переосмысливает "Патриотизм" Юкио Мисимы, следуя за молодой парой во время пандемии коронавируса.
Writer
Одним солнечным днём четверо 13-леток встречаются в токийском крематории. У всех четверых погибли родители — от рук психопата, в результате автоаварии, взрыва газа или покончив с собой из-за долгов — и ребята стали сиротами в один день. Вроде бы, дети должны скорбеть, но больше не чувствуя эмоций, они решают создать рок-группу под названием «Маленькие зомби». Из мусора, найденного на помойке, друзья по несчастью мастерят себе вычурные костюмы, вещи из дома превращаются в музыкальные инструменты, а их маленькая компания — в группу моральной поддержки.
Director
Одним солнечным днём четверо 13-леток встречаются в токийском крематории. У всех четверых погибли родители — от рук психопата, в результате автоаварии, взрыва газа или покончив с собой из-за долгов — и ребята стали сиротами в один день. Вроде бы, дети должны скорбеть, но больше не чувствуя эмоций, они решают создать рок-группу под названием «Маленькие зомби». Из мусора, найденного на помойке, друзья по несчастью мастерят себе вычурные костюмы, вещи из дома превращаются в музыкальные инструменты, а их маленькая компания — в группу моральной поддержки.
Writer
One summer day, 400 goldfish were found in the swimming pool of a secondary school. This is a story about the four 15-year-old girls who put them there.
Director
One summer day, 400 goldfish were found in the swimming pool of a secondary school. This is a story about the four 15-year-old girls who put them there.
Screenplay
Kumiko Hoshizaki’s “Akane Sasu Heya” is the story of Maki, a 20-something temp who is sick of her boring job and life in general. The rather bizarre solution she comes up with is to conceive a child behind her boyfriend’s back. Makoto Nagahisa offers the much more impressionistic “Frog.” The story meanders around a bunch of unrelated characters, using experimental techniques like repeated scenes, hallucinatory visuals, blurred shots and disconnected sounds. Lastly, we have “Bouquet Garni,” a much more conventional work from director Junpei Hatano. The plot is centered on a reporter, the relative of a kidnapping victim, and a woman who is obsessed with the case.
Script
Kumiko Hoshizaki’s “Akane Sasu Heya” is the story of Maki, a 20-something temp who is sick of her boring job and life in general. The rather bizarre solution she comes up with is to conceive a child behind her boyfriend’s back. Makoto Nagahisa offers the much more impressionistic “Frog.” The story meanders around a bunch of unrelated characters, using experimental techniques like repeated scenes, hallucinatory visuals, blurred shots and disconnected sounds. Lastly, we have “Bouquet Garni,” a much more conventional work from director Junpei Hatano. The plot is centered on a reporter, the relative of a kidnapping victim, and a woman who is obsessed with the case.
Director
Kumiko Hoshizaki’s “Akane Sasu Heya” is the story of Maki, a 20-something temp who is sick of her boring job and life in general. The rather bizarre solution she comes up with is to conceive a child behind her boyfriend’s back. Makoto Nagahisa offers the much more impressionistic “Frog.” The story meanders around a bunch of unrelated characters, using experimental techniques like repeated scenes, hallucinatory visuals, blurred shots and disconnected sounds. Lastly, we have “Bouquet Garni,” a much more conventional work from director Junpei Hatano. The plot is centered on a reporter, the relative of a kidnapping victim, and a woman who is obsessed with the case.
