Makoto Nagahisa

Makoto Nagahisa

Nascimento : 1984-08-02, Tokyo, Japan

História

Born August 2, 1984, in Tokyo, Makoto Nagahisa directed films and music videos while working as a commercial planner at a major ad agency. Nagahisa wrote and directed the short film And So We Put Goldfish in the Pool. (2017) and was the first Japanese director to win the Short Film Grand Jury Prize at the Sundance Film Festival. WE ARE LITTLE ZOMBIES is his first feature-length film. Influences include Juzo Itami, Nagisa Oshima, Gil Evans and Boris Vian. Has long hair, which he wears braided on formal occasions. Source: Nagahisa's website

Perfil

Makoto Nagahisa
Makoto Nagahisa

Filmes

Kaguya
Kaguya
Director
Under the impetus of the 75th anniversary of the bamboo top-handle bags, the House presents a contemporary retelling of an ancient Japanese story entitled ‘Taketori Monogatari (The Tale of the Bamboo Cutter).’ Makoto Nagahisa stages the plot of finding oneself, along with true love, in a Tokyo betwixt and between reality and a dream. Dressed in looks from the Gucci Love Parade collection, Hikari Mitsushima, Aoi Yamada, and Eita Nagayama star in the story shedding a new light on the Gucci Bamboo 1947 and Gucci Diana Beloved lines.
Death Days
Death Days
Screenplay
This is the story of one man’s life, set in a world where everybody knows the day they will die: their “DEATH DAY”.
Death Days
Death Days
Director
This is the story of one man’s life, set in a world where everybody knows the day they will die: their “DEATH DAY”.
The Rite of Love and Death (but we are still alive)
The Rite of Love and Death (but we are still alive)
Director
The movie director Makoto Nagahisa reinterprets Yukio Mishima's "Patriotism" by following a young couple during the coronavirus pandemic. This is the story of COVID-19, the live house, and the couple's self-determination.
We Are Little Zombies
We Are Little Zombies
Writer
Their parents are dead. They should be sad, but they can't cry. So they form a kick-ass band. This is the story of four 13-year-olds in search of their emotions.
We Are Little Zombies
We Are Little Zombies
Director
Their parents are dead. They should be sad, but they can't cry. So they form a kick-ass band. This is the story of four 13-year-olds in search of their emotions.
And So We Put Goldfish in the Pool.
And So We Put Goldfish in the Pool.
Writer
Em um dia de verão, quatro garotas colocam quatrocentos peixinhos dourados em uma piscina de uma escola.
And So We Put Goldfish in the Pool.
And So We Put Goldfish in the Pool.
Director
Em um dia de verão, quatro garotas colocam quatrocentos peixinhos dourados em uma piscina de uma escola.
Zero nendai zenkei
Zero nendai zenkei
Screenplay
Kumiko Hoshizaki’s “Akane Sasu Heya” is the story of Maki, a 20-something temp who is sick of her boring job and life in general. The rather bizarre solution she comes up with is to conceive a child behind her boyfriend’s back. Makoto Nagahisa offers the much more impressionistic “Frog.” The story meanders around a bunch of unrelated characters, using experimental techniques like repeated scenes, hallucinatory visuals, blurred shots and disconnected sounds. Lastly, we have “Bouquet Garni,” a much more conventional work from director Junpei Hatano. The plot is centered on a reporter, the relative of a kidnapping victim, and a woman who is obsessed with the case.
Zero nendai zenkei
Zero nendai zenkei
Script
Kumiko Hoshizaki’s “Akane Sasu Heya” is the story of Maki, a 20-something temp who is sick of her boring job and life in general. The rather bizarre solution she comes up with is to conceive a child behind her boyfriend’s back. Makoto Nagahisa offers the much more impressionistic “Frog.” The story meanders around a bunch of unrelated characters, using experimental techniques like repeated scenes, hallucinatory visuals, blurred shots and disconnected sounds. Lastly, we have “Bouquet Garni,” a much more conventional work from director Junpei Hatano. The plot is centered on a reporter, the relative of a kidnapping victim, and a woman who is obsessed with the case.
Zero nendai zenkei
Zero nendai zenkei
Director
Kumiko Hoshizaki’s “Akane Sasu Heya” is the story of Maki, a 20-something temp who is sick of her boring job and life in general. The rather bizarre solution she comes up with is to conceive a child behind her boyfriend’s back. Makoto Nagahisa offers the much more impressionistic “Frog.” The story meanders around a bunch of unrelated characters, using experimental techniques like repeated scenes, hallucinatory visuals, blurred shots and disconnected sounds. Lastly, we have “Bouquet Garni,” a much more conventional work from director Junpei Hatano. The plot is centered on a reporter, the relative of a kidnapping victim, and a woman who is obsessed with the case.