Weeks after the deadly assault on Fortress Camp, Robert makes a daring rescue to save Sasha, the widow of his old nemesis Balzary. But back in the camp's command bunker, it appears Sasha may have devious plans of her own. As a new attack breaks out, Robert is confronted with a familiar face he thought he'd never see again…
Preserving the text of the play, the amazing dialogues, the brilliant characters, we have transposed the action into today’s Russian provinces and changed only one thing: the age of the heroes. In Anton Chekhov’s play the heroines are aged around 25; now they are 55. What does that do? The heroes’ retorts, stylistically inappropriate from today’s twenty-year-olds, are absolutely organic for the older generation, the ‘Soviet’ intelligentsia. The problems of Chekhov’s classical work concerning the search for a meaning in life, the loss of ideals, the fear before death without having achieved anything in the world, the desire to be useful to others – all these things are also a typical attribute of the Soviet intelligentsia.
