Self (archive footage)
The panorama of human affairs encounters the “man with a movie camera”. His playground has no boundaries, his curiosity no limits. Characters, situations and places pitch camp in the life of a humanity that is at once the viewer and the thing viewed. But what are the last days of this humanity? Have they already passed? Are they now or still to come?
Executive Producer's Assistant
Bruce Wayne travels to Naples to stop Carmine Falcone. He will discover during the adventure that in addition to Penguin, a new villain has made his appearance, his name is ER06
Self - Filmmaker (archive footage)
Ferruccio Castronuovo was the only authorized eye, between 1976 and 1986, to film the brilliant Italian filmmaker Federico Fellini (1920-1993) in his personal and creative intimacy, to capture the gears of his great circus, his fantastic lies and his crazy inventions.
Self (archive footage)
Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dictator's position.
Self (archive footage)
2020 marks 100 years since the birth of Federico Fellini, the most prominent Italian director and one of the symbols of the insuperable cinematic heyday of mid-20th century. Fellini had always been a mysterious director, not only in his cryptic symbolism but also in his idiosyncratic, excessive mixture of psychoanalysis, Catholicism and faith in the mysterious. In this documentary, his relationship with the paranormal, luck and fate, alongside the coexistence of organized discourse and transcendence to the imaginary, is examined via friends, collaborators and distinguished fans (Friedkin, Gilliam, Chazelle). A great testimony to why rationalists and ideologists have a hard time with his work, ‘Fellini and the Spirits’ is an appropriate yet unexpected tribute.
Self (archive footage)
A tribute that Wes Anderson wishes to pay to one of his favourite directors on the occasion of the 100th anniversary of his birth. Together with Francesco Zippel, Anderson has retraced some themes close to Fellini’s own approach to cinema.
Self (archive footage) (uncredited)
Drama based on life and stories of one of the most popular Soviet/Russian writers - Sergei Dovlatov.
Himself (archive footage)
No other country in the world has the same kind of affection and admiration toward Walt Disney and his art and characters as Italy. His movies are legendary and his stories belong to the collective imagination of generations of Italians who grew up with his world of dreams and hopes. This documentary explores this love story.
Self (archive footage)
The story of the gold-plated statuette that became the film industry's most coveted prize, AND THE OSCAR GOES TO... traces the history of the Academy itself, which began in 1927 when Louis B. Mayer, then head of MGM, led other prominent members of the industry in forming this professional honorary organization. Two years later the Academy began bestowing awards, which were nicknamed "Oscar," and quickly came to represent the pinnacle of cinematic achievement.
Sé stesso (materiale d'archivio)
On the 20th anniversary of Federico Fellini's death, Ettore Scola, a devoted admirer of the incomparable maestro, commemorates the lesser-known aspects of his personality, employing interviews, photographs, behind-the-scenes footage as well as his drawings and film clips.
Himself (archive footage)
Se stesso (filmati d'archivio)
Self (archive footage)
A new documentary film on Fellini's 'La Città del Donne' ('City of Women') directed by Dominique Maillet, featuring producer Renzo Rossellini, film historian Aldo Tassone, producer and film historian Carlo Lizzani, and Federico Fellini's assistant Dominique Delouche (1955-1960).
Himself (archive footage)
By presenting archive footage along with his own life story, filmmaker Gabriele Salvatores mediates an illustration of the economic boom in Italy during the 1960s.
Self
Documentary about the 1960 film LA DOLCE VITA directed by Federico Fellini. Using archival photos and film footage, as well as interviews, this documentary looks back on Federico Fellini's film and places it in the historical context of its time.
Self (archive footage)
Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.
Self (archive footage)
A documentary about Vittorio de Sica with clips of his films and testimonials from friends and family.
Self (archive footage)
A documentary created by the Criterion Collection for their release of Italian film director Federico Fellini's Amarcord about his relationship with his home town, Rimini, featuring archive interviews with the director and more recent interviews with some of his friends and collaborators.
Self (archive footage)
Television documentary about the making of Roberto Rossellini's 1945 film "Rome, Open City".
Self (archive footage)
After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.
Himself (archive footage)
How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)
Director
Immediately preceding INTERVISTA, director Federico Fellini made GINGER AND FRED (1986). For that film, Fellini created a number of comically exaggerated television advertisements, but most ultimately went unused and unseen until they were presented in this 2003 collection for Italian television.
Self (voice) (archive footage)
A documentary on Fellini’s lost alternate ending for 8½
Self (archive footage)
A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.
Self (archive footage)
Documentary with interviews and clips of Fellini's movies.
Self
This documentary for Italian television features extensive interviews with film director Federico Fellini looking back on his career.
Self (archive footage)
Federico Fellini was one of the most individual and thought provoking directors who based most of his films upon his own reflections, dreams, life events and fantasies, who did not convey any special message for humanity but regarded cinema simply as entertainment. Is there an answer to everything? Can it possibly be? If yes, then life can no longer be so curious, so dynamic, so creative...
Self (archive footage)
The artistic evolution of the great composer, whose work left an indelible mark in the history of Italian cinema. In this documentary Nino Rota's extraordinary musical production relives in the words of his friends and colleagues. His collaboration with Visconti and Fellini are truly memorable. His movie score and sequences of his performances in theaters all over the world hand us down a full and evocative outline of this outstanding artist.
Self (archive footage)
A look at the life and work of composer Nino Rota.
Director
A collection of European T.V. commercials directed by a variety of well-known directors from across Europe and the U.S. Compiled and produced by Jean-Marie Boursicot.
Self
Born in Mexico, Anthony Quinn became the family's main provider when his father died in an accident. Thus began the story of a man who had a thousand jobs before acting in a Cecil B. DeMille film…
Screenplay
A parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. Odd couple Ivo Salvini, recently released from a mental asylum, and former prefect Gonnella wander through the countryside and discover a dystopia made of television commercials, beauty pageants, rock music, Catholicism, and pagan rituals.
Director
A parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. Odd couple Ivo Salvini, recently released from a mental asylum, and former prefect Gonnella wander through the countryside and discover a dystopia made of television commercials, beauty pageants, rock music, Catholicism, and pagan rituals.
Himself
A rare, comical and up-close behind-the-scenes look at the late Italian director Federico Fellini, as he directs his last film, "La Voce Della Luna".
Federico Fellini (uncredited)
Federico Fellini welcomes us into his world of film making with a mockumentary about his life in film, as a Japanese film crew follows him around.
Story
Federico Fellini welcomes us into his world of film making with a mockumentary about his life in film, as a Japanese film crew follows him around.
Screenplay
Federico Fellini welcomes us into his world of film making with a mockumentary about his life in film, as a Japanese film crew follows him around.
Director
Federico Fellini welcomes us into his world of film making with a mockumentary about his life in film, as a Japanese film crew follows him around.
Screenplay
Amelia and Pippo are reunited after several decades to perform their old music-hall act, imitating Fred Astaire and Ginger Rogers, on a TV variety show.
Story
Amelia and Pippo are reunited after several decades to perform their old music-hall act, imitating Fred Astaire and Ginger Rogers, on a TV variety show.
Director
Amelia and Pippo are reunited after several decades to perform their old music-hall act, imitating Fred Astaire and Ginger Rogers, on a TV variety show.
Himself
A documentary about the Italian cinema as art form and industry.
Self
A documentary made by Italian television with behind-the-scenes footage of the making of Federico Fellini's AND THE SHIP SAILS ON and extensive interview footage of Fellini.
Federico Fellini
Pietro Marchetti, a mature Roman taxi driver, has countless and interesting meetings while he is on duty with his car "Zara 87".
Screenplay
In 1914, a cruise ship sets sail from Naples to spread the ashes of beloved opera singer Edmea Tetua near Erimo, the isle of her birth. During the voyage, the eclectic array of passengers discovers a group of Serbian refugees aboard the vessel. Peace and camaraderie abound until the ship is descended upon by an Austrian flagship. The Serbians are forced to board it, but naturally they resist, igniting a skirmish that ends in destruction.
Story
In 1914, a cruise ship sets sail from Naples to spread the ashes of beloved opera singer Edmea Tetua near Erimo, the isle of her birth. During the voyage, the eclectic array of passengers discovers a group of Serbian refugees aboard the vessel. Peace and camaraderie abound until the ship is descended upon by an Austrian flagship. The Serbians are forced to board it, but naturally they resist, igniting a skirmish that ends in destruction.
Director
In 1914, a cruise ship sets sail from Naples to spread the ashes of beloved opera singer Edmea Tetua near Erimo, the isle of her birth. During the voyage, the eclectic array of passengers discovers a group of Serbian refugees aboard the vessel. Peace and camaraderie abound until the ship is descended upon by an Austrian flagship. The Serbians are forced to board it, but naturally they resist, igniting a skirmish that ends in destruction.
Self (archive footage) (uncredited)
A woman goes to Cannes and, lost in its chaos and unable to obtain tickets, ends up watching it on television from her hotel room.
Himself
This 1980 on-set documentary features an extensive look behind the scenes of the film.
Self
Traces the life of Anna Magnani, her creations, her successes, her triumphs, her boycotted career, her nonconformism, her anxieties, her generosity ... Punctuated with photos that tell her career in theater and cinema, Extracts of films, this documentary portrait also gives the floor to his friends and relatives, from Roberto Rossellini to Marcello Mastroianni, through Federico Fellini.
Special TG3 by Giorgio Chiecchi of 8 May 1980.
Screenplay
A businessman finds himself trapped at a hotel and threatened by women en masse.
Story
A businessman finds himself trapped at a hotel and threatened by women en masse.
Director
A businessman finds himself trapped at a hotel and threatened by women en masse.
Story
Orchestra Rehearsal (Italian: Prova d'orchestra) is a 1978 Italian film directed by Federico Fellini. It follows an Italian orchestra as the members go on strike against the conductor. The film was shown out of competition at the 1979 Cannes Film Festival. Considered by some to be underrated Orchestra Rehearsal was the last collaboration between composer Nino Rota and Fellini, due to Rota's death in 1979.
Screenplay
Orchestra Rehearsal (Italian: Prova d'orchestra) is a 1978 Italian film directed by Federico Fellini. It follows an Italian orchestra as the members go on strike against the conductor. The film was shown out of competition at the 1979 Cannes Film Festival. Considered by some to be underrated Orchestra Rehearsal was the last collaboration between composer Nino Rota and Fellini, due to Rota's death in 1979.
Director
Orchestra Rehearsal (Italian: Prova d'orchestra) is a 1978 Italian film directed by Federico Fellini. It follows an Italian orchestra as the members go on strike against the conductor. The film was shown out of competition at the 1979 Cannes Film Festival. Considered by some to be underrated Orchestra Rehearsal was the last collaboration between composer Nino Rota and Fellini, due to Rota's death in 1979.
Screenplay
Casanova is a libertine, collecting seductions and sexual feats. But he is really interested in someone, and is he really an interesting person? Is he really alive?
Director
Casanova is a libertine, collecting seductions and sexual feats. But he is really interested in someone, and is he really an interesting person? Is he really alive?
Himself
The meeting in Bogota, Colombia, on Aug 27, 1975, brought together spiritualist from many cultures: Israeli mentalist Uri Geller, Italian surrealist Federica Fellini, American ESP-researcher Edgar D. Mitchell, Colombian fantasist Gabriel Garcia Márquez and Peruan/American anthropologist Carlos Castaneda.
Self
During his preparation for his film on Casanova Fellini asks a number of renowned actors to give him their view on the character of Casanova.
Himself
Three partisans bound by a strong friendship return home after the war, but the clash with everyday reality puts a strain on their bond.
Self
A tongue-in-cheek documentary that goes "behind the scenes" during the production of Federico Fellini's film "Amarcord" (1973).
Story
In an Italian seaside town, young Titta gets into trouble with his friends and watches various local eccentrics as they engage in often absurd behavior. Frequently clashing with his stern father and defended by his doting mother, Titta witnesses the actions of a wide range of characters, from his extended family to Fascist loyalists to sensual women, with certain moments shifting into fantastical scenarios.
Screenplay
In an Italian seaside town, young Titta gets into trouble with his friends and watches various local eccentrics as they engage in often absurd behavior. Frequently clashing with his stern father and defended by his doting mother, Titta witnesses the actions of a wide range of characters, from his extended family to Fascist loyalists to sensual women, with certain moments shifting into fantastical scenarios.
Director
In an Italian seaside town, young Titta gets into trouble with his friends and watches various local eccentrics as they engage in often absurd behavior. Frequently clashing with his stern father and defended by his doting mother, Titta witnesses the actions of a wide range of characters, from his extended family to Fascist loyalists to sensual women, with certain moments shifting into fantastical scenarios.
Story
A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens.
Self (uncredited)
A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens.
Screenplay
A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens.
Director
A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens.
Himself
Bohemian Alex Morrison has just finished directing his first feature length movie. In its previews, the movie is considered a critical, artistic and surefire commercial success. As such, Alex seemingly has his choice of what his next project will be. As he makes the rounds both in the Hollywood community and European movie centers for ideas, he fantasizes about movie scenarios of those everyday situations he is in.
Self
A behind-the-scenes documentary about the filming of the Federico Fellini film, "Satyricon."
Screenplay
フェリーニは幼いときに見たサーカスに魅了され、道化師たちの本場イタリアとフランスを旅してまわる。しかし、かつてあんなに輝いていた道化師たちはすっかり時代に取り残され過去のものになっていた。フェリーニは道化師たちのために最後の大舞台を用意するのだった。
Federico Fellini (uncredited)
フェリーニは幼いときに見たサーカスに魅了され、道化師たちの本場イタリアとフランスを旅してまわる。しかし、かつてあんなに輝いていた道化師たちはすっかり時代に取り残され過去のものになっていた。フェリーニは道化師たちのために最後の大舞台を用意するのだった。
Director
フェリーニは幼いときに見たサーカスに魅了され、道化師たちの本場イタリアとフランスを旅してまわる。しかし、かつてあんなに輝いていた道化師たちはすっかり時代に取り残され過去のものになっていた。フェリーニは道化師たちのために最後の大舞台を用意するのだった。
Story
After his young lover, Gitone, leaves him for another man, Encolpio decides to kill himself, but a sudden earthquake destroys his home before he has a chance to do so. Now wandering around Rome in the time of Nero, Encolpio encounters one bizarre and surreal scene after another.
Screenplay
After his young lover, Gitone, leaves him for another man, Encolpio decides to kill himself, but a sudden earthquake destroys his home before he has a chance to do so. Now wandering around Rome in the time of Nero, Encolpio encounters one bizarre and surreal scene after another.
Director
After his young lover, Gitone, leaves him for another man, Encolpio decides to kill himself, but a sudden earthquake destroys his home before he has a chance to do so. Now wandering around Rome in the time of Nero, Encolpio encounters one bizarre and surreal scene after another.
Screenplay
Fellini discusses his views of making motion pictures and his unorthodox procedures. He seeks inspiration in various out of the way places. During this film viewers go with him to the Colisseum at night, on a subway ride past Roman ruins, to the Appian Way, to a slaughterhouse, and on a visit to Marcello Mastroianni's house. Fellini also is seen in his own office interviewing a series of unusual characters seeking work or his help.
Director
Fellini discusses his views of making motion pictures and his unorthodox procedures. He seeks inspiration in various out of the way places. During this film viewers go with him to the Colisseum at night, on a subway ride past Roman ruins, to the Appian Way, to a slaughterhouse, and on a visit to Marcello Mastroianni's house. Fellini also is seen in his own office interviewing a series of unusual characters seeking work or his help.
Self
Fellini discusses his views of making motion pictures and his unorthodox procedures. He seeks inspiration in various out of the way places. During this film viewers go with him to the Colisseum at night, on a subway ride past Roman ruins, to the Appian Way, to a slaughterhouse, and on a visit to Marcello Mastroianni's house. Fellini also is seen in his own office interviewing a series of unusual characters seeking work or his help.
Original Story
Taxi dancer, Charity continues to have faith in the human race despite apparently endless disappointments at its hands, and hope that she will finally meet the nice young man to romance her away from her sleazy life.
Screenplay
Federico Fellini's adaptation of a story by Edgar Allan Poe. Originally appeared as a segment in the omnibus film "Spirits of the Dead" but has been theatrically presented as a separate film.
Director
Federico Fellini's adaptation of a story by Edgar Allan Poe. Originally appeared as a segment in the omnibus film "Spirits of the Dead" but has been theatrically presented as a separate film.
Adaptation
エドガー・アラン・ポーの原作を三部作として、ロジェ・ヴァディム、ルイ・マル、フェデリコ・フェリーニといった監督がそれぞれの個性とスタイル生かして作ったオムニバス映画。
Screenplay
エドガー・アラン・ポーの原作を三部作として、ロジェ・ヴァディム、ルイ・マル、フェデリコ・フェリーニといった監督がそれぞれの個性とスタイル生かして作ったオムニバス映画。
Director
エドガー・アラン・ポーの原作を三部作として、ロジェ・ヴァディム、ルイ・マル、フェデリコ・フェリーニといった監督がそれぞれの個性とスタイル生かして作ったオムニバス映画。
Self
In this documentary, giants of italian cinema such as Rossellini, De Sica, Fellini and Zavattini talk about the importance of cinema after WW2, and about huge moments of social rebellion. This movie gives the floor to the creators of italian neorealism.
Self
Interview with Italian film director Federico Fellini.
Screenplay
Middle-aged Giulietta grows suspicious of her husband, Giorgio, when his behavior grows increasingly questionable. One night when Giorgio initiates a seance amongst his friends, Giulietta gets in touch with spirits and learns more about herself and her painful past. Slightly skeptical, but intrigued, she visits a mystic who gives her more information -- and nudges her toward the realization that her husband is indeed a philanderer.
Story
Middle-aged Giulietta grows suspicious of her husband, Giorgio, when his behavior grows increasingly questionable. One night when Giorgio initiates a seance amongst his friends, Giulietta gets in touch with spirits and learns more about herself and her painful past. Slightly skeptical, but intrigued, she visits a mystic who gives her more information -- and nudges her toward the realization that her husband is indeed a philanderer.
Director
Middle-aged Giulietta grows suspicious of her husband, Giorgio, when his behavior grows increasingly questionable. One night when Giorgio initiates a seance amongst his friends, Giulietta gets in touch with spirits and learns more about herself and her painful past. Slightly skeptical, but intrigued, she visits a mystic who gives her more information -- and nudges her toward the realization that her husband is indeed a philanderer.
Self
Documentary about the making of Federico Fellini's film JULIET OF THE SPIRITS, with behind the scenes footage and interviews with the director.
Story
言わずと知れたＦ・フェリーニ監督の代表的作品。映画監督のグイドはある日、自分の体が空中を落下する夢を見る。現実生活の日常に纏わる様々な精神的・肉体的な疲れを癒す為、彼は療養と称して温泉に出掛けるが、そこでも仕事や生活から逃れることが出来ない。そして彼はついに、自分が温泉で余生を過ごしている老人達の中にいるという幻覚を見はじめるが……。本作は、フェリーニ監督自身の自伝的な作品であり、その描き方も、現実と幻想を並行して描くなど秀逸！ 絶対に見るべし！！
Screenplay
言わずと知れたＦ・フェリーニ監督の代表的作品。映画監督のグイドはある日、自分の体が空中を落下する夢を見る。現実生活の日常に纏わる様々な精神的・肉体的な疲れを癒す為、彼は療養と称して温泉に出掛けるが、そこでも仕事や生活から逃れることが出来ない。そして彼はついに、自分が温泉で余生を過ごしている老人達の中にいるという幻覚を見はじめるが……。本作は、フェリーニ監督自身の自伝的な作品であり、その描き方も、現実と幻想を並行して描くなど秀逸！ 絶対に見るべし！！
Director
言わずと知れたＦ・フェリーニ監督の代表的作品。映画監督のグイドはある日、自分の体が空中を落下する夢を見る。現実生活の日常に纏わる様々な精神的・肉体的な疲れを癒す為、彼は療養と称して温泉に出掛けるが、そこでも仕事や生活から逃れることが出来ない。そして彼はついに、自分が温泉で余生を過ごしている老人達の中にいるという幻覚を見はじめるが……。本作は、フェリーニ監督自身の自伝的な作品であり、その描き方も、現実と幻想を並行して描くなど秀逸！ 絶対に見るべし！！
Screenplay
An anthology of four adult tales: a young couple tries to hide their marriage and the wife’s supposed pregnancy from their place of employment; a billboard photo of a scantily clad woman comes to life to torment the local censor; an aristocratic couple comes to terms with life and marriage after the domineering husband is caught visiting sex workers by the press; a lottery is held in which the prize is to spend the night with a beautiful woman.
Director
An anthology of four adult tales: a young couple tries to hide their marriage and the wife’s supposed pregnancy from their place of employment; a billboard photo of a scantily clad woman comes to life to torment the local censor; an aristocratic couple comes to terms with life and marriage after the domineering husband is caught visiting sex workers by the press; a lottery is held in which the prize is to spend the night with a beautiful woman.
Screenplay
Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
Story
Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
Director
Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
Self
A four-part documentary series about the Italian director Federico Fellini. Episode 1: His Childhood, His Beginnings; Episode 2: His First Films; Episode 3: His Films with Giulietta Masina; Episode 4: "La dolce vita" and Neorealism.
Story
A poor girl is convinced she is the daughter of a prince.
Screenplay
A poor girl is convinced she is the daughter of a prince.
Screenplay
Rome, 1957. A woman, Cabiria, is robbed and left to drown by her boyfriend, Giorgio. Rescued, she resumes her life and tries her best to find happiness in a cynical world. Even when she thinks her struggles are over and she has found happiness and contentment, things may not be what they seem.
Story
Rome, 1957. A woman, Cabiria, is robbed and left to drown by her boyfriend, Giorgio. Rescued, she resumes her life and tries her best to find happiness in a cynical world. Even when she thinks her struggles are over and she has found happiness and contentment, things may not be what they seem.
Director
Rome, 1957. A woman, Cabiria, is robbed and left to drown by her boyfriend, Giorgio. Rescued, she resumes her life and tries her best to find happiness in a cynical world. Even when she thinks her struggles are over and she has found happiness and contentment, things may not be what they seem.
Screenplay
Aging small-time conman Augusto works with two younger men: Roberto, who desires to become the Italian Johnny Ray, and Bruno, nicknamed Picasso. Through a series of mishaps and personal entanglements, things go badly for Augusto.
Story
Aging small-time conman Augusto works with two younger men: Roberto, who desires to become the Italian Johnny Ray, and Bruno, nicknamed Picasso. Through a series of mishaps and personal entanglements, things go badly for Augusto.
Director
Aging small-time conman Augusto works with two younger men: Roberto, who desires to become the Italian Johnny Ray, and Bruno, nicknamed Picasso. Through a series of mishaps and personal entanglements, things go badly for Augusto.
Story
アカデミー賞外国語映画賞に輝き世界中にその名を轟かせたフェデリコ・フェリーニ監督の出世作。豪放で不器用な旅芸人と彼に引き取られた純粋無垢な少女の切ない物語を描く。主演のジュリエッタ・マシーナとアンソニー・クインの出発点としても有名な作品。
Screenplay
アカデミー賞外国語映画賞に輝き世界中にその名を轟かせたフェデリコ・フェリーニ監督の出世作。豪放で不器用な旅芸人と彼に引き取られた純粋無垢な少女の切ない物語を描く。主演のジュリエッタ・マシーナとアンソニー・クインの出発点としても有名な作品。
Director
アカデミー賞外国語映画賞に輝き世界中にその名を轟かせたフェデリコ・フェリーニ監督の出世作。豪放で不器用な旅芸人と彼に引き取られた純粋無垢な少女の切ない物語を描く。主演のジュリエッタ・マシーナとアンソニー・クインの出発点としても有名な作品。
Director
Six separate episodes exploring themes of love, sex and romance in the Italian capital. "Paid Love" offers a glimpse into prostitution; "Attempted Suicide" features would-be suicides discussing their despair; "Paradise for Three Hours" depicts an evening at a provincial dance hall; "Marriage Agency" follows an investigative reporter posing as a husband-to-be; "Story of Caterina" tells the story of a young unwed mother forced to abandon her child; and "Italians Stare" catalogues the girl-watching techniques of Italian men.
Story
北イタリアの小都市を舞台に、無為な日々を送る5人の若者たちの青春。巨匠フェリーニが故郷の町をモデルに描き、その映画世界の原型ともいえる初期の名作。ベネチア映画祭銀獅子賞受賞。北イタリアのある町に生まれ育ち、生きる目的もなく自立もできずにいる5人の青年。妊娠させた娘と結婚しても女遊びをやめられないファウスト、姉から小遣いをせびり取るアルベルト、いちばん年下で内向的なモラルド、劇作家志望のレオポルド、そして歌の上手なリッカルド。日々なすすべもなく仲間と時を過ごすだけの生活に嫌気がさしたモラルドは、ある日、一人列車に乗って町から去って行く…。
Screenplay
北イタリアの小都市を舞台に、無為な日々を送る5人の若者たちの青春。巨匠フェリーニが故郷の町をモデルに描き、その映画世界の原型ともいえる初期の名作。ベネチア映画祭銀獅子賞受賞。北イタリアのある町に生まれ育ち、生きる目的もなく自立もできずにいる5人の青年。妊娠させた娘と結婚しても女遊びをやめられないファウスト、姉から小遣いをせびり取るアルベルト、いちばん年下で内向的なモラルド、劇作家志望のレオポルド、そして歌の上手なリッカルド。日々なすすべもなく仲間と時を過ごすだけの生活に嫌気がさしたモラルドは、ある日、一人列車に乗って町から去って行く…。
Director
北イタリアの小都市を舞台に、無為な日々を送る5人の若者たちの青春。巨匠フェリーニが故郷の町をモデルに描き、その映画世界の原型ともいえる初期の名作。ベネチア映画祭銀獅子賞受賞。北イタリアのある町に生まれ育ち、生きる目的もなく自立もできずにいる5人の青年。妊娠させた娘と結婚しても女遊びをやめられないファウスト、姉から小遣いをせびり取るアルベルト、いちばん年下で内向的なモラルド、劇作家志望のレオポルド、そして歌の上手なリッカルド。日々なすすべもなく仲間と時を過ごすだけの生活に嫌気がさしたモラルドは、ある日、一人列車に乗って町から去って行く…。
Adaptation
In 19th century southern Italy (near Melfi, Basilicata), a small force of soldiers fight in the hills against the bandits who are holding their country to ransom.
Story
In 19th century southern Italy (near Melfi, Basilicata), a small force of soldiers fight in the hills against the bandits who are holding their country to ransom.
Story
In Italy, small-town newlyweds Wanda and Ivan Cavalli embark on their honeymoon in the big city of Rome. Ivan dutifully wants to keep appointments with family and church, but Wanda is only interested in meeting her favorite photo-strip star known as "The White Sheik". While Wanda impetuously sneaks away to locate the object of her affections, disconsolate Ivan tries his hardest to keep up appearances with the couple's relatives.
Screenplay
In Italy, small-town newlyweds Wanda and Ivan Cavalli embark on their honeymoon in the big city of Rome. Ivan dutifully wants to keep appointments with family and church, but Wanda is only interested in meeting her favorite photo-strip star known as "The White Sheik". While Wanda impetuously sneaks away to locate the object of her affections, disconsolate Ivan tries his hardest to keep up appearances with the couple's relatives.
Director
In Italy, small-town newlyweds Wanda and Ivan Cavalli embark on their honeymoon in the big city of Rome. Ivan dutifully wants to keep appointments with family and church, but Wanda is only interested in meeting her favorite photo-strip star known as "The White Sheik". While Wanda impetuously sneaks away to locate the object of her affections, disconsolate Ivan tries his hardest to keep up appearances with the couple's relatives.
Screenplay
Maria is a housmaid and she is being engaged to Berto for fifteen years. Berto has not a lasting job so he is waiting for the death of his uncle Matteo to come into an inheritance. In the meantime Maria goes on with her work, first in the house of an unfaithful wife; then for an actor and his wife on the verge of leaving each other and last for Raffaele who wants to marry her. At last uncle Matteo dies...
Story
Four criminals commit a robbery at a soccer stadium, and then split up to try to hide separately from the police.
Screenplay
Four criminals commit a robbery at a soccer stadium, and then split up to try to hide separately from the police.
Screenplay
In a series of simple and joyous vignettes, director Roberto Rossellini and co-writer Federico Fellini lovingly convey the universal teachings of the People’s Saint: humility, compassion, faith, and sacrifice. Gorgeously photographed to evoke the medieval paintings of Saint Francis’s time, and cast with monks from the Nocera Inferiore Monastery, The Flowers of St. Francis is a timeless and moving portrait of the search for spiritual enlightenment.
The Stranger
Anthology film by three directors, "A Day in the Country", "Jofroi" and "The Miracle".
Story
In Italy, Checco Dal Monte manages a troupe of traveling performers with plenty of heart but minimal talent. At a small town engagement, he encounters the starry-eyed, gorgeous Lily Antonelli, and hires her as a dancer on the show. Vivacious Lily quickly sells out crowds and earns the resentment of Checco's mistress, Melina Amour, but the fledgling performer has far bigger ambitions and soon sets her sights on a higher-profile role.
Associate Producer
In Italy, Checco Dal Monte manages a troupe of traveling performers with plenty of heart but minimal talent. At a small town engagement, he encounters the starry-eyed, gorgeous Lily Antonelli, and hires her as a dancer on the show. Vivacious Lily quickly sells out crowds and earns the resentment of Checco's mistress, Melina Amour, but the fledgling performer has far bigger ambitions and soon sets her sights on a higher-profile role.
Screenplay
In Italy, Checco Dal Monte manages a troupe of traveling performers with plenty of heart but minimal talent. At a small town engagement, he encounters the starry-eyed, gorgeous Lily Antonelli, and hires her as a dancer on the show. Vivacious Lily quickly sells out crowds and earns the resentment of Checco's mistress, Melina Amour, but the fledgling performer has far bigger ambitions and soon sets her sights on a higher-profile role.
Director
In Italy, Checco Dal Monte manages a troupe of traveling performers with plenty of heart but minimal talent. At a small town engagement, he encounters the starry-eyed, gorgeous Lily Antonelli, and hires her as a dancer on the show. Vivacious Lily quickly sells out crowds and earns the resentment of Checco's mistress, Melina Amour, but the fledgling performer has far bigger ambitions and soon sets her sights on a higher-profile role.
Story
The story of a group of Sicilian miners and their families decide to illegally cross the border to France and their hardships.
Screenplay
The story of a group of Sicilian miners and their families decide to illegally cross the border to France and their hardships.
Screenplay
In the Po Valley during the 19th century, a rich girl engaged to a well-to-do farmer ends up penniless and is forced to work for her fiancé’s relatives. Peasant unrest, carried to extremes by both workers and landowners, leads to violence and tragedy.
Screenplay
A young, by-the-book judge is appointed to a Sicilian village controlled by corrupt leaders and the mafia.
Screenplay
The city of Pola is being evacuated after the peace conference of 1947 decided to assign the sovereignty to Tito's Yugoslavia. However the main character decides to stay, thinking that Communism might bring him a better future. Life turns to be hard for him and his family until he changes his mind, but he is killed before he can leave the country.
Story
In the first episode, a heartbroken woman talks to her ex-lover on the phone. In the second, a pregnant woman believes she is carrying the child of Saint Joseph.
The Tramp
In the first episode, a heartbroken woman talks to her ex-lover on the phone. In the second, a pregnant woman believes she is carrying the child of Saint Joseph.
First Assistant Director
An Italian sex worker falls in love with a black American soldier during World War II.
Story
An Italian sex worker falls in love with a black American soldier during World War II.
Screenplay
An Italian sex worker falls in love with a black American soldier during World War II.
Screenplay
The story of the most infamous bandit in Romagna, who robbed from the rich to give to the poor.
Screenplay
Giovanni used to be a humble, mild-mannered government clerk whose life was turned upside down when he met Giulio, a notorious forger who at once set about manipulating the over-confident man. Giovanni did what he should never have done: he associated himself with the crook. Giulio soon laid hands on Giovanni's money, ruined his career and manhandled him into marrying his own mistress, the beautiful Ginevra. It was of course an unhappy marriage but Giovanni found a little solace when his son Ciro was born. Seven years later though, Wanzer resurfaced...
First Assistant Director
Six vignettes follow the Allied invasion from July 1943 to winter 1944, from Sicily north to Venice.
Dialogue
Six vignettes follow the Allied invasion from July 1943 to winter 1944, from Sicily north to Venice.
Story
Six vignettes follow the Allied invasion from July 1943 to winter 1944, from Sicily north to Venice.
Screenplay
Six vignettes follow the Allied invasion from July 1943 to winter 1944, from Sicily north to Venice.
Screenplay
During the Nazi occupation of Rome in 1944, the leader of the Resistance is chased by the Nazis as he seeks refuge and a way to escape.
Assistant Director
During the Nazi occupation of Rome in 1944, the leader of the Resistance is chased by the Nazis as he seeks refuge and a way to escape.
Screenplay
Toto (Aldo Fabrizi), a Roman coachman with an old fashioned horse-drawn carriage who objects to the competition from motorised taxis, doesn't want his daughter Nannarella to go out with Roberto, a young taxi driver. But it is Roberto who helps him when he gets into trouble with a former client, Mary Dunchetti (Anna Magnani), an arrogant singer.
Adaptation
Peppino, a fishmonger on Campo de' Fiori, a famous Roman marketplace, works alongside Elide, a greengrocer, who has a soft spot for him, despite the fact they argue all day long... But neither Peppino, nor his friend Aurelio, the barber, are interested in getting married. Until he meets the beautiful Elsa...
Screenplay
Writer
Screenplay
A witty tram driver helps out a jobless girl in wartime Rome.
Story
A witty tram driver helps out a jobless girl in wartime Rome.
Author
In 1950s Italy, two middle-aged brothers go on a magical odyssey through their past as they take part in the world's most beautiful car race: the Mille Miglia.
