Deepa Mehta

Deepa Mehta’s first documentary in decades introduces us to Sirat, a trans woman in Delhi who is forced to go back into the closet when living with, and caring for, her traditional mother.

A student must navigate issues of sexuality, identity and family amid Sri Lanka's social turmoil of the 1970s and 1980s.

A student must navigate issues of sexuality, identity and family amid Sri Lanka's social turmoil of the 1970s and 1980s.

A troubled woman on the edge of divorce returns home to her younger sister after years apart. But when her sister and brother-in-law betray her trust, she embarks on a vicious crusade of revenge.

Celebrated filmmaker Deepa Mehta investigates one of India’s most notorious crimes — the 2012 gang rape and murder of a 23-year-old woman on a Delhi bus — in her angry, impassioned and essential new film.

Gang leader Jeet Johar and his young, loyal, and often-brutal crew dress like peacocks, love attention, and openly compete with an old style Indo crime syndicate to take over the Vancouver drug and arms scene. Blood is spilled, hearts are broken, and family bonds shattered as the Beeba Boys do anything to be seen and to be feared in a white world.

Gang leader Jeet Johar and his young, loyal, and often-brutal crew dress like peacocks, love attention, and openly compete with an old style Indo crime syndicate to take over the Vancouver drug and arms scene. Blood is spilled, hearts are broken, and family bonds shattered as the Beeba Boys do anything to be seen and to be feared in a white world.

The story of a pair of children born within moments of India gaining independence from England, growing up in the country that is nothing like their parent's generation. A Canadian-British film adaptation of Salman Rushdie's novel of the same name.

The story of a pair of children born within moments of India gaining independence from England, growing up in the country that is nothing like their parent's generation. A Canadian-British film adaptation of Salman Rushdie's novel of the same name.

The story of a pair of children born within moments of India gaining independence from England, growing up in the country that is nothing like their parent's generation. A Canadian-British film adaptation of Salman Rushdie's novel of the same name.

A portrait and tribute to Canadian filmmaker Deepa Mehta.

Inside the Canadian diplomatic compound in New Delhi, a mischievous cook affects the lives of her employers and fellow staff.

Inside the Canadian diplomatic compound in New Delhi, a mischievous cook affects the lives of her employers and fellow staff.

When Chand arrives in Brampton, Ontario to meet her new husband, she leaves behind a loving family and supportive community. Now, in a new country, she finds herself living in a modest suburban home with seven other people and two part-time tenants. Inside the home, she is at the mercy of her husband's temper, and her mother-in-law's controlling behaviour.

When Chand arrives in Brampton, Ontario to meet her new husband, she leaves behind a loving family and supportive community. Now, in a new country, she finds herself living in a modest suburban home with seven other people and two part-time tenants. Inside the home, she is at the mercy of her husband's temper, and her mother-in-law's controlling behaviour.

Inspired by the 2006 Academy Award® nominee for Best Foreign Language film, "Water," this documentary tells the story of some of the 20 million Indian widows who are abandoned by their families and literally turned out into the streets when their husbands died. "Water" was a fictional recounting of this terrible tradition, set in 1938. "The Forgotten Woman" is true, and happening today.

The year is 1938, and Mahatma Gandhi's groundbreaking philosophies are sweeping across India, but 8-year-old Chuyia, newly widowed, must go to live with other outcast widows on an ashram. Her presence transforms the ashram as she befriends two of her compatriots.

The year is 1938, and Mahatma Gandhi's groundbreaking philosophies are sweeping across India, but 8-year-old Chuyia, newly widowed, must go to live with other outcast widows on an ashram. Her presence transforms the ashram as she befriends two of her compatriots.

A thrice-divorced radio DJ meets the woman of his dreams but can he convince her of the truth of his feelings? An exploration of love, adapted from the novel by Pulitzer prize winning author Carol Shields.

A thrice-divorced radio DJ meets the woman of his dreams but can he convince her of the truth of his feelings? An exploration of love, adapted from the novel by Pulitzer prize winning author Carol Shields.

Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....

In the fifth film in the series, in 1910, the Jones family attends a meeting of the Theosophy movement in Benares, India. There young Indy befriends a young boy named Jiddu Krishnamurti who is presented by the society to be the next world teacher and possible messiah. Traveling on to China, mother Jones takes Miss Seymour and Indy on a sightseeing trip while father meets with Chinese translator Yen Fu. Indy becomes ill during a rain storm and the travelers seek shelter with a poor Chinese family. Despite the misgivings of his mother, a local doctor is allowed to treat the boy with acupuncture.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.

It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.

It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.

In a barren, arranged marriage to an amateur swami who seeks enlightenment through celibacy, Radha's life takes an irresistible turn when her beautiful young sister-in-law seeks to free herself from the confines of her own loveless marriage.

In a barren, arranged marriage to an amateur swami who seeks enlightenment through celibacy, Radha's life takes an irresistible turn when her beautiful young sister-in-law seeks to free herself from the confines of her own loveless marriage.

In a barren, arranged marriage to an amateur swami who seeks enlightenment through celibacy, Radha's life takes an irresistible turn when her beautiful young sister-in-law seeks to free herself from the confines of her own loveless marriage.

In a barren, arranged marriage to an amateur swami who seeks enlightenment through celibacy, Radha's life takes an irresistible turn when her beautiful young sister-in-law seeks to free herself from the confines of her own loveless marriage.

In the fourth film in the series, in 1910's Russia, a few acts of clumsiness puts Indy at odds with his father who is greatly displeased with Indy. Indy runs away into the Russian countryside and wakes in the morning on a haystack. He encounters colorful Gypsies, fierce Imperial Cossack troops, and an odd, cantankerous old man named Leo Tolstoy, who is in full agreement that "hell" is other people. Later, in Greece, Indy meets Nikos Kazantzakis, the writer who would some day write Zorba the Greek.

Freda Lopez, an aspiring musician, travels with her husband to the beautiful beaches of Georgia where she befriends Camilla, an odd and exotic elderly woman who plays the violin. When the two embark on a journey together, Camilla reclaims a lost love and makes peace with herself and her son, while Freda discovers inner resources she never knew she had.

23-year-old Nikhil comes to Canada from India to find his fortune and is convinced by his uncle to work as a companion and care-giver to Sam, an elderly Jewish man. An unlikely friendship ensues, which gives both men new insight into life.

Two women attending a Women's Seminar on personal development walk out in acute embarrassment during the introduction. They meet up with a woman who arrived too late to be admitted. Thrown together by chance, they discuss their emotional lives in intimate detail.