Chen Shiang-Chyi

Everything around Mrs. Yan looks perfect, but her mind is as confused and complex as the variety of medications she is taking. To reach peace of body and mind, she tries many methods including qi training, but to no avail. One day she gets a message that the woman who had an affair with her husband is in a nursing home and suffering from dementia.

Tsai Ming-Liang, the artisan of cinematography approaches virtual reality, pushing the boundaries of VR film. The Deserted stripped away traditional film techniques and is presented in 360 degrees, like a theatre. The viewer is placed in the scene and is allowed to look freely at the construction of the environment. And immersed in the handcraft of the scenes.

Weighed down by financial problems, Tina takes a job as a receptionist at an illegal massage parlour in London. As she slowly gets to know the women who work there, Tina is forced to question her values and morals. But how far will she be drawn into this world, and can she avoid losing herself in the process?

Journalist Denis Robert sparked a storm in the world of European finance by denouncing the murky operations of banking firm Clearstream. His quest to reveal the truth behind a secret world of shadowy multinational banking puts him in contact with an ever-expanding anti-corruption investigation carried out by Judge Renaud Van Ruymbeke. Their paths will lead them to the heart of a political/financial intrigue, which will rock the foundations of Europe and the French government itself.

After losing her job as a garment worker, Ling sees her prospects dim dramatically: in her mid forties, she lives in a small, dilapidated apartment in the Taiwanese city of Kaohsiung and spends much of her time locked in arguments with her testy daughter. Her elderly mother is ailing in hospital. On one of her many visits to the ward she notices an injured man and tentatively starts to care for him.

An alcoholic man and his two young children barely survive in Taipei. They cross paths with a lonely grocery clerk who might help them make a better life.

A contemplative trip down memory lane with one of the leading voices of the Second New Wave of Taiwanese Cinema. Saw Tiong Guan clearly established a very personal bond with his subject, and also found many of Tsai Ming-liang’s colleagues prepared to complete this portrait of a quiet yet outspoken artist.

A-Chuan, a quiet 30-year-old man working as a chef in a Japanese restaurant, collapses suddenly and is rushed to a hospital. His colleagues send him to his father, who resides in the mountains. While there, A-Chuan becomes immobile: he won’t speak, eat or even go to the toilet on his own. One day his father returns from work only to find A-Chuan sitting in the corner with his daughter lying dead in a pool of blood. In an unfamiliar, eerily calm voice, A-Chuan says, “I saw this body was empty, so I moved in.

Hsiao-Kang, a Taiwanese film director, travels to the Louvre in Paris, France, to shoot a film that explores the Salomé myth.

Rawang, an immigrant from Bangladesh living in awful conditions, takes pity on a Chinese man, Hsiao-kang, who is beaten up and left in the street. Rawang lovingly nurses him on a mattress he found. When he is almost healed, Hsiao-kang meets the waitress Chyi. His love for Rawang is put to the test.

台湾の鬼才ツァイ・ミンリャン監督が、「ふたつの時、ふたりの時間」に登場した主人公2人のその後の再会を綴った異色ラブストーリー。主人公の一人がAV男優との設定で随所に過激な性描写が登場することから、本国の台湾では審査の基準を巡って社会的な論議が巻き起こった。極限の水不足が続き、人々が西瓜ジュースでのどの渇きを癒している台湾の街。そんな中、久々にパリから帰国したシャンチーは、偶然にも昔路上で腕時計を買ったことがあるシャオカンと再会する。次第に惹かれ合う2人だったが、シャオカンには彼女に知られたくないある秘密があった。

Dajun still lives with his father, who dates and plans to marry a ditsy starlet. The boy's mother is a flight stewardess, hence often away, and so Dajun's chubby cousin Yifen is often hired in as a child-minder. The relationship between Dajun and Yifen is, to say the least, abrasive, and Yifen bitterly resents being imposed on--especially when it seems that her own family is keen to get rid of her.

On a dark and rainy night, a historic and regal Taipei cinema sees its final film: 1967 martial arts feature "Dragon Inn". As the film plays, the lives of the theater's various employees and patrons intersect, and two ghostly actors arrive to mourn the passing of an era.

A grandmother is looking for her grandson, a teenager for his grandfather.

The film follows Robinson, a very succesfull real estate broker, who lives in a modern hotel in Taipei. But all the success also hides a lonely man, whose relations are becoming distant, including friends and lovers; Robinson's dream is the Crusoe, an island on the Caribbean, which he wants to try purchase.

A young woman wandering around meets a young man going to a casting call for a pornographic film.

When a young street vendor with a grim home life meets a woman on her way to Paris, they forge an instant connection. He changes all the clocks in Taipei to French time, as he watches François Truffaut's Les 400 Coups; she has a strange encounter with its now-aging star, Jean-Pierre Leaud.

Anne Laugel, a young divorced woman, mother of a ten-year-old girl, Sophie, travels to China to adopt a baby. She is convinced, as a good Westerner, to carry out this adventure for the happiness of the new born, her daughter and hers.

Leah is travelling the world when she eventually settles in Beijing, China, where she meets Master Sun Zhan who teaches her the art of weiqi. Her path crosses with American Chinese Richard whose family had sent him to Beijing to arrange his grandfather's ashes. A romance soon blossoms between them.

In the final days of the year 1999, almost everyone in Taiwan has died from a strange plague that ravished the island. As rain pours down relentlessly, a single man is stuck with an unfinished plumbing job and a hole in his floor. This results in a very odd relationship with the woman who lives below him.

A young man develops severe neck pain after swimming in a polluted river; his dysfunctional parents are unable to provide any relief for him or themselves.

This is a four-part anthology comedy. The themes of four parts are: car, house, body and friendship. The central characters are a plastic surgeon Chen, a nurse, an experienced maid, three energetic teenagers and a young couple. The stingy surgeon Chen treats a car and a man so differently that he could be a perfect example to show how treasonously modern people treat their cars and how indifferently they treat other people. The maid Ying is like a knight on her "iron horse" (a bicycle), fighting in the city. Every day she rushes home after work to wait up for a husband never returns. The new nurse has problem with her colleague because they support different idle. What she also doesn't know is the reason why her brother's girlfriend sends her free lunchbox so often. The truth is that her brother's girlfriend wants to get plastic surgery in the clinic. Almost everyone here is not satisfied with his/her body. Moreover, they try to change their body with quite violent ways.

With a singular voice that distinguishes him from his New Taiwan Cinema contemporaries, Lin Cheng-sheng adds to his brief, but already remarkable, filmography with Sweet Degeneration, his third film in two years. As with A Drifting Life and Murmur of Youth, Lin’s new film delicately unfolds, gradually building to a climax of stunning emotional reverberations. Drawn from a particularly painful episode in the director’s past, Sweet Degeneration delves into the uneasy bonds a brother and sister have with each other and the people around them.

After firing a colleague, the head of a PR company begins to question her lifestyle and values.

大陸からの移住組の一家がこうむる圧力は、さらに露骨なものとなって少年スーを巻き込んでいく。彼の恋した少女ミンは、彼らのボスの情婦という噂がある。そのボスは、敵グループのボスと一騎討ちの最中、車にはねられて死んでしまう。やがてスーはミンとの交際を注意され、怒って中学を退学する。だがミンは、スーの親友で軍人の息子マーと付き合いはじめていた……。