Chen Shiang-Chyi

Everything around Mrs. Yan looks perfect, but her mind is as confused and complex as the variety of medications she is taking. To reach peace of body and mind, she tries many methods including qi training, but to no avail. One day she gets a message that the woman who had an affair with her husband is in a nursing home and suffering from dementia.

Tsai Ming-Liang, the artisan of cinematography approaches virtual reality, pushing the boundaries of VR film. The Deserted stripped away traditional film techniques and is presented in 360 degrees, like a theatre. The viewer is placed in the scene and is allowed to look freely at the construction of the environment. And immersed in the handcraft of the scenes.

Weighed down by financial problems, Tina takes a job as a receptionist at an illegal massage parlour in London. As she slowly gets to know the women who work there, Tina is forced to question her values and morals. But how far will she be drawn into this world, and can she avoid losing herself in the process?

Journalist Denis Robert sparked a storm in the world of European finance by denouncing the murky operations of banking firm Clearstream. His quest to reveal the truth behind a secret world of shadowy multinational banking puts him in contact with an ever-expanding anti-corruption investigation carried out by Judge Renaud Van Ruymbeke. Their paths will lead them to the heart of a political/financial intrigue, which will rock the foundations of Europe and the French government itself.

Ling é uma trabalhadora do setor de vestuário. Seu marido, está trabalhando em Xangai e sua filha, não tem o menor interesse em gastar algum tempo com a mãe. Ling observa as texturas da rotina diária completamente sozinha, enquanto sente o envelhecimento no horizonte. Sua vida é uma queimadura lenta construída por uma acumulação de condições familiares e modernas, que Ling mal consegue registrar o seu próprio pânico subterrâneo. Até que de forma desorientada, ela nos mostra camadas de impulsos ilegíveis cutucando contra a dormência, uma mulher que vê sua própria vida secando e silenciosamente tenta algum tipo de liberação... Vencedor dos prêmios de 'Melhor Narrativa' e 'Melhor Atriz' (Shiang-chyi), no Taipei Film Festival.

An alcoholic man and his two young children barely survive in Taipei. They cross paths with a lonely grocery clerk who might help them make a better life.

A contemplative trip down memory lane with one of the leading voices of the Second New Wave of Taiwanese Cinema. Saw Tiong Guan clearly established a very personal bond with his subject, and also found many of Tsai Ming-liang’s colleagues prepared to complete this portrait of a quiet yet outspoken artist.

A-Chuan, a quiet 30-year-old man working as a chef in a Japanese restaurant, collapses suddenly and is rushed to a hospital. His colleagues send him to his father, who resides in the mountains. While there, A-Chuan becomes immobile: he won’t speak, eat or even go to the toilet on his own. One day his father returns from work only to find A-Chuan sitting in the corner with his daughter lying dead in a pool of blood. In an unfamiliar, eerily calm voice, A-Chuan says, “I saw this body was empty, so I moved in.

Hsaio-Kong é um cineasta de Taiwan, que começa a rodar seu próximo filme, uma visão da mítica Salomé, na França. No set ele começa a lidar com uma série de imprevistos, que se tornam insignificantes ao saber que sua mãe morreu.

Rawang, an immigrant from Bangladesh living in awful conditions, takes pity on a Chinese man, Hsiao-kang, who is beaten up and left in the street. Rawang lovingly nurses him on a mattress he found. When he is almost healed, Hsiao-kang meets the waitress Chyi. His love for Rawang is put to the test.

Taipei passa por estiagem terrível e a água começa a ficar cada vez mais escassa. As pessoas são obrigadas a saciar a sede com suco de melancia, mais barato e mais fácil de encontrar que a água. A jovem Shiang-Chyi conhece Hsiao-Kang, um vendedor, por acaso e um romance se inicia entre eles. O que a moça não sabe é que ele é um ator pornô que está filmando em um dos apartamentos de seu prédio.

Dajun still lives with his father, who dates and plans to marry a ditsy starlet. The boy's mother is a flight stewardess, hence often away, and so Dajun's chubby cousin Yifen is often hired in as a child-minder. The relationship between Dajun and Yifen is, to say the least, abrasive, and Yifen bitterly resents being imposed on--especially when it seems that her own family is keen to get rid of her.

Na última noite antes de um velho cinema fechar uma jovem japonesa corre para o cinema, mesmo apesar da chuva. O cinema parece deserto, sem vida. Mas, no entanto, há algumas pessoas, algumas talvez não sejam pessoas...

A grandmother is looking for her grandson, a teenager for his grandfather.

The film follows Robinson, a very succesfull real estate broker, who lives in a modern hotel in Taipei. But all the success also hides a lonely man, whose relations are becoming distant, including friends and lovers; Robinson's dream is the Crusoe, an island on the Caribbean, which he wants to try purchase.

Devido à demolição não anunciada de um passarela em Taipei, uma senhora não consegue atravessar a avenida com sua mala pesada. No mesmo local, Chen Shiang-chyi procura por um vendedor ambulante na multidão, sem perceber que ele está muito mais próximo do que imagina.

Hsiao Kang trabalha vendendo relógios e acaba de perder o pai; sua mãe em casa tenta de todas as formas deixar tudo como está, pois tem a certeza de que o espírito do pai vai voltar. O ambiente é cada vez mais insuportável para o rapaz, até que conhece Shiang-chyi e fica interessado nela, que, infelizmente está prestes a viajar para a França.

Anne Laugel, a young divorced woman, mother of a ten-year-old girl, Sophie, travels to China to adopt a baby. She is convinced, as a good Westerner, to carry out this adventure for the happiness of the new born, her daughter and hers.

Leah is travelling the world when she eventually settles in Beijing, China, where she meets Master Sun Zhan who teaches her the art of weiqi. Her path crosses with American Chinese Richard whose family had sent him to Beijing to arrange his grandfather's ashes. A romance soon blossoms between them.

Falta pouco para a chegada do ano 2000 e uma epidemia ataca Taipei, mas os moradores ignoram a ordem de evacuação e permanecem em suas casas. A moradora de um apartamento chama um encanador para investigar um vazamento de água incontrolável que atinge sua casa, vindo do apartamento de cima; o encanador abre um buraco no piso do apartamento superior e promete voltar em seguida, mas não retorna. O buraco acaba criando uma "porta" de ligação entre os dois moradores.

Uma equipe está gravando um filme e tentando fazer um boneco flutuando em um rio ser convincente o suficiente para parecer uma pessoa morta. Sem sucesso e frustrada, a diretora pede a um rapaz que fizesse o papel do corpo, e mesmo relutante por conta da poluição do rio, ele aceita. Dias depois aparece no pescoço do rapaz uma estranha dor, e mesmo que ele busque várias formas diferentes de resolver ninguém parece ter sucesso.

This is a four-part anthology comedy. The themes of four parts are: car, house, body and friendship. The central characters are a plastic surgeon Chen, a nurse, an experienced maid, three energetic teenagers and a young couple. The stingy surgeon Chen treats a car and a man so differently that he could be a perfect example to show how treasonously modern people treat their cars and how indifferently they treat other people. The maid Ying is like a knight on her "iron horse" (a bicycle), fighting in the city. Every day she rushes home after work to wait up for a husband never returns. The new nurse has problem with her colleague because they support different idle. What she also doesn't know is the reason why her brother's girlfriend sends her free lunchbox so often. The truth is that her brother's girlfriend wants to get plastic surgery in the clinic. Almost everyone here is not satisfied with his/her body. Moreover, they try to change their body with quite violent ways.

With a singular voice that distinguishes him from his New Taiwan Cinema contemporaries, Lin Cheng-sheng adds to his brief, but already remarkable, filmography with Sweet Degeneration, his third film in two years. As with A Drifting Life and Murmur of Youth, Lin’s new film delicately unfolds, gradually building to a climax of stunning emotional reverberations. Drawn from a particularly painful episode in the director’s past, Sweet Degeneration delves into the uneasy bonds a brother and sister have with each other and the people around them.

After firing a colleague, the head of a PR company begins to question her lifestyle and values.

Baseado em uma história verídica sobre um conflito entre duas gangues de jovens, a namorada de um garoto de 14 anos entra em conflito com o chefe de uma gangue por uma razão pouco clara, até que finalmente o conflito atinge um clímax violento.