이노센트 (2019)

Louise loved Adam. Adam loved Louise. That is how it used to be. But a child has disappeared. Their child. The police said it was a drowning accident. Yet the truth is that their little boy’s body was never found. Lucas, ten years old. How easy it all would have been if the ocean had taken the trouble to throw up a little-swollen child’s corpse onto the beach. Or if a local with alcohol in his blood and blood on his hands had ploughed him down at full speed. An indescribable pain. No more living, no more happiness, but at least no unanswered questions. Unfortunately, that is not how it is for Adam and Louise.

In 2013, Dima Ilukhin, the cousin of the film’s director and a soldier in the Russian army, died on duty in the Republic of Dagestan in the North Caucasus. He was 21 years old. This incident marks the starting point for Abaturov’s reflection on the military. He films the training of new recruits in Siberia, as they bid farewell to their mothers and girlfriends, learn the mechanics of a Kalashnikov, or how to throw a hand grenade and administer first aid. While his parents try to cope with their loss, Dima’s former fellow recruits have to return to battle.

Marisa feels that she is the supporting actress of her own life. She has no job, no projects, no prospects for the future. She looks away from her own life's downfall to become the rescuer of her best friend Mina, who is immersed in a desperate crisis after the break-up of her relationship with Salvador. When she tries to get help from other friends, she only finds more lives adrift. Then, some unexpected news breaks the difficult balance of her life, and Marisa can only find comfort in the city nightlife. She is ready to disappear, silent and quietly, like fading into black.

Drawing inspiration from his personal encounter with the Italian refugee child Giovanna during World War II, Markus Imhoof tells how refugees and migrants are treated today: on the Mediterranean Sea, in Lebanon, in Italy, in Germany and in Switzerland.

만화가였던 마리는 만화가라는 직업을 저버린 채 술에 찌들어 살아가고 있다. 그녀는 엄마가 돌아가신 후에 환상이나, 마치 환상 같은 일들을 종종 마주하게 된다. 그녀의 관점에서 바라보는 어지러운 세상과 그녀의 '인생은 각자의 관점이다' 라는 신념 그리고 그녀를 맞이하는 커다란 사건들.

A Vietnam veteran and ex-con is persuaded by a shady woman to rob a $50,000 payroll account on a California produce farm. But who is playing who?

As a divorced father of two teenage daughters, with a head-strong ex-wife for a best friend, too many peculiar patients to keep up with and a new dog, psychotherapist Max certainly doesn't need another challenge. But when Sophie, a compulsive gambler with a boyfriend problem, regularly shows up late for her appointments, she rocks his world in ways he's not ready for.

Sunil Pratham, aka Sun, is a 30-year-old delivery boy of Indian descent. He leads a hectic life in today's Paris, but everything threatens to stop the day his Chinese employers put an end to their illegal activities. To continue working, Sun decides to set up a real courier company. His plan was quickly complicated by the unexpected arrival of his cousin, a sitar player who had come to Paris for a career, and to whom Sun had to promise a concert at the Olympia. Caught in his lies, Sun will therefore find it very difficult to invent a future ...

Based on the novella by Henry James Beast in the Jungle depicts the enigmatic love story of John Marcher and May Bartram. Their duet around an omnious secret is captured in a style both physical and poetic. Set in a remote countryside mansion the story stretches over a century, spiraling from the Jamesian late 19th century to the global present.

철의 장막이 무너지고 동독과 서독을 나누던 베를린 장벽이 사라진 1989년. 동독에 거주하는 재단사 아담과 웨이트리스 에블린은 평온한 삶을 살아가는 커플이다. 여름 휴가를 준비 중이던 두 사람이지만, 아담의 바람기를 의심한 에블린은 친구들과 헝가리로 휴가를 떠나버리고, 그런 에블린을 찾아가던 아담은 한 여성이 서쪽으로 이주하는 걸 몰래 돕는다. 그리고 두 사람에게도 선택의 순간이 찾아온다. 미래를 위해 고향을 떠나 서쪽으로 갈 것인가, 그대로 머물 것인가. 잉고 슐츠의 동명 원작을 각색한 은 냉전 시대의 마지막을 살아낸 평범한 독일사람의 초상을 담는다. 영화는 두 사람이 이주를 결심하는 명확한 극적 동기나 심리적 갈등을 제시하지 않는다. 대신 집과 정원, 나른하고 평화로운 시골길 등 다양한 공간 속의 두 사람을 반복적으로 보여주면서, 역사 정치적 의미보다는 사적인 역사의 저장고로서의 고향을 떠나야 하는 상황을 시각적으로 강조한다. 은 올해 베니스영화제 비평가주간에서 처음으로 공개되었다. (박진형/2018년 제23회 부산국제영화제)

The Yellow Eagle family are Native American and live on the Prairie Wolf Indian Reservation. News reaches them that Floyd, the youngest son of the family, has died during military service in Afghanistan. The waiting begins to get his body back to the Reservation to be buried.

국제 여성 보디빌딩 챔피언십 파이널 72시간 전. 레아 펄은 권위 있는‘ 미스 헤븐’ 타이틀을 따기 위해 경쟁에 참여할 준비가 되어 있다. 하지만 레아의 전 애인인 벤이 여섯 살 된 아들 조셉을 데리고 나타나면서 그녀는 흔들린다.

A colonel in the Army has a problem: when resting lying starts screaming anarchist and antimilitarist phrases. Because of his fitful sleep is therefore forced to sleep standing up.

The dangerous paranoia lurking beneath the seemingly idyllic existence of a family of hermits living on a remote island begins to come to the fore when their daughter starts to question her parents' worldview.

Through deserted Scandinavian landscapes, a robot monk follows a little red man. Only when they find a wounded teddy bear do they have a common goal.

Memento Mori is about a girl who's stuck in a dream circle, reliving key moments of a traumatic event. What happened to her? And will she survive this nightmare before time runs out?

Before Christmas, in the village of Hart's Landing, an ominous shadow may befall! Will Walter and Tandoori be able to save their village from an ecological disaster?

전설적인 무용수 이사도라 던컨은 1913년 4월에 자신의 아이가 세상을 떠난 뒤 ‘엄마’라는 이름의 독무를 창작했다. 부드러움의 정점에 이르는 순간, 엄마는 아이를 떠나보내기 직전 마지막으로 그를 보듬어본다. 현대의 프랑스에서 이사도라를 포함한 4인의 여성이 새롭게 ‘엄마’를 접하고 이를 각자만의 방식으로 해석해나간다.