Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
공장에서 일하며 혼자 사는 앙투안은 오페라나 클래식음악을 즐긴다. 베를리오즈 음악 과정을 듣던 앙투안은 귀여운 소녀 콜레트를 보고 첫눈에 반한다. 그녀의 화목한 가족들은 앙투안을 식구처럼 대하지만, 그에 대한 콜레트의 감정은 애매모호하다. 안제이 바이다, 렌조 로셀리니 등과 함께 작업한 옴니버스영화 중 한 작품. <400번의 구타>의 앙투안이 17세가 되어 돌아왔으며, 그의 이야기는 로 이어진다. (2012 부산 영화의 전당 - 프랑수아 트뤼포 전작전)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
남북전쟁이 끝난 후 남아도는 대포를 처리하는 방법을 연구하다가 큰 대포를 만들어 안에다가 사람을 태운 우주선을 집어 넣고 달로 쏘아 올리기로 결정한다. 사람들에게 환송을 받으며 천문학자를 태운 로켓이 대포로 발사되고 곧 로켓은 달에 착륙한다. 천문학자는 달에 도착하자마자 잠을 자고, 일어나고 나서 동굴로 가자 거대한 버섯을 발견한다. 한 천문학자가 우산을 펼치자 곧바로 버섯으로 변해 버린다. 이때 외계인이 나타나지만 천문학자는 이를 쉽게 죽인다. 곧 더 많은 외계인이 나타나서 천문학자들은 둘러싸이게 되고, 외계인은 그들을 잡아 우두머리에게 데리고 간다. 천문학자들이 우두머리를 죽이고 도망친다. 다섯 명이 비행선 안으로 들어가고 나머지 한 명은 절벽에 걸친 비행선에 달린 로프에 매달려 비행선을 우주로 떨어뜨린다. 우주선은 지구로 떨어져 바다에 빠진다. 천문학자들은 구조되어 큰 환대를 받는다.
제2차 세계대전이 끝난 지 10여년이 지나 버려진 수용소의 현재 모습은 흑백의 기록화면으로 이어진다. 12년 전 빈 들판엔 수용소 건설이 진행되었고 ‘밤과 안개’ 작전으로 유대인들이 수감되기 시작했다.
When Robin's daughter Lacy wants to buy an expensive guitar, Robin reminisces about the days when she was a teenager, asking her dad for her first car, an Olds Cutlass Supreme.
Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.
Finding an unfinished script written by Alfred Hitchcock himself, Martin Scorsese attempts to recreate it himself as Hitchcock would have.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
A very old woman wants to have dinner with her friends. As they are all dead, the butler has to play the role of every guest.
어린 아들을 잃고 남편 데릭(알렉산더 스카스가드)과의 대화마저 단절된 채 힘겨운 시간을 보내던 신디(폴라 패튼)는 상처받은 사람들을 위한 채팅 사이트에서 위안을 얻지만 채팅으로 인해 전 재산이 피싱 당한 사실을 알고 패닉에 빠진다. 지방 방송국 기자 니나(안드레아 라이즈보로)가 특종을 위해 불법 성인사이트에서 화상 채팅을 하는 18살 미성년자 카일(맥스 티에리옷)에게 접근해 은밀한 거래를 통해 성사된 인터뷰는 화제선상에 떠오르며 CNN을 타게 된다. 기뻐할 시간도 잠시 니나를 찾아온 FBI는 미성년자 불법 성인사이트를 수사한다며 취재원의 정보를 요구하는데...
Lili wakes her sister Victoria and insists that they both leave the house.
This animated comic goes back in time to explore the events that spurred the transformation of mild-mannered John Kramer into the monstrous Jigsaw.
Extraordinarily detailed and beautifully drawn animation of a bizarre and surreal world; the domestic life of a fat man, his wife, a sort of oversized obese chicken, and their child/pet, a slug-like creature with a human head. This expressionistic and interior vision of Soviet animator Kovalyov is like an animated Eraserhead. Preserved by the Academy Film Archive, Academy War Film Collection, in 2007.
A teenager attempts to keep his composure following a reckless crime.
Momma parrot is teaching her young-uns to say "Polly want a cracker" but little Peter doesn't want a cracker, he wants to be a sailor like dad. Mom tells him what a no-account his dad really was, setting sail for Hawaii ("no, Maw, it was Catalina") right after the kids were born. Peter is unswayed, and takes off. He turns a barrel into a boat, and crews it with an annoyingly talkative duckling, then sets sail on a lake. They get caught in a thunderstorm (the duck loves it). Peter calls for help and momma comes running, but the duck has already saved him. But he still wants to be a sailor.
The short film that introduces the character of Derek Zoolander, first shown at the 1996 VH1 Fashion Awards.
The second short film to feature the character of Derek Zoolander, shown at the 1997 VH1 Fashion Awards.
Things spin: amusement park rides, a phonograph record. A man wakes, shaves, and takes a phone call. Another man, in a kimono, walks in the woods, stops, and opens a small decorative box on the forest floor. People at an amusement park called Little Harlem enjoy themselves. A man walks through another amusement park, called Cavalcade Worlds, as midway rides spin. At a house, an older woman cleans; a pre-teen girl sets the table; a teenaged boy showers. After he dresses, he holds a candle high above his head and walks swiftly toward a young man standing bare-chested, his arms extended. A man arrives home where the girl has set the table. The youth sleeps. Christmas?
Because Ernst feels oppressed by his wife and her mother, he fakes his suicide and hires in his own household disguised as a servant.
