Juan Carlos Macías

A Journey to the Fumigated Towns is the final episode made by Fernando Solanas in a series of 8 films dedicated to the Argentinian’s crisis in the 21st century. Based on testimonies, re-creations, archives and photos, this investigative documentary reveals not only the after-effects of the soya’s model and other GMO’s grain productions with agrochemicals, on the health of the Argentinian people, but also the global and environmental consequences.

Three teenage girls from a Santiago shanty town set in motion a plan to climb buildings and break into the apartments of the wealthy side of the town.

Three interconnected stories explore the complicated relationships of young, attractive Argentinian adults searching for true love

"Impure Gold" is a tour around some of the open pit mining with cyanide that corporations have settled in the Argentine northwest San Juan, La Rioja, Catamarca, Tucuman Salta - and the reaction of the surrounding populations from the contamination.

Mystery film from Juan José Jusid

The closed community of a private neighborhood of high-priced houses, is moved by the discovery of three corpses that appear floating in a pool and rushes to frame it as an accident.

Adaptation and unification in a single story of several stories by the writer Rubem Fonseca, where the theme of violence in contemporary society is explored.

The documentary directed by Estela Bravo collects the story of girls, boys and young people who were able to recover their true identity thanks to the struggle of the Grandmothers of Plaza de Mayo. The documentary gives an account of the tireless task undertaken by Estela de Carlotto in the search for the stolen granddaughters and grandsons, as well as to reveal the true story of the horror perpetuated by the last civic-military dictatorship in Argentina.

Could a brilliant composer's music actually be killing his loved ones? Eliseo can't help but believe it when his younger sister dies tragically and then his pianist Georgina suddenly dies on the piano. Completely traumatized, Eliseo is taken to a mental hospital where he can find escape only through music.

The degraded socio-economic condition of Argentina leading to the December 2001 rebellions, and its consequent social chaos analyzed by focusing on real people from Buenos Aires poorest shantytowns, crumbling hospitals, and women middle class farmers fighting multi national banks that are shamelessly appropriating their farmlands. Written by Gonz30

(1968)로 세계 다큐멘터리사에 한획을 그었던 페르난도 솔라나스의 최근작. 영화는 경제공황으로 최악의 상황에 몰린 아르헨티나의 현실을 되짚는다. 2001년 10월에 있었던 아르헨티나 시민들의 시위장면을 보여주면서 영화를 시작한 페르난도 솔라나스는 질문한다. “도대체 아르헨티나에 무슨 일이 있었던 걸까?” 은 요즘 유행하고 있는 마이클 무어식의 다큐멘터리와는 거리가 있다. 이 영화가 선택한 방식은 질문에 철저히 구조적으로 대답해보는 것이다. 각각 “끝없는 빚더미, 경제 모델, 민영화” 등 토픽에 따라 10개의 챕터로 나눠져 있으며, 그 맥락을 따라 아르헨티나의 경제가 무너져온 이유들을 영화는 꼼꼼히 따져본다. 1970년대부터 2000년대를 오가며 아르헨티나를 망친 요인들을 하나씩 파헤쳐본다. 그 중심에는 장기집권의 시대를 연 대통령 카를로스 메넴이 있으며, 부정부패의 무리들이 있다. 영화는 그저 이들의 행태를 비판만 하기보다는 끊임없이 현재의 관계 안에서 인과성을 찾아내려 노력한다. 페르난도 솔라나스는 휘황찬란하게 치장된 공관 내부와 암울했던 지난 역사 자료들을 병치시키며 웅장한 대조의 설득력을 발휘한다. 시종일관 의도와 기법이 조화를 이루고 있는 은 아르헨티나에 관한 사회학적 보고서인 동시에 근래 보기 드문 전통적 다큐멘터리 양식의 교본이다.

A cartoonist and painter who can not stand out and make a living, among other things, as a photographer of news magazines and a beautiful young woman who comes to Buenos Aires from inside the country to try to make it as a model and actress, living a love as passionate as fraught with disagreements.

Viri is a trendy bar waitress, Lissa works in a supermarket and sings hip-hop, Valeria veterinary studies, Yvonne tries to find a place in the world of music and Lourdes does tattoos on the premises of his brother Pogo. The idea of forming a pop group. When the group finally consolidates, an internal problem threatens to dissolve before the debut. But girls are not the same: the time spent together taught them that despite the differences there is none can separate because they are united by something that goes beyond the simple desire to sing.

In 1976, Argentina fell into the hands of a de facto government. Thousands of citizens are persecuted and kidnapped. This is the case of the parents of two children, who, knowing they are wanted, decide to hide.

The sequel to the blockbuster Argentinean smash hit. After ten years, Oliverio is still intrigued by the works of great poets and continues to search for true love. When he meets the beautiful... The sequel to the blockbuster Argentinean smash hit. After ten years, Oliverio is still intrigued by the works of great poets and continues to search for true love. When he meets the beautiful Miranda, she suggests that they both move in together and find jobs. Oliviero, however, leaves Miranda in search of his first love Ana who he met ten years prior. Once in Barcelona, he realizes that Ana's life has drastically changed and their love is in the past. Soon, he meets poet and circus performer, Alejandra. Oliviero becomes smitten and desperately tries bond with her, but she makes things a little more difficult that he ever imagined.

After the May Revolution, Juan José Castelli has instructions to order the execution of ex-viceroy Santiago de Liniers. That put you at a crossroads with respect to your convictions.

In the summer of 1928, several inmates from the National Penitentiary in Buenos Aires managed to escape. The film narrates the fate of each of these runaways in search of their destiny - tough men with their own ethical codes and ready to do anything not to return to prison. Some of them will suffer violent deaths, while others manage de disappear. Sordid and moving stories, not excluding tenderness and love, mercy or horror sealed with a pact of prison love that will remain in the heart of Buenos Aires, as witness of the yearned-for freedom.

A love between an admirer of Rodrigo and a young man who is shocked by his fanaticism with real images of recitals of Rodrigo

넨과 엥겔은 고정된 눈과 초점없는 눈빛이 닮아 쌍둥이라고 불린다. 그들은 서로 사랑하는 사이지만 언제부턴가 엥겔이 넨과의 섹스를 거부한 상태다. 암흑계의 대부 폰타나는 동료들과 함께 부패한 경찰을 매수해 정부의 돈을 수송하는 트럭을 습격, 강탈하는 계획을 세운다. 넨과 엥겔 그리고 쿠에보 역시 폰타나의 강도 계획에 참여하게 된다.

Botín de guerra focuses on the history of the birth and growth of the Abuelas de Plaza de Mayo association, along with the frightening socio-political phenomenon that gave them raison d'être: the systematic appropriation of the children of detainees disappeared by the Argentine dictatorship between the years 1976/1983, which after kidnapping, torturing, and murdering the parents, gave their babies for adoption.

A 16-year-old young man, is fond of weapons and the manufacture of explosives. He participates in robberies and is persecuted by the Police, so his group of friends dissolves and he goes to live in another neighborhood and starts working in a bookstore. Dissatisfied, without expectations and full of resentment, Silvio tries to set the place on fire and flees through the city

The evil Nasty comes to our world with two objectives -- kidnap Buji, and carry as much candy as possible back to his world. He has the ability to 'shape-shift', and using the appearance of Dibu, he holds up a bank so that he can get enough money to buy the candy. The police wrongly imprison Dibu, who manages to escape and confront Nasty.

Told by gauchos from Brazil, Argentina and Uruguai, the legend says that Anahy de las Missiones wandered around the Plata Basin during the time of Cisplatina War (1825-1828), stealing the dead.

A judge falls from the roof of the Federal Courthouse. A woman is murdered. Between them and the three sons of the judge there is a connection that will be investigated by a woman judge who is determined to discover the truth.

This drama is based on a novel and incomplete screenplay by the late Maria Luis Bemberg. In 1930s Argentina, wealthy Sebastian (Antonio Birabent) leaves his Buenos Aires home for the family estate on the pampas. His family, concerned for his physical and mental health, arranges for Sebastian's childhood friend Juan (Walter Quiroz) to check on Sebastian's situation. Juan finds the highly erratic Sebastian caught in a doomed relationship with the Danish daughter of religious sect members. Unfortunately, Juan also becomes obsessed with the young woman, and Sebastian's suspicions increase.

Clara Goldstein is a lovely, middle-aged Jewish woman who, because of an impending visit from her American brother, is forced to create a contrived relationship with a man of her own faith. She places an ad in a personals column and meets Raul, a well-spoken, handsome and charming man whom she soon discovers is a Gentile and does not fulfill her reason for placing the ad. Having no alternative, Clara proceeds to instruct Raul with an intensive course in Judaism. Their journey is both humorous and captivating, but not without pitfalls. These two mature people risk a last chance at a meaningful relationship in their lives.

A woman would rather forget her husband's forced disappearance at the hands of the government.

Leonor, a widow in a small South American town, gives birth to Charlotte, a dwarf. The mother not only provides a rich childhood for her daughter, she erases any clues her daughter might see that would lead her to think she is different (mother burns books such as "Snow White" and destroys lawn statues of gnomes). In short, she doesn't want to talk about it. The mother succeeds in creating a modern-day Rapunzel: Charlotte becomes an accomplished young woman who captures the heart of Ludovico. But then, the circus comes to town.

In a city in South America an outbreak of bubonic plague occurs. While people try to flee and the military close the city, an idealistic doctor decides to stay and help the sick. In the ever-changing circumstances, he puts up a brave fight, being helped by others but also involving them without being able to control the situation.

"El Pollo," a 13-year-old child in reform school, witnesses and experiences the brutalization of the guards and the other inmates.

A viceroy and an archbishop take their posts in Mexico. A local nun, Sor Juana Inés de la Cruz (1651-1695), intrigues them. The viceroy and his wife find her brilliant and fascinating. The prelate finds her a symbol of European laxity. He engineers the election of a new abbess, severe and ascetic. The virreina visits Sor Juana often and inspires her to write passionate poetry that the archbishop finds scandalous. The viceroy protects her. After he is replaced and returns to Spain with his wife, Sor Juana faces envy and retribution. A bishop betrays her, her confessor humbles her. Plague, a tribunal, and her confession as "the worst of all" end the great poet's life.

A history of Argentine football, from its origins in the nineteenth century to the victory of the Argentine national team in the 1986 World Cup. The film uses valuable archival footage.

자신의 전집 출판일에 참석한 노령의 작가 비터는 그 자리에 모인 사이비 작가들과 권위만 앞세우는 신문 주인을 비난하고 작별을 고한다. 이를 뒷편에서 우연히 지켜본 노처녀 해리엣이 감동하여 엄마의 위선적인 보호를 과감히 뒤로하고 미란다 가문의 가정교사로 취직되어 멕시코에 온다. 그러나 멕시코는 이미 농민들을 주축으로 한 혁명이 진행 중이었고, 미란다 가문은 혁명의 적으로 선언된 뒤였다. 곧 자신도 모르게 혁명군의 무리에 휩쓸려 같이 어울리게 되고, 이곳에 온 비터를 알게되며, 혁명군을 이끄는 인디안 장군 아로요와 사랑에 빠지게 된다. 미란다 가족의 영지를 탈취한 아로요는 혁명군과 사령관 빌라의 진격 명령에도 불구하고 계속 남아 옛날의 토지 문서를 찾아내고 그 문서들과 씨름한다. 시간이 경과하며 부하들의 불안감이 퍼지고, 아들처럼 친해진 아로요를 위해 노령의 작가 비터는 문서를 태워 버리는데 이를 본 아로요는 그를 등 뒤에서 쏘아 살해한다. 비터가 자신이 좋아하던 유명 작가라는 사실을 뒤늦게 알자마자 해리엣은 자신의 품안에서 그의 최후의 ? 보게 된다. 해리엣은 그의 시신을 모셔가기 위해 미국 영사관의 도움을 청하고, 미국의 개입을 염려한 혁명군 사령관은 아로요를 명령위반으로 처형한다. 혁명군의 젊은 장군과 노령 작가의 두 죽음을 목격한 해리엣은 두 사람을 기억하며 새로운 삶을 위해 멀리 떠난다.

Dreams and reality mix-up in the life of a middle class woman in his 20s who is depressed and distressed.

아르헨타니가 군사독재정치에서 벗어나 민주주의 국가로 바뀐 1983년. 플로리알은 정치범죄자로 5년간 감옥에 수감되었다가 출감한다. 플로리알은 출감 후 자신의 아내인 로지에게 가지 않고 부에노스아이레스의 거리를 방황한다. 동료들의 죽음에 대한 슬픔과 자신의 친한 친구인 로베르토와 아내 로지의 간통 사실에 머리가 어지러운 플로리알은 수감되기 전에 군사독재정치의 폭압에 시달리던 아르헨티나의 암울함에서 느닷없이 희망으로 가득찬 부에노스 아이레스의 거리로 내던져진 현실이 믿기지 않아 낯설고 어색하기만 하다. 너무나 꿈만 같고 정신이 없는 플로리알은 거리를 방황하면서 죽은 동료들의 혼령을 만나게 된다. 한편 그의 아내 로지는 플로리알의 출감 사실을 전해듣고 불안에 떨며 그를 기다리는데...

1983년의 아르헨티나. 기업체 중역인 로베르토(헥터 알테리오 분)와 고등학교 교사인 알리시아(노마 알린드로 분)와 양녀로 키우는 딸 가비(아날리아 카스트로 분)는 단란한 가정을 이루고 있다. 로베르토는 상관인 아드라다가 갑자기 사라진 사실에 충격을 받고, 가비를 어느 병원에서 데려온 아이라고 알고 있던 알리시아는 갑자기 나타난 소꼽친구 아나의 이야기를 들은 뒤, 가비의 출생에 대해 의혹을 갖는다. 아나도 동거인 페드로의 반정부활동에 대한 보복으로 수감돼 고문을 당하고 석방됐다는 사실을 알고 알리시아는 정치적 현실에 눈을 뜨게 된다. 알리시아는 또한 남편에게 딸의 생모에 대해 묻지만 로베르토가 알려주지 않자 가비의 출생비밀을 조사한다.

It's about three women, three stories, or perhaps a single story in different projections of time and space. The Mistress wishes to unravel the meaning of being a woman is the victim of Hollywood. Ana is the product of a society ruled or dominated by men.

A journalist begins to receive envelopes containing erotic pictures, which he connects to a relationship he once had with an actress.

The life and work of Argentinian writer Jorge Luis Borges, a long interview, fragments of some of his most significant verses and dramatizations of some of his stories. Borges for everyone.

"The Surprises" is an episode film. In the episode Five Years of Life an unknown man and woman spend a night locked in a subway station. In Corazonada, a domestic employee takes revenge on her employer by making her son fall in love and in The Wells there is a love triangle in which the deceived husband is blind.

Documentary with staged events about a poor rural family in Argentina.

The life of an advertising model, since she is discovered by a producer, until she decides to move away from the advertising environment.

An impassioned three-part documentary of the liberation struggle waged throughout Latin America, using Argentina as a historical example of the imperialist exploitation of the continent. Part I: Neo-Colonialism and Violence is a historical, geographic, and economic analysis of Argentina. Part II: An Act For Liberation examines the ten-year reign of Juan Perón (1945-55) and the activities of the Peronist movement after his fall from power. Part III: Violence and Liberation studies the role of violence in the national liberation process and constitutes a call for action.

Three colleagues must decide which one of them will be fired when the company they work for starts a downsizing process.

Three boys from very different backgrounds who have just finished their military service must face the complex social reality of Argentina.

With the expansion of television in Argentina people changed their customs and schedules. This is the story of a family father who refuses to change his own, but who suffers after having acquired a television set.

For good behavior, four prisoners are released for 24 hours.