Tatyana Ryabokon

A drama about a 15-year-old teenager Maxim, who obsessively watches his father's mistress. Maxim wants to kill her, not realizing that this only complicates the situation.

40-year-old provincial Natalya Nikitina has been living in St. Petersburg for the seventh year. She works as a nurse for ailing old people and endures their countless quirks and humiliations. Once in her life, a new friend appears - a masseuse named Love, who plunges Natalia into the abyss of bright and risky adventures in search of love and happiness.

After the daughter’s death, Galina stays completely alone and loses the meaning of life. Suddenly she notices the incarnation of her daughter in a prostitute met in the elevator.

이혼을 앞둔 부모가 자신을 서로에게 떠넘기고 있다는 사실을 알게 된 열두 살 소년이 어느 날 갑자기 사라진다. 아이의 실종을 대수롭지 않게 여기던 부부는 며칠이 지나도록 아이가 돌아오지 않자 소년의 행방을 쫓기 시작한다.

상트 페테르부르크를 배경으로 만들어진 옴니버스 영화. 7명의 여성 감독들이 연출한 각각의 단편들은 사랑과 외로움, 행운과 희망, 그리고 기적에 대해 이야기한다. 현재 러시아의 젊은 감독들이 관찰한 도시의 서로 다른 풍경과 러시아의 잊혀진 영화들에 대한 추억이 특히 흥미로운 작품. (2019 러시아 영화제 - 위대한 유산, 새로운 이름들)

Four best friends. They've been to war, they've seen life, but they are still passionate, young and willing to serve their country. They found their place at OMON - Russian Special Police Squad. They can count only on each other, and their real family is themselves. After working hours they become simple guys with ordinary dreams like family and comfort. But life changes when once in a night club the friends incidentally get in a fight with the local mafia. It turns out that they have no fear and they are ready to stand for each other whatever happens.

A group of Russian tourists go on a shopping spree to the neighboring Finland - only to be attacked by Finnish cannibals. We focus on a middle-aged woman and her teenage son who is shooting the film, as we watch it, on his cell-phone.

Young Chechnya war veteran alienates himself from his friends and family because of his burned face. When he has to help find his war-time friend, he manages to get back to life again.

A storry about a friendship between two very different women.

This story unites the destinies of the landowners and their servants, and is considered to be one of the most complete portraits of the Russian life in the late XIX century. It takes place in Dry Valley, a village owned by the noble family of Khrushevs. The story tells about Natalia, a young and naive girl who serves in their country house. We see and experience her love, dedication to her masters, mysticism, exile, betrayal and faith, while the Dry Valley is falling to pieces, slowly but inevitably, as well as the lives of its inhabitants.

A group of Russian noblemen want to maintain the monarchy and plan to kill Rasputin.

제 2차 세계 대전 직후, ‘세상의 끝’이라 불리는 소련 외곽의 마을에 부임해 온 전쟁 영웅 이그낫은 독일인 아이를 키우는 러시아 엄마, 가족을 잃고 숲에서 숨어 살아온 독일 소녀를 만나게 된다. 소련군이 독일인들을 잡아가려 하자, 이그낫과 마을사람들은 숲속에 버려진 기차를 이용해 목숨을 건 대탈주를 감행한다.

Young Alisa is fed up with her life in Moscow, and moves to St. Petersburg. Her roommates in the collective flat are two junkies, Vel and her boyfriend Valera the Dead Man. First they fight, but soon the two women form a friendship. Together they even go after the Petersburg underworld when Dead Man is abducted because he can't pay his debts.

Pavel Shnyrev is a professional killer. He has many enemies and a lot of problems.

Director Andrey Kalistratov is making a multi-part television film about the literary life of Petrograd after the Civil War, about the House of Arts, which was created by the Bolsheviks to control the creative intelligentsia. Modern Petersburg and Petrograd of 1921 are intricately intertwined in the director's mind. The cruel, bloody, but romantic world of the first years of the revolution and the artistic and everyday environment of modern cinema coexist in one space. The main characters of the film that Kalistratov is shooting - the poet and former officer Pyotr Versilov, his girlfriend Olga, the French documentary cameraman Etienne Faberge and his wife Francoise - are as real to the director as the people around him-the film's producer Semyon Mikhailovich, the film crew, actors, friends, acquaintances, relatives. Despite the demands of the producer to be "simpler" and "more economical", Kalistratov wants to make a real historical film, not a standard TV series "soap".