Alexia Crisp-Jones

At sixty years old, two friends in financial difficulties are going to take advantage of their image in the fashion and advertising world. One is still beautiful, the other never was. But beyond the game of appearances, what does it really mean to be of retirement age today?

Antoine and Christian, two long-estranged brothers from Normandy, couldn’t be more different from each other: while the former is happily married with two kids and a successful boat driver, the latter is a facetious globe-trotting hustler who likes to engage in bar fights. But when Antoine starts getting involved in sleazy activities, Christian flies to his rescue. In an unexpected bonding-adventure they take upon themselves to defend the family they thought they’d never be.

Ramón and Céline are a young couple that attended a concert at the Bataclan theatre in Paris on the fateful night of November 13, 2015. They survive the attack, but when they leave the theatre, they are no longer the same. That night leaves a deep scar on both their lives and each tries to cope with the aftermath as best they can. Céline desperately tries to leave the events behind her, clinging to her previous life, while Ramón repeatedly goes back to that night, trying to remember and understand what happened. Nonetheless, they both face the same key question: how to reconnect and move on together?

Marcia, a classy Parisian young singer, is recording an album with her idol Daredjane, a rock icon from the 70's. When Daredjane accidentally dies, Marcia needs to get approval from Daredjane's right-holder, Anthony, a suburban market vendor in his thirties, to release their album. But Anthony never liked his distant relative, let alone her music. Their two worlds clash between good and bad taste, sophistication and rudeness, sincerity and lies. Unless love gets in the way...

Marcia, a classy Parisian young singer, is recording an album with her idol Daredjane, a rock icon from the 70's. When Daredjane accidentally dies, Marcia needs to get approval from Daredjane's right-holder, Anthony, a suburban market vendor in his thirties, to release their album. But Anthony never liked his distant relative, let alone her music. Their two worlds clash between good and bad taste, sophistication and rudeness, sincerity and lies. Unless love gets in the way...

꿈을 꾸고, 돌진하고, 넘어지고, 다시 시작하고, 다시 꿈꾸고, 다시 시작하는 것. 그들에게는 젊음의 에너지, 기쁨, 대담함 그리고 부주의함이 있다. 두 명의 절친은 세계를 발견하고 싶은 열망을 지녔다. 마르고와 알마는 멈출 수도 없고, 떨어질 수도 없다.

1950년대. 앨리스는 그녀의 지겨운 고향 스위스를 떠나 햇빛이 내리쬐고 활기가 넘치는 땅 레바논으로 향한다. 그곳에서 그녀는 최초로 레바논인을 보낼 우주선을 개발하는 꿈을 갖고 있는 천체물리학자 조셉과 사랑에 빠지고, 금세 가족을 이룬다. 그러나 가족과 달콤한 일생을 보내길 몇 년, 레바논에서 시작된 내전은 그들의 파라다이스를 위협한다.

It is the farm on which Thomas was born. It is his family. His brother, who won’t be coming back, his mother, who is about to do the same thing, and his father, with whom nothing has ever been possible. He finds there everything from which he had fled twelve years earlier. But today there is Alex, his six-year-old nephew, and Mona, his passionate mother.

팔레스타인을 떠나 제2의 터전을 찾고 싶었던 일리야 술레이만 감독은 자신을 따라다니는 팔레스타인이라는 꼬리표를 떼어버릴 수 없음을 알게 된다. 새로운 삶을 향한 그의 열망은 이 영화에서 실패를 자조하는 희극으로 전환된다. 술레이만 감독은 파리, 뉴욕 등 세계 대도시를 다니며 제작자들에게 서툴게 자신의 ‘팔레스타인’ 영화를 설명하고 무표정한 얼굴로 거리를 응시하는 자신의 페르소나를 연기한다. 영화 속 술레이만은 팔레스타인 사람이면서 극중 인물의 말처럼 ‘충분히 팔레스타인 사람 같지 않은’ 존재로 어느 곳에도 섞이지 못한다. 감독은 어눌해 보이기도 하고 현자 같기도 한 또 다른 술레이만의 눈을 통해 세상과 팔레스타인의 현재 모습을 풍자적으로 보여준다.

Jonathan Littell revived Monteverdi’s baroque and decadent opera L’incoronazione di Poppea in a modern and fantastic production. From allusions to the Roman era, to the Renaissance and modern age, Little twists shamelessly Monteverdi’s score to highlight the dialogues and create a background music. The Coronation shatters the film-opera’s cliché only to better put it back together, with patience and clockwork precision.

Two bored extras from the ‘Tristan and Isolde’ opera roam the underground of the Garnier Palace.

Around teatime, Mr. Kaplan's doorbell rings. This is Jean who appears behind the door, a visit he had stopped waiting for long ago...

Marlon is visiting her mother in jail for the first time since her imprisonment.

Marco, in his thirties, is a little lost and tormented at the thought of truly settling. A former war photographer, he no longer wants to cover conflict and is more interested in the world of longshiremen.

Fifteen-year-old Salomé works in the workshop of her father, a painter celebrated for his blue color. But for some time now her father has not been able to make his famous color, putting the workshop in danger. Salomé begins to hope that he will pass on to her his, up until now, jealously kept secret.

1979: Cousins Carole and Jérôme go on an organized trip to Odessa, behind the Iron Curtain. During the day, posing as tourists celebrating their engagement, they visit monuments and museums. In the evening they slip away from the group and meet “refuseniks”, Jews persecuted by the Soviet regime for wanting to leave the country. While Carole is motivated by political commitment and a taste for risk, Jérôme’s motivation is Carole.

Charles and Pierrot are inseparable. When Charles takes early retirement, it seems the world is their oyster. They can spend even more time together. Their motto is simple: "Make the most of life and have fun!». They fill their days with abundant imagination, under the tender and sometimes worried gaze of the women in their lives…

When Thomas Platz is suddenly made the guardian of a baby - then pretends to be its real father in order to win back Marie, the girlfriend who dumped him a year before. Stuck between staying a man-child forever, and proving he is ready to take the next steps of marriage and family with the love of his life, Thomas goes on an unexpectedly hilarious adventure getting the girl of his dreams to believe he has changed.