Michel Fano

A César award winning animation where the steps of a staircase change shape and size as someone tries to use them.

An aristocratic Sicilian family living in the 1950s. Count Villafratti has sex one night with his nymphomaniac daughter because he thinks she is his wife.

Without narration, this wildlife documentary explores the behavior of African animals by day and by night, and is especially vivid in its depiction of the hunting behavior of large predators.

Philippe Noiret plays a rich, Parisian banker whose daughter, Carolina, is kidnapped by a ruthless organization. They threaten to have her abused by the sadistic clients of a brothel they run if Father doesn’t pay the ransom on time.

A young woman is questioned by the police and the judges, suspected of being a modern witch. The girl who shared her apartment has been found dead, and a pair of scissors impaled through her heart, as she lay attached to the bedposts. Apparently, the girl does have powers, to make all people around her fall prey to her spell, glissing progressively into desire, lust, and the unknown.

A young woman is questioned by the police and the judges, suspected of being a modern witch. The girl who shared her apartment has been found dead, and a pair of scissors impaled through her heart, as she lay attached to the bedposts. Apparently, the girl does have powers, to make all people around her fall prey to her spell, glissing progressively into desire, lust, and the unknown.

"A renowned composer and organist, Olivier Messiaen was also a great teacher. Michel Fano, who took his composition class at the Paris Conservatory, films some of the privileged moments of his teaching. This film, co-directed with Denise Tual, also shows Messiaen as a devotee, an ornithologist, and a synaesthete, evoking the fundamental concepts of his inspiration with an often sparkling ease (the musician imitating certain bird songs in a manner reminiscent of Rouch recreating the cries of wizards for certain films). In this way, the film boldly collides sequences with visual or sound correspondences, the directors succeeding in dragging us into the world of mystery and dreams dear to the musician." (François Waledisch)

옆 통로에서 시작한다. 창문 앞에 서면 벽 밖에 보이지 않고 줄을 서도 임금을 받지 못한다. 이 영화는 또한 이름과 나이가 적힌 신분 증명서를 교환하면서 시작한다. 총파업은 이렇게 해제되고 모든 것이 작동을 멈췄다. 자동차는 물론 노동자들까지도. 마침내 거리에서도 사람들이 수군댄다. 뭐라 부를 말도 없고 할 말을 찾을 길도 없다. 새로운 사상은 그렇게 다가오고 있었다.

French experimental film by Alain Fleischer.

N Took the Dice is essentially a reworking of Eden and After made possible by the roll of a dice (scenes from the 1970 film were combined with outtakes and additional footage in an aleatory way). Robbe-Grillet was always interested in music and since he perceived Eden and After to be serial in nature, it only made sense that its sister film would stand in opposition to that.

This colorful wildlife documentary follows the flight birds and expresses the need for conservation and sanctuaries. Baby seals are shown being clubbed to death for their pelts. The creatures of nature face the biggest enemy in humans who pollute and show callous disregard for the sanctity of wildlife and conservation.

‘여기보다 어딘가에’를 꿈꾸는 현대 젊은이들의 이상향을 에덴 동산으로 설정한 로브그리예의 야심작. 에덴이라는 거울이 가득한 궁전 속에서 에로스와 타나토스가 공존하는 젊은이들의 동거가 이루어진다. 이 집단에 새로 낯선 이가 도착하면서, 모든 남성들과 여성들이 그에게 정념을 품고, 새로운 의식과 이상한 각성이 그들 사이에 일어난다.

‘여기보다 어딘가에’를 꿈꾸는 현대 젊은이들의 이상향을 에덴 동산으로 설정한 로브그리예의 야심작. 에덴이라는 거울이 가득한 궁전 속에서 에로스와 타나토스가 공존하는 젊은이들의 동거가 이루어진다. 이 집단에 새로 낯선 이가 도착하면서, 모든 남성들과 여성들이 그에게 정념을 품고, 새로운 의식과 이상한 각성이 그들 사이에 일어난다.

A man may or may not have betrayed a resistance fighter during World War II. He has supposedly been shot down by the Nazis and wanders into town. Mourning the death of an unseen comrade, he is taken in by the family of the dead rebel. He engages in a superfluous affair and witnesses the lesbian relationship between the man's sister and a female servant. When passions subside, the family has doubts about the reliability of the man's story.

Jeanne looks back on her love for Jean. The melancholic young man wouldn't accept the world as it was, always wishing to depart. She doesn't know that he's dead.

A young woman decided to make a show of her death she is going to look at during the whole film. We will see the progressive and long descent of a murderous machine which may pierce her throat.

20 years later, the recreation of the trial of a simple man that confesses himself as a war criminal, Carl Emmanuel Jung.

Lamiel (Anna Karina) is a poor orphan girl who climbs her way to the social elite in this 19th-century costume drama. A doctor (Michel Bouquet) lives vicariously through Anna as he oversees the progress of his female protégé. Lamiel finds love with a young thief who steals into her bedroom after her marriage to a penniless count (Jean-Clause Brialy), and the two experience a romantic rendezvous of forbidden love after Lamiel goes from being a poor peasant woman to living a life of comparative luxury.

Lamiel (Anna Karina) is a poor orphan girl who climbs her way to the social elite in this 19th-century costume drama. A doctor (Michel Bouquet) lives vicariously through Anna as he oversees the progress of his female protégé. Lamiel finds love with a young thief who steals into her bedroom after her marriage to a penniless count (Jean-Clause Brialy), and the two experience a romantic rendezvous of forbidden love after Lamiel goes from being a poor peasant woman to living a life of comparative luxury.

한 건달의 고독한 여행기를 마약 밀매, 폭력 조직의 생리, 새디스틱한 성적 집착과 함께 보여주는 작품. 파리와 벨기에 앙베르를 오가며 완성한 로브그리예의 두 번째 영화 에는 장 루이 트랭티냥이라는 스타 배우가 출연, 호연을 보여준다. 알랭 로브그리예도 시나리오를 직접 고민하는 영화감독으로 출연하여 ‘영화 속 영화’라는 흥미 있는 구성을 보여준다.

On the 1967 huge Picasso exhibition in Paris, celebrating the 85 anniversary of the painter.

배우자를 잃은 파리 출신의 두 남녀가 새로운 감정적 교감을 시도하는 를루슈의 1966년 고전 로맨틱 드라마. 끌림과 죄책감, 그리고 기억의 교차가 분명하게 드러나는 수작으로 아누크 에메와 장루이 트랭티냥은 과거의 괴로움을 안은 채 조심스럽게 사랑을 시작하는 연인을 아름답게 연기한다. 주제음악으로 전세계 시네필들의 뇌리에 각인된 고전 중의 고전.

18세기 프랑스, 소녀가 자신의 의지와는 상관없이 수녀가 되기를 강요받는다. 어머니 같은 돌봄에서 가학적인 학대자, 그녀를 성적대상으로 여기는 수녀까지 세 수녀원장이 전혀 다른 방식으로 그녀를 대한다.

A little girl named Alice dreams about going through the looking-glass and becoming a queen in the mirror reality.

One of four film sketches on the problems of adolescents facing the adult world in the 1960s. The three other sketches were directed by Michel Brault, Hiroshi Teshigahara, and Gian Vittorio Baldi.

A melancholy man meets a stunning, mysterious woman while he is traveling, and discovers she may or may not be involved in a prostitution ring. She disappears after their relationship lasts a few days, and though he searches for her, those around him pretend not to know who he is speaking of.

Paris, summer of 1960. Anthropologist and filmmaker Jean Rouch, along with sociologist and film critic Edgar Morin, both assisted by Marceline and Nadine, roam the crowded streets asking ordinary people how they deal with the misfortunes of life. Are you happy? But their real purpose is to find out if people can speak sincerely in front of a camera and how they react when they are later invited to analyze the meaning of their answers.

Jean Rouch gives a group of black and white teenagers a "what if" question: what if they socialised with each other? The teenagers then improvise their own characters and situations.

Wishing to find an old love that resurfaced, Juan, a Chilean diplomat, Dominique asks his friend François to act as an intermediary.

Steph, Jean-Claude and Jacques work in a Parisian art shop, but they mainly work in the field of eroticism, which they conceive as a wide-ranging field of exercises and experiments.

Miléna is living in her grandmother's baroque château when the rich lady dies. The lawyer Miguel, who had a previous relationship with Miléna, insists the other two grandchildren, Fifine and her brother Jean-Paul, visit the château for the reading of the will, even though they have been estranged from the family at an early age. However Robert, who had been living with Fifine in an open relationship, arrives and impersonates Jean-Paul. Robert falls for Fifine's cousin Miléna while Fifine has designs on Miguel. In the meantime, the butler César is focusing his lecherous intentions on Prudence, the maid he had just hired.