Elsa Ferreira

A hotel by the northern shore of Portugal welcomes its guests over the weekend. A man is torn between being present for his wife and the space that his mother takes up between the two of them. A mother encourages her daughter’s marriage to enable her own love affair with her son-in-law. Another mother lives through her daughter, preventing her from making her own decisions. Three families at the end of their cycles of acceptance.

A hotel by the northern shore of Portugal welcomes its guests over the weekend. A man is torn between being present for his wife and the space that his mother takes up between the two of them. A mother encourages her daughter’s marriage to enable her own love affair with her son-in-law. Another mother lives through her daughter, preventing her from making her own decisions. Three families at the end of their cycles of acceptance.

In a family-run hotel, by the Portuguese northern shore, lives a group of women from different generations of the same family, whose relationships with each other have grown poisoned by bitterness. They try to survive in the declining hotel, as the unexpected arrival of a granddaughter to this oppressive space stirs trouble, reviving latent hatred and piled-up resentments.

In a family-run hotel, by the Portuguese northern shore, lives a group of women from different generations of the same family, whose relationships with each other have grown poisoned by bitterness. They try to survive in the declining hotel, as the unexpected arrival of a granddaughter to this oppressive space stirs trouble, reviving latent hatred and piled-up resentments.

The story takes place near Lisbon, in the mid-16th century. Bela, an adopted young man, tries to find his place in a family that is free, but trapped in a world where each shadow allows imperfections to shine through.

A nun is called upon to adopt her 15-year-old nephew, and as a consequence religious, familial and sensual love become entangled.

Castro Laboreiro, in the far north of Portugal, is a place whose hills lead to a dead-end street. They call it the end-of-the-world’s pit. Men and wolves live abreast. Wolves leave their lair to freely attack the preys of men locked in their burrows. Both trapped in this huge pitfall called life from where no-one gets out alive.

The chronicle of a Portuguese family that owns one of the largest estates in Europe, on the south bank of the River Tagus. The Domain delves deeply into the secrets of their homestead, portraying the historical, political, economic and social life of Portugal, since the 1940's to these days.

The story about the romance of Snu Abecassis and the former Portuguese prime minister Sá Carneiro.

Miguel —alias Tibars, alias “Djon África,” born and raised in Portugal— is a kindhearted Rastafarian who loves women and lives a carefree life. Until one day a stranger tells him he's the spitting image of his father, “a player and a crook.” His father, whom he never even knew! This intriguing discovery makes him change tack. Particularly when his grandmother, who always took care of him, finally tells him how his father was in prison; how sad Miguel was as a toddler when he couldn't see him; how his father was banished to Cape Verde. Miguel goes there to visit him. Who is this man?

1993년 전쟁이 벌어지던 사라예보의 한 노인은 자신의 과거를 잊고 싶다. 제2차 세계대전의 시대를 살아가는 아이는 자신에게 주어진 시간을 보내는 방법을 알지 못한다. 두 사람은 다른 시대를 살아가던 동일 인물이라는 것이 드러난다.

Adaptation by the director Inês Oliveira from the traditional Portuguese tale «O Sapo e a Rapariga». The laundry room is closed and a young woman (Rita Cabaço) has to learn how to wash clothes by hand with the wise Deolinda (Isabel Ruth), who tells her a strange story of enchantment.

제 1차 세계대전 중 포르투갈은 7만 5천명 이상의 군인들을 플랑드르로 보내 독일군과 맞서 싸운다. 전선에 투입된 포르투갈의 시골 출신 아니발 아우구스토 밀하이스는 매일 동료 병사들의 죽음을 지켜보며 연인이 기다리는 고향으로 돌아갈 꿈을 꾼다. 1차 대전에서 사상자가 가장 많은 전투였던 1918년 리스 강 전투에서 밀하이스는 부대원이 철수한 가운데 홀로 남아 독일군의 맹공격에 맞서 싸우며 전우들의 목숨을 지키려 고군분투하는데…

1537년, 27살의 페르낭 멘데스 핀투는 부와 명예를 찾는 새로운 모험을 위해 인도로 항해를 떠난다. 시간이 흐른 뒤 그는 긴 항해 동안 겪은 잊을 수 없는 사건들을 책으로 옮긴다. 주앙 보텔료 감독은 이 책을 바탕으로 페르낭 핀투의 모험을 영상으로 옮기는 한편, 이 책이 쓰여진 당시 상황에 대해 자신만의 상상력을 더한다.

Portugal, 1975. A time of rough changes. A young gay artist trapped in a small seaside town ran by communist winds. Al Berto, the writer, embodies an entire moving generation. He and his friends exude youth, eccentricity and hope for the future - but right after the fall of Portugal's dictatorship system, the country is not yet ready for his love story.

The journey of 11 women while they go on a pilgrimage from Bragança to Fatima.

The journey of 11 women while they go on a pilgrimage from Bragança to Fatima.

Brazil, 18th century. The colony of Portugal endures a decline in gold production. A Portuguese minority rules over a corrupt and autocratic society. Joaquim is an efficient soldier, famous for capturing gold smugglers. While waiting for his promotion to Lieutenant, he leaves for a risky mission in search of new gold mines - the only way to buy the freedom of Blackie, a slave he is in love with. Inspired by the true story of Tiradentes, the first leader of the Brazilian revolutionary movement.

Cruzeiro Seixas lives in a maze where every path leads to Mário Cesariny. Subdued by that obsessive love and hate relationship, Cruzeiro Seixos did not fully live, but left proofs of that non-existence: 95 years of paintings and poetry that await full recognition alongside other surrealist masters.

We stare at mirrors as if 'image' was a weapon of self-defense. At night, I hide in actors' dressing rooms for a working class experience. By day, I face an old theatre being razed to the ground, making way for a parking lot. Graffitis have curtains, the nose cap of an umbrella arises from a mount of sand. Oh, Happy Days! No need to stage anything! The bulldozer is a dinosaur whose teeth and gracious neck swings by a EU flag. In the boxes, we await the audience. Sometimes, nobody comes. Lost in a symbolic show of reality, I can only watch the world's end because all the endangered species perform and a reflecting labyrinth of life stories breaks through the glass of the Economic Eating Machine. Even when the sky is falling, theatre will always happen. So, choose the right place.

We stare at mirrors as if 'image' was a weapon of self-defense. At night, I hide in actors' dressing rooms for a working class experience. By day, I face an old theatre being razed to the ground, making way for a parking lot. Graffitis have curtains, the nose cap of an umbrella arises from a mount of sand. Oh, Happy Days! No need to stage anything! The bulldozer is a dinosaur whose teeth and gracious neck swings by a EU flag. In the boxes, we await the audience. Sometimes, nobody comes. Lost in a symbolic show of reality, I can only watch the world's end because all the endangered species perform and a reflecting labyrinth of life stories breaks through the glass of the Economic Eating Machine. Even when the sky is falling, theatre will always happen. So, choose the right place.

The lives of two women intersect.

The story of Maria, a woman betrayed by his companion, David, when he steals a sack of money and flees, taking refuge in the island of Pico. Furious and determined to avenge herself, she proposes to an Police Inspector, Lucas, to chase and to find David. However, David, on a visit to the island of Faial, falls in love with a local, Marina. Maria and Lucas look for David in the Azores, they cross with Mariana in Faial and the three will discover David in his house of the mountain, at the top of the Peak. In a final confrontation, as in a Greek tragedy, Mary and David adjust the accounts that fate has traced to them.

A teenage girl's dream of becoming famous turns into a dangerous obsession.

A teenage girl's dream of becoming famous turns into a dangerous obsession.

A woman decides to film her visits to her grandmother. In the quiet home, the camera captures the unique relation between these two women 50 years apart. With days passing by, the lines between film and life increasingly become blurred.

The word panchão was first heard in Macao. From the Chinese pan-tcheong or pau-tcheong, dictionaries define it as a Macanese regionalism also known as China cracker. Who inhabits the ancient IEC Long firecracker factory?

After her daughter's death, Rita returns to the African country of her childhood to investigate the death of Yvone Kane, a former political activist and guerrilla fighter. There, she becomes embroiled in a journey into the past of a land haunted by war and evil.

Luis Miguel Cintra, renowned actor, stage director and director of the Portuguese theatre company Teatro da Cornucópia, staged the play Illusion in early 2014. This play was based upon texts by Federico García Lorca. However, the 119th company's show was no ordinary show, for in the cast there were 59 non-actors, amateurs and theatre students.

Documentary about Vale do Côa.

The tragedy and comedy in Carlos' life begins, grows and ends like the tragedy and comedy of Portugal. In the company of his close friend, João da Ega, allegedly a brilliant writer, Carlos, with his idle existence as an aristocratic doctor, spends his time to enjoying friends and lovers. Until he falls in love. She is a new character in this revolutionary novel. It's a vertiginous passion that goes beyond that past gloominess to reach a new and darker abyss, incest.

A look at the art of two pairs of brothers, plastic artists: João Queiroz, Jorge Queiroz; Pedro Tropa and Francisco Tropa.

In a future not too far away, Steve Battier, an elderly, terminally ill multi-millionaire, accepts the offer of a company - RPG - that in exchange for a high monetary sum, provides a very select group of clientèle the chance to be young again. For 10 hours, 10 millionaires from around the world, men and women of fame and power, are transferred to attractive and healthy younger bodies, to live in a world of temporary rejuvenation, in a game of real thrills, where every hour someone must die.

This film is an attempt to disclose if Raul Brandão has left any trace, in Nespereira, Gumarães.

This film is an attempt to disclose if Raul Brandão has left any trace, in Nespereira, Gumarães.

Shaken by a divorce in the 1920s, Portuguese poetess Florbela Espanca uses her writing to deal with her tumultuous relationship with men, eroticism and love.

Inspired in the book with the same title by António Lobo Antunes.

Telenovela star Mariana is on the verge of a nervous breakdown: shooting is not going smoothly, her popularity is waning, and she is forever being hounded by paparazzi. Frustrated, Mariana can't find out who is responsible for these invasions of her privacy. It is the feared 'Paparazzo' Gabriela Santos, who's real name is Juan. One day, Juan and Mariana meet by chance and fall in love. Now Juan must do everything he can to prevent Mariana from discovering his true identity.

Guilherme and Sofia, brother and sister, grow up sharing experiences and slowly discovering their sexuality. The thing that Sofia doesn't know is how far Guilherme will go to keep her inside his own perverse, dark and perfect circle.

Fragments of spaces, buildings and structures, memories and remains of past eras, places of work or leisure now inhabited by our memories alone, or really forgotten. Dead things or living proof of time, natural elements, and human predators themselves.

Fragments of spaces, buildings and structures, memories and remains of past eras, places of work or leisure now inhabited by our memories alone, or really forgotten. Dead things or living proof of time, natural elements, and human predators themselves.

A powerful entrepreneur wants to build an exclusive resort hotel in Villanova, but he discovers the location he has in mind is protected by local land-use regulations. He hires Maria, a beautiful and elegant prostitute, to seduce the mayor, leaving him open to blackmail if he won't give the entrepreneur what he wants. Maria has no trouble twisting Meireles around her finger, but police detectives Madeira and Neves get wind of the plan and set out to expose the plot...

포르투갈의 식민지였던 모잠비크는 독립 후 긴 내전을 겪었다. 1977년에 시작한 전쟁은 1992년에 이르러서야 끝났고, 많은 사람들이 목숨을 잃었다. 전쟁이 끝나고 2년이 지난 어느 날, 어린 소년 무딩가는 가족을 찾으러 돌아다니다 죽은 사람의 일기를 발견한다. 소년은 일기를 읽기 시작하고 영화는 일기의 주인이 살아온 삶을 보여준다.

A true story of a doctor and his wife who went on a journey in order to prove that discoverer Christopher Columbus was in fact Portuguese. Inspired by the book "Cristóvão Colon Era Português".

O Crime do Padre Amaro ("The Crime of Father Amaro") is a novel by the 19th-century Portuguese writer José Maria de Eça de Queiroz. It was first published in 1875 to great controversy.

In the wake of his daughter's disappearance, a father wallowing in grief feeds his desire to find her with unusual methods.

Messias, the husband, a dentist, almost magician. Felizbela, the beautiful wife, almost happy. Joana, the daughter, almost a singer, and Nuts, her boyfriend, almost a filmmaker. Finally the grand father Tobias, a shepherd, almost immortal.

A 14-year-old kid, addicted to videogames, goes with his parents to a shopping mall and separates from them to go to a game store called UTOPYA. He doesn't come back. His parents get in despair, and his father tries everything he can to bring him back.

Vicente goes to Egypt to cover some news for his newspaper, but then he decides to take the investigation further, along the Tropic of Cancer, further and further away (in time and space) from home, and his difficult love life. Therefore he revisits the lands explored 500 years before by the seafarers from his own people: Egypt, India, Thailand, Vietnam, Nepal, Laos, China... Eventually he must come back.

An artistically shot film that slowly blurs the boundaries between dreams and reality as it builds into an unnerving then touching climax.