Antonette Garcia

Dondi is a nerd and an obedient nephew to his aunt Cora who makes decisions for him. Meanwhile, Anna is a stubborn and rebellious girl who seeks the attention of her father Vito. Dondi and Anna cross path and their different personalities collide. They eventually fall in love with each other and solve their own problems. Vito and Cora are bitter business competitors and because of their rivalry, they disapproved the romantic relationship between Dondi and Anna.

Senator Gabriel Alcaraz is preparing to deliver a privilege speech alleging corruption in the highest levels of government. On his way to the Senate, he gets wind of a plot against him. The police seek to arrest him for his part in an operation decades ago. Suspecting that the administration isn’t willing to give him a fair trial, Alcaraz goes into hiding abroad, hoping to find a way to clear his name and eventually return to his family. Back home, an old colleague is put in charge of finding him, and his family suffers under the pressure of public scrutiny.

A socio-realist drama-comedy film, it follows a seemingly usual day in the life of Loida Malabanan as she embarks on yet another shooting day of a soap opera as an extra. As the shoot goes on, we get a glimpse of the truth in the ruling system of the production as well as the exploitation of the marginalized laborers like her.

국방부에서 극비리에 진행중인 아웃컴 프로그램를 통해 제이슨 본을 능가하는 최정예 요원으로 훈련 받은 애론 크로스(제레미 레너). 제이슨 본에 의해 CIA의 트레드스톤의 존재가 세상에 알려지자, 아웃컴 프로그램 역시 보안을 보장할 수 없게 된다. 프로그램의 수장인 바이어(애드워드 노튼)는 각국의 모든 1급 요원들은 물론, 아웃컴 프로그램을 가장 잘 알고 있는 연구원 마르타(레이첼 와이즈)까지 제거해 모든 증거를 없애려 한다. 하지만 제거된 줄 알았던 애론 크로스가 요원들로부터 그녀를 구해내고 음모의 표적이 된 두 사람은 목숨을 건 반격을 시작하는데...

Circus hijinks surround the barangay of Sta. Maria in the midst of an international murder sensation. Swanie, Sta. Maria’s barangay chair and a distant relative of the killer, tries to gain political points by staging a wake for the criminal-turned-celebrity. Meanwhile in faraway Manila, Joanna, Swanie’s runaway son, navigates his way through labyrinthine bureaucracy, to give a neighbor a proper burial. With these two unrelated deaths, estranged mother and son each bury the dead long shelved in their hearts. Amidst these unspoken family burials, the neighborhoods’ penchant for funeral fiestas, gossip and secrets, bizarre social events and the sheer mix of scandal and inebriation complete the picture of dying the Pinoy way.

종교와 용기, 그리고 인간의 죄의식을 다루는 영화. 1971년, 마로코스 대통령의 독재정치가 그에 달할 무렵의 필리핀. 깊은 산중의 아도라시온 수녀원(Adoration monastery)에 로르디스(Lourdes) 수녀가 새로 들어온다. 그녀는 곧 루스(Ruth) 수녀와 친해진다. 바깥 세상은 혼란스럽기 그지없지만, 수녀원은 늘 조용하고 평화롭다. 어느 날, 루스 수녀는 오빠가 실종되었다는 소식을 듣고 그를 찾기 위해 도시로 나가려 하지만, 원장 수녀는 기도만이 할 일이라며 이를 막는다. 그리고, 얼마 후 로르디스 수녀와 루스 수녀는 마을에 볼일을 보러 갔다가 돌아오는 길에 흉악한 남자들에 의해 성폭행을 당하고 만다. 로르디스 수녀는 임신을 하지만, 아이를 낳기로 결심한다. 이 불행한 사건 때문에 원장수녀와 베라(Vera) 수녀는 끊임없이 자책을 한다. 그리고, 두 분 수녀가 그렇게 자책했던 진짜 이유가 나중에 밝혀진다. 아도라시온 수녀원의 수녀들, 특히 원장수녀와 베라 수녀의 신앙심은 굳건하다. 하지만, 하느님이 시련을 내리셨을 때 그들의 신앙심은 한 인간으로서의 ‘용기’와 ‘양심’을 지키는 도구가 될 수 있는가? 바깥 세상의 혼란에 개입을 피하면서 그들이 지키려던 신앙심은 과연 어떤 의미가 있는가? 빈센트 산도발 감독의 <유령 (Aparisyon)>의 이러한 도발적인 질문은 매우 충격적으로 다가온다. (2012년 제17회 부산국제영화제)

Furniture supplier Ram is happily married to Charmaine. One day, Ram lands a big client, a new luxury resort. But he needs the help of Kara, the daughter of the owner of the resort, to finalize the deal. Kara's help, however, comes with a price, because she fancies Ram to be her lover. Not before long, Kara successfully seduces Ram, even though she knows about his marriage. When Charmaine learns of the affair, she finds ways to fight for her husband's waning attention.

Old wounds are reopened among the Montano and the Capule families when the former’s loyal customers start patronizing the latter. Young lovers Romina Montano and Julius Capule are caught in this web of intrigue, espionage and extra rice.

The moment these two saw each other at the café, they couldn’t take their eyes off each other. Their attraction was apparent and it seemed that destiny brought them together. As they got to know the other better, they found solace and comfort in each other’s company. But the security they found in each other soon started to shake when their different life paths take them to different directions. Despite the love they both still have for each other, one must choose to decide when to let go, even if the other is still holding on.

Continuing the tradition of national artist Ishmael Bernal's benchmark film Working Girls after 25 years, Working Girls of 2010 depicts the role of women in the new millennium. Seven women of different backgrounds, stories and personalities entwined in a colorful story of family, love and life.

Angelina is a 7 year old brilliant and talented girl who is spoiled and a bully. Her first yaya (nanny) was hospitalized because of the girl's disobedience (A fire happened before she was hospitalized. Angelina was the cause of the fire because her yaya tried to teach her how to grill). Her parents decided to find her another yaya which would fit for her attitude.

A Save an Orphan Volunteer is taking care of a young girl, who is being stalked by Engkantos, as the chase begins, the lives that surrounding them maybe at risk.

This anthology features three chilling horror movies that include tales of supernatural beings and other beasts, such as "Nieves" in which a local hero must save her hometown from rampaging nature spirits known as Engkanto. In "Emergency," ghoulish creatures attack a remote hospital, and in "Class Picture," the ghost of a sadistic nun attacks a group of college friends. Mike Tuviera and Topel Lee direct these hair-raising films.

Jay Aquitania stars as Marlon, a handsome but closeted gay student who collects cell-phone porn videos to impress his friends-especially tricycle driver, Jonas (Janvier Daily), to whom he's attracted. In his search for the ultimate sex video, he consequently ends up creating a scandal involving one of his mother's (the scene-stealing Elizabeth Oropesa) boarders, the mysterious Roxanne.

About an antique shop where the pieces of the furniture each have their own stories from the past. The new owners get their little piece of horror. Aleli purchases an antique bed, not realizing that its previous owner of the bed is out to claim her son. A couple purchased an antique cabinet where a young man died inside before. An independent woman gets a possessed dresser out to take her soul.

Wag Kang Lilingon is a twin-bill horror movie In the first story "Uyayi," Anne plays Melissa, a young nurse with a bright future ahead of her. But will the future turn to her favor as strange and violent events occur at the hospital she works for. Together with her boyfriend James, they try to uncover the killer behind the rising number of deaths among the patients in the hospital. In the second story "Salamin," Kristine plays Angel, a beautiful young family breadwinner whose only aspiration is to see her family live a better life. When her father left her and her mother and younger sister for another woman, Angel decided to move into a new place. Little did they know the danger that lies ahead. As she discovers an old mirror, she makes a wish at the stroke of midnight by the candlelight-to know her future.

A middle-aged man does everything he can to reunite with his mother, who he thought was dead.