Guido Deniro

Estela feels the soul of her mother, who sends her messages in dreams. Pain, blindness and memory loss isolate Estela in a hostile territory. Her soul is ill. Immersed in the desert that consumes her, she coexists with the living, the dead and her ghosts.

Dismantling the home of some who is no longer here is an act of love, of memory, of mourning. July passed away recently; the camera moves around her apartment and is placed on a series of objects that act as keys to open the door to her intimacy. The voices of those who have loved her guide us while they try to prolong the farewell. In the memories they evoke, to some people July is still Julio, and those names and pronouns that blend reveal the difficulties of embracing one’s identity as a trans woman. During the journey, July’s figure is slowly brought to life, as in an invocation, called on through words, but mainly through her spaces, her things, her photographs, her wigs, her clothes, her favorite music. And a biography is weaved together, one which, like that mirror that still hangs on her wall, reflects the history of an entire community.

훌리오 스트라세라, 루이스 모레노 오캄포, 그리고 젊은 오합지졸 법률 팀의 실화를 바탕으로 한 영화다. 계속되는 위협 속에서 다비드 대 골리앗의 싸움을 벌이는 이들은 아르헨티나 역사상 최악의 군사 독재자를 기소하고 군사 지도자의 희생자들에게 정의를 찾아 주기 위한 시간과의 싸움을 이어간다.

In the land of the Zapatistas, Augusto Pinochet, and Fidel Castro, what are the stories Latin Americans have been telling to confront their troubled past? The film travels to 5 Latin American cities, to meet with famous crime novelists Leonardo Padura (Havana), Luis Sepulveda (Santiago), Paco Ignacio Taibo II (Mexico City), Santiago Roncagliolo (Lima) and Claudia Pineiro (Buenos Aires). Through their stories, we discover a unique genre of flourishing literature, strikingly different from its North American or Nordic counterparts: it's political, dark, and crimes are committed by the state itself.

From her encounter with Eva Perón to the death of the icon, from her fascination with the Peronist cause to the persecution she will suffer after the Liberating Revolution, film star Fanny Navarro remembers her life walking today in the streets of Buenos Aires.

The Trans Memory Archive gathers the images and stories of trans women for more than 50 years, preserving the memory of those who suffered the outrages of the police, the abandonment of the State and the hostility of the society that witnessed, indolent, a silent genocide. Cintia, Edith, María Belén and Trachyn survived. They share with us the intimacy and complexity of those who faced injustice and pain with humor and creativity, but also with organization and community. In the style of a documentary essay, the series is structured along four axes, each one starring one of them: they talk about carnival, affection, exile and organization, and through their personal experiences they open the door to understand the reality of an entire community.

Galicia, northern Spain, January 2, 1921. The steamship Santa Isabel, sailing towards Argentina with more than two hundred emigrants on board, sinks off the coast of Sálvora Island. Three island women, María, Josefa and Cipriana, who have bravely set sail aboard a fragile skiff to save the shipwrecked, are treated as heroes by the cynical authorities; but León, an inquisitive and tenacious Argentinean journalist, starts asking uncomfortable questions.

In the middle of a mysterious insomnia epidemic that slowly takes on catastrophic dimensions, Laura (39) and Augusto (42) flee the city in their motorhome to get away from the chaos. As they move down the route, the world becomes an increasingly strange and dangerous place. Finally, Laura reveals a story that changes everything. The road is depopulating, the silence grows and it is increasingly difficult to differentiate the reality from the dream.

In the middle of a mysterious insomnia epidemic that slowly takes on catastrophic dimensions, Laura (39) and Augusto (42) flee the city in their motorhome to get away from the chaos. As they move down the route, the world becomes an increasingly strange and dangerous place. Finally, Laura reveals a story that changes everything. The road is depopulating, the silence grows and it is increasingly difficult to differentiate the reality from the dream.

After a lifetime of unfortunate events, a diagnosed bipolar and depressed comedian shares his last jokes on an unexpected crowd.

To describe Miguel Grinberg as a journalist, writer and poet doesn’t do him justice. A key fgure of the Argentine counterculture in the 60s, he played a similar role to those of Allen Ginsberg and Jonas Mekas in the US; unsurprisingly, he was a close friend and collaborated with them both. Satori Sur focuses on their correspondence while celebrating Grinberg’s 80th birthday, surrounded by memories, unpublished texts, unwritten books and existential notes.

In Córdoba, far from the Argentine capital, the end of a military regime promises a spring that is all too brief. “La Delpi” is the only survivor of a group of friends who are transgender women and drag-queens, who began to die of aids in the late 80s. In a Catholic and conservative city, the Grupo Kalas made their weapons and trenches out of improvised dresses and lip-syncing. Today the images of unique and unknown footage are not only a farewell letter, but a manifesto to friendship

1970년 칠레. 술에 잔뜩 취한 밤, 스무 살의 거칠 것 없는 청년 제이미는 욱하는 마음에 가장 친한 친구를 찌르는 사고를 치고 감옥에 갇힌다. 폭력으로 얼룩진 감옥에서 그는 다른 차원의 충성심과 친밀감을 느끼기 시작한다.

1970년 칠레. 술에 잔뜩 취한 밤, 스무 살의 거칠 것 없는 청년 제이미는 욱하는 마음에 가장 친한 친구를 찌르는 사고를 치고 감옥에 갇힌다. 폭력으로 얼룩진 감옥에서 그는 다른 차원의 충성심과 친밀감을 느끼기 시작한다.

1970년 칠레. 술에 잔뜩 취한 밤, 스무 살의 거칠 것 없는 청년 제이미는 욱하는 마음에 가장 친한 친구를 찌르는 사고를 치고 감옥에 갇힌다. 폭력으로 얼룩진 감옥에서 그는 다른 차원의 충성심과 친밀감을 느끼기 시작한다.

During a hot summer siesta in Entre Ríos, Malena terrifies her younger brother Santiago, with a legend in which children are watched over by pigeons and captured by a hideous monster if they don't nap. Bored of doing nothing, Malena goes out to the nearby bush with her cell phone to look for the internet, without imagining the consequences that a simple walk in the sun can unleash.

An anthropology student and her companion, a film student, want to direct a documentary about a community of hunter-gatherers in Argentina. The difference between the well-off young urbanites and the filmed subjects appears in the first shooting moments already: the sound recorder obsessed with the loss of his Swiss Army knife, incongruous yoga sessions in the middle of a miserable village, tedious explanations causing perplexity and quiet irony on the part of the Wichi, whose full collaboration is still required for this project that intends to ‘increase the visibility’ of a traditional way of life threatened by land disputes...

The film follows Agustina as she finds the videotapes that her father Jaime recorded before the accident that took his life. The family secrets surrounding Jaime push Agustina to get involved. Her search will reveal a story marked by sexuality and political activism. Agustina discovers that her late father, previous to his marriage and family life, was involved with insurgent leftist groups during the era of the Argentinian military dictatorship, had a long term romantic relationship with another man and was a prominent member of the underground LGBT scene. She reconstructs her father's life through interviews with people that knew him and a treasure trove of family films to produce a moving portrait of a multi-faceted, fascinating and mysterious figure.

Agustín (32) returns to the city where he was born, after 6 years of absence, to watch the legal process in which he will be tried for the - supposedly - murder of his father and mother. Alone and in constant alert, he begins to experience acts of violence. Agobiado, he meets an enigmatic and unpredictable young woman who shows him other ways of experiencing isolation.

Downtrodden after some missteps in life, Daniel returns home. Work is non-existent, his ex-wife expects financial help he can't give her, and things are looking bleak. Yet as he prepares to become Godfather to his sister's son, who's soon to be baptised, he rediscovers a purpose - for a few days, at least.

Lucio is 10 years old and lives in the country with his parents. Play solitaire in the bush and record the sounds of nature with an old radio recorder. He dreams of going to town when he grows up and working on television. In fact, this is the only means that connects you to that other part of the world that you are eager to discover. One day two subjects who come from the city come to his house by accident, one of them is called Carlos, he is 30 years old and works on television. This will be a very important day for Lucio.