Cristinel Sirli

Based on the biography Ne jamais rien lâcher, the script traces the career of Marinette Pichon over three decades. Born in 1975, she was the pioneer of French women's football and one of the greatest stars of that sport in the world. A prodigy discovered at the age of five, she went on to become the first French player to make a career in the United States (men/women combined) and the record holder for the number of goals and selections for the French team (men/women combined). From her childhood, ravaged by an alcoholic and violent father, to the American dream (she was crowned best player and best scorer in the prestigious US league in 2002 and 2003 and "Most Valuable Player" in 2003), via her career with the French team, Marinette paints the portrait of a kid from a working-class background who was not destined for such an extraordinary career path...

A father runs away form his house after killing his family. The beauty of the forests of Aland at sunrise will show him the horrors of this irremediable act.

Ivan Semciuc (a journalist), is a charismatic man nonetheless guilty of cynicism and lack of compassion. A seemingly meaningless sexual encounter with a translator in a hotel room in Kabul produces a vital revolution in Ivan’s unshakeable lifestyle. After Ivan’s arrival back to Bucharest, Ioana is found dead, with her wrists cut. Ivan starts living in the absent presence of Ioana, who is starting to be more vivid in death than in life.

A sequel to Moromeții (1987), the tale follows the life of the Moromete family after WWII, with Romania being overpowered by Communism.

During the summer of 1937, Emanuel, a young man in his early twenties, is committed to a sanatorium on the Black Sea coast for treatment of his bone tuberculosis. The treatment consists of painful spine punctures that confine him to a plaster on a stretcher-bed. Little by little, as Emanuel gets accustomed to the sadness of his new life, he discovers that inside the sanatorium there is still a life to be lived to the fullest.

A research center in Sukhumi, the capital of today’s Abkhazia. Legend has it that it was built at the end of the 1920s to create a hybrid between man and monkey. The hypothetical creature never saw the light of day, but people and primates, like sad relics of the past, live together in the derelict wings of the medical institute to this very day. [KVIFF]

A research center in Sukhumi, the capital of today’s Abkhazia. Legend has it that it was built at the end of the 1920s to create a hybrid between man and monkey. The hypothetical creature never saw the light of day, but people and primates, like sad relics of the past, live together in the derelict wings of the medical institute to this very day. [KVIFF]

A young man trying to solve the puzzle of his father's last moments rattles the life of a quiet town and unburies unwanted truths. His compulsive quest becomes a downward spiral of love, lust and lies.

부유한 유부남 세 명의 친구들이 사막으로 사냥여행을 떠난다. 이것이 그들만의 연례행사. 하지만 이번엔 그 중 한 명인 리처드가 애인, ‘젠’을 데려온다. 아름답고 섹시한 ‘젠’은 곧 다른 친구들의 호기심을 자극하게 되고, 급기야 끔찍한 일을 당하게 된다. 극도의 공포감에 휩싸인 ‘젠’은 세 명에게 쫓기며 도망치던 중, 낭떠러지에 떨어지고 만다. 그녀가 죽은 줄로만 알았던 세 명의 남자, 그러나 그녀는 온데간데없이 사라져 버리는데… 이제, 그녀의 핏빛 복수극이 시작된다!

시작은 우연이었다. 바이올린을 켜는 남자와 도도한 여배우. 꿈보다 사랑을 택한 둘의 달콤한 시간. 그러나 서서히 현실에 지쳐갈 때쯤 이들에게 남은 건 무엇이었을까. 둘의 사랑은 같은 곳을 향했을까. 크리스마스가 다가오고 있다.

Set in early 19th century Wallachia, Romania, a policeman, Costandin, is hired by a nobleman to find a Gypsy slave who has run away from his estate after having an affair with his wife.

The '60s, Romania. Serafim, a young doctor, is sent to the Hospital in Palilula, a small town lost somewhere on the country map, after the death of the previous pediatrician, Mr. Pantelică.

The '60s, Romania. Serafim, a young doctor, is sent to the Hospital in Palilula, a small town lost somewhere on the country map, after the death of the previous pediatrician, Mr. Pantelică.

At the Bucharest Circus, the new young manager is trying to solve the major financial issues of the company by selling its only bear (old and about to die soon) to German hunters. But the artists do not want to sacrifice their favorite animal so the manager decides to steal the bear and run to the mountains to meet the Germans. A crazy road movie starts following the bear.

Jonathan Vogel (Guillaume Depardieu) would like to turn back the clock and undo the accident that led to his disability and destroyed his life. When he learns that Stivlas Karr (Carlo Brandt), a well-known professor and geneticist, has developed a gene therapy for regenerating the human body, he makes an appointment with him for some clinical tests. But the therapy doesnt go according to Professor Karrs plan and leads to unexpected results. Jonathan, whose life is now in danger, has become aware that there is only one person who can help him: Alice (Alysson Paradis), the professors daughter.

15 years ago, Luiza decided to make a fresh start in Spain. She left her 3-year-old daughter Cristina in the care of her relatives and took off. When she returns to Romania, the woman learns some shocking truths that were kept hidden from her: Cristina ran away from home, is a drug addict and has a 2-year-old girl who lives in an orphanage. Overwhelmed by guilt, Luiza attempts to save her daughter

Georges Bernier, alias Professor Choron, died January 10, 2005. He was 75 years old. The few death notices that appeared in the French press mainly focused on the scatological nature of his humor, or on the good man's provocative side. No one recalled the essential, which was that with his passing not only had one of the great proprietors of the French press disappeared, but he'd taken with him an artist in his own right, quite unique in his own way : Professor Choron.

루마니아의 작은 마을의 ‘이안쿠’와 ‘마라’는 마을에서도 유명한 닭살 커플이다. 둘의 결혼식은 마을 최고의 성대한 파티로 시끌벅적하게 마련되지만 하필 결혼식 당일 스탈린의 갑작스러운 죽음! 소련군은 일주일간 애도기간을 선포하며 파티, 집회, 웃음을 절대 금지시킨다. 눈물을 머금고 뿔뿔이 흩어진 하객들…하지만 동이 틀 무렵, 마을 사람들의 조용하고 분산한 움직임이 시작되고, 세상에서 가장 조용한 비밀 결혼식을 시작하는데…

In this economic war, promised to us many years ago and which advances like bulldozer, does there still exist a surge of imagination offering resistance ? Ordered to choose between the breadcrumbs of precarious employment and the meager charity still offered by the system, some abandon the society of consumption to claim back their lives. “Neither exploitation nor handouts!” many of them exclaim. They’ve chosen another path, that of autonomy, of consciously choosing to undertake certain activities, and of uniting together with other like-minded people.

Love. It just happens. No rules. It may look sick, but it's deep and it hurts. For everyone, Alex and Kiki are just good friends. They happen to be two girls experiencing another kind of love. For their family, Kiki and Sandu are sister and brother who sometimes fight. They happen to be lovers. Love Sick is about their stories.

"Pas vu, pas pris" starts with a subject filmed 2 years ago ; ordered then forbidden to broadcasting by Canal + : it was "Pas vu à la télé". Bernard Benyamin, Henri de Virieux, Patrick de Carolis, Anne Sinclair, Charles Villeneuve (amongst others) appear before the candid camera of Pierre Carles, for once subjected to an investigation that concerns their profession. After proclaiming that there is no taboo subject on television, they discover a pirate document showing Étienne Moujeotte and François Léotard in a business discussion about the destinies of TF1. Question asked : would they have agreed to broadcast this document and if not, why not ? The investigation itself is objectively searching : anything can be said on TV except one thing, the more or less close collusion of journalists and the political powers. Pierre Carles gives us a sharp reflection on the scope of this "fourth power" that the media have become, and on the compromises of those who are its masters.