Cristinel Sirli

Based on the biography Ne jamais rien lâcher, the script traces the career of Marinette Pichon over three decades. Born in 1975, she was the pioneer of French women's football and one of the greatest stars of that sport in the world. A prodigy discovered at the age of five, she went on to become the first French player to make a career in the United States (men/women combined) and the record holder for the number of goals and selections for the French team (men/women combined). From her childhood, ravaged by an alcoholic and violent father, to the American dream (she was crowned best player and best scorer in the prestigious US league in 2002 and 2003 and "Most Valuable Player" in 2003), via her career with the French team, Marinette paints the portrait of a kid from a working-class background who was not destined for such an extraordinary career path...

A father runs away form his house after killing his family. The beauty of the forests of Aland at sunrise will show him the horrors of this irremediable act.

Ivan Semciuc (a journalist), is a charismatic man nonetheless guilty of cynicism and lack of compassion. A seemingly meaningless sexual encounter with a translator in a hotel room in Kabul produces a vital revolution in Ivan’s unshakeable lifestyle. After Ivan’s arrival back to Bucharest, Ioana is found dead, with her wrists cut. Ivan starts living in the absent presence of Ioana, who is starting to be more vivid in death than in life.

Com a família a tentar adaptar-se à Roménia do pós-Segunda Guerra Mundial, o filho mais novo de Ilie Moromete é obrigado a desistir do liceu entre atitudes inconstantes.

During the summer of 1937, Emanuel, a young man in his early twenties, is committed to a sanatorium on the Black Sea coast for treatment of his bone tuberculosis. The treatment consists of painful spine punctures that confine him to a plaster on a stretcher-bed. Little by little, as Emanuel gets accustomed to the sadness of his new life, he discovers that inside the sanatorium there is still a life to be lived to the fullest.

A research center in Sukhumi, the capital of today’s Abkhazia. Legend has it that it was built at the end of the 1920s to create a hybrid between man and monkey. The hypothetical creature never saw the light of day, but people and primates, like sad relics of the past, live together in the derelict wings of the medical institute to this very day. [KVIFF]

A research center in Sukhumi, the capital of today’s Abkhazia. Legend has it that it was built at the end of the 1920s to create a hybrid between man and monkey. The hypothetical creature never saw the light of day, but people and primates, like sad relics of the past, live together in the derelict wings of the medical institute to this very day. [KVIFF]

Um advogado investiga os últimos dias da vida do pai, um juiz cuja morte misteriosa levanta suspeitas sobre a sua jovem viúva.

Três homens casados e ricos fazem anualmente uma espécie de caçada no deserto. Desta vez, um dos empresários decide trazer sua amante (Matilda Lutz). Quando ela é abandonada para morrer devido a uma série de acontecimentos, eles terão que lidar consequências de uma mulher que busca vingança.

Near by Christmas, in an old and charming town in Transylvania, Sebastian and Aprilia start a beautiful love story. However, nothing is as simple as it would seem. Being influenced by three men with strong personalities, Aprilia needs to find the balance between adulthood and the choices of a young girl's heart. It's Christmas time and life holds for this talented beautiful girl only the presents that she is strong enough to grab.

Na Europa, no início do século XIX, um guarda e seu filho atravessam o continente em busca de um escravo em fuga. Pelo caminho, descobrem diversas diferenças culturais, e muitos preconceitos que os povos alimentam uns contra os outros. Vencedor do Prêmio de Melhor Diretor (para Radu Jude) no Festival de Berlim, em 2015. Representante da Romênia na disputa pelo Oscar de Melhor Filme Estrangeiro, em 2016.

The '60s, Romania. Serafim, a young doctor, is sent to the Hospital in Palilula, a small town lost somewhere on the country map, after the death of the previous pediatrician, Mr. Pantelică.

The '60s, Romania. Serafim, a young doctor, is sent to the Hospital in Palilula, a small town lost somewhere on the country map, after the death of the previous pediatrician, Mr. Pantelică.

O circo é um lugar onde a magia acontece, mas nem sempre. Quando um estrangeiro é obrigado a assumir a sua gestão, o apocalipse pode começar. O Eurochannel viaja para a Romênia para atender a uma companhia de circo hilariante em sua busca para proteger seu ato principal: O Urso. Dirigido por Dan Chisu, uma das principais figuras do cinema romeno, O Urso é uma comédia com os ingredientes certos para um filme de comédia. Um herói, um urso e um gerente sem qualificação levam os espectadores a todos os tipos de aventuras impertinentes em Bucareste para salvar o circo.

Jonathan Vogel (Guillaume Depardieu) would like to turn back the clock and undo the accident that led to his disability and destroyed his life. When he learns that Stivlas Karr (Carlo Brandt), a well-known professor and geneticist, has developed a gene therapy for regenerating the human body, he makes an appointment with him for some clinical tests. But the therapy doesnt go according to Professor Karrs plan and leads to unexpected results. Jonathan, whose life is now in danger, has become aware that there is only one person who can help him: Alice (Alysson Paradis), the professors daughter.

15 years ago, Luiza decided to make a fresh start in Spain. She left her 3-year-old daughter Cristina in the care of her relatives and took off. When she returns to Romania, the woman learns some shocking truths that were kept hidden from her: Cristina ran away from home, is a drug addict and has a 2-year-old girl who lives in an orphanage. Overwhelmed by guilt, Luiza attempts to save her daughter

Georges Bernier, alias Professor Choron, died January 10, 2005. He was 75 years old. The few death notices that appeared in the French press mainly focused on the scatological nature of his humor, or on the good man's provocative side. No one recalled the essential, which was that with his passing not only had one of the great proprietors of the French press disappeared, but he'd taken with him an artist in his own right, quite unique in his own way : Professor Choron.

Esta celebração sofre uma reviravolta invulgar quando a morte do líder soviético José Estaline marca o casamento de um jovem casal romeno com um luto silencioso.

In this economic war, promised to us many years ago and which advances like bulldozer, does there still exist a surge of imagination offering resistance ? Ordered to choose between the breadcrumbs of precarious employment and the meager charity still offered by the system, some abandon the society of consumption to claim back their lives. “Neither exploitation nor handouts!” many of them exclaim. They’ve chosen another path, that of autonomy, of consciously choosing to undertake certain activities, and of uniting together with other like-minded people.

Love. It just happens. No rules. It may look sick, but it's deep and it hurts. For everyone, Alex and Kiki are just good friends. They happen to be two girls experiencing another kind of love. For their family, Kiki and Sandu are sister and brother who sometimes fight. They happen to be lovers. Love Sick is about their stories.

"Pas vu, pas pris" starts with a subject filmed 2 years ago ; ordered then forbidden to broadcasting by Canal + : it was "Pas vu à la télé". Bernard Benyamin, Henri de Virieux, Patrick de Carolis, Anne Sinclair, Charles Villeneuve (amongst others) appear before the candid camera of Pierre Carles, for once subjected to an investigation that concerns their profession. After proclaiming that there is no taboo subject on television, they discover a pirate document showing Étienne Moujeotte and François Léotard in a business discussion about the destinies of TF1. Question asked : would they have agreed to broadcast this document and if not, why not ? The investigation itself is objectively searching : anything can be said on TV except one thing, the more or less close collusion of journalists and the political powers. Pierre Carles gives us a sharp reflection on the scope of this "fourth power" that the media have become, and on the compromises of those who are its masters.