Barbara Albert

1995년 세르비아군에 쫓기던 보스니아인들이 UN 캠프로 피신을 한다. UN군 통역관 아이다는 남편과 아들이 캠프 안으로 들어오지 못한 상태임을 알게 된다. 그들을 살리기 위해 동분서주한 끝에 무사히 캠프로 들어오지만 진짜 문제가 벌어진다. UN군은 보스니아인을 해치지 않겠다는 약속을 믿고 세르비아군을 캠프로 진입시킨다. 세르비아군은 약속과 달리 보스니아 남자들을 따로 분류해서 어딘가로 끌고간다. 아이다는 남편과 아들을 살리기 위해 다시한번 안간힘을 쓴다. 발칸반도에서 벌어진 인종학살은 상상조차 힘든 일이지만 실제 있었던 사건이고 그런 만큼 사건의 진상을 파악하는 것은 중요하다.

This historical and analytical documentary draws attention to the background of the roots of "New Austrian Cinema" and presents Austria as a film country to be taken seriously. The audience gets to see rare early works by well-known filmmakers as well as shots of landscapes that served as a source of inspiration and locations that have produced important Austrian films since the end of the 19th century.

18th century Vienna. Maria Theresia von Paradis, a gifted piano player and close friend of Mozart's, lost her eye-sight as a child. Desperate to cure their talented daughter, the Paradis entrust Maria to Dr. Mesmer, a forward-thinking-physician who gives her the care and attention that she requires. With the doctor's innovative techniques of magnetism, Maria slowly recovers her sight. But this miracle comes at a price as the woman progressively starts to lose her gift for music.

Andreas and Martin share all the ups and downs of everyday life, and their son is maturing. A cautious approach to the traces of a long relationship. The love story of two people. Not about how they come together, not a phase they go through, but all of their shared experiences: all the years between the first kiss and today.

The personal journey of young Sita is not only an expedition into her family's burdened past during World War 2. It is also a journey to the abyss of modern European society, a trip which takes her from Berlin to Romania via Vienna and Warsaw - about losing one's homeland and discovering oneself, about hope and responsibility.

The personal journey of young Sita is not only an expedition into her family's burdened past during World War 2. It is also a journey to the abyss of modern European society, a trip which takes her from Berlin to Romania via Vienna and Warsaw - about losing one's homeland and discovering oneself, about hope and responsibility.

The personal journey of young Sita is not only an expedition into her family's burdened past during World War 2. It is also a journey to the abyss of modern European society, a trip which takes her from Berlin to Romania via Vienna and Warsaw - about losing one's homeland and discovering oneself, about hope and responsibility.

루나와 아마르 부부는 그들의 사랑을 가로막는 모든 장애물을 극복하려 최선을 다한다. 멀리 떠났다 돌아온 남편, 아마르가 신앙심 깊은 인간이 되어 돌아오자, 루나는 모든 것을 의심하기 시작한다. 그녀는 과거의 아픈 상처에 힘들어하며 사랑에 대한 회의를 품게 된다.

Frustrated, because he is forced to produce bad TV-shows, a manager of a TV-station, enters the station and manipulates the ratings, to initiate a TV-revolution.

Never at the sea.

Five former high school friends reunite for an evening of fun, remembrance and sadness in this Altmanesque portrait of female friendship. A look at how youthful idealism turns into adult pragmatism, and how one can fight such changes, from the director of Free Radicals.

Five former high school friends reunite for an evening of fun, remembrance and sadness in this Altmanesque portrait of female friendship. A look at how youthful idealism turns into adult pragmatism, and how one can fight such changes, from the director of Free Radicals.

전 유고슬라비아 출신의 세 여성을 통해 생존에 대한 개념과 세대 간의 차이로 빚어지는 미묘한 오해를 보여주고 있는 영화. 50살의 꼬장꼬장한 루자는 세르비아 출신으로, 취리히에서 식당을 운영하고 있다. 그녀의 유일한 관심사는 돈벌이뿐이다. 루자의 식당에서 일하는 60살의 밀라는, 고향인 크로아티아에 집을 지을 수 있을 만큼 돈을 버는 것이 꿈이다. 22살의 아름답고 충동적인 아나는 사라예보 출신으로, 저녁시간에 식당에 와서 일한다. 뒤엉킨 적대감으로 인해 세 사람 사이의 우정은 힘들지만 천천히 싹터간다. 로카르노영화제 금표범상을 수상한 작품으로, 국적이란 무엇인지, 무엇이 국적을 만들어내는지, 이민의 메커니즘은 어떤 것인지, 이런 복합적인 문제들을 단순한 감상주의에 기대지 않으면서 효과적으로 그려내 보인 작품이다.

에스마는 딸 사라를 혼자 키우고 있다. 그녀는 딸의 수학여행 경비를 벌기 위해 시내의 나이트 클럽에 웨이트리스로 취직을 해야 할 정도로 고달픈 삶을 살고 있다. 하지만 자신이 상이용사의 딸이라고 철석같이 믿고 있는 사라는 전사자 가족에게 수학여행 경비가 면제된다는 얘기를 듣고 엄마에게 아버지의 전사증명서를 받아오자고 한다. 에스마는 진실을 말해줄 수 없어 망설이지만 결국 사라가 출생의 비밀을 알게 되고 모녀는 갈등한다.

에스마는 딸 사라를 혼자 키우고 있다. 그녀는 딸의 수학여행 경비를 벌기 위해 시내의 나이트 클럽에 웨이트리스로 취직을 해야 할 정도로 고달픈 삶을 살고 있다. 하지만 자신이 상이용사의 딸이라고 철석같이 믿고 있는 사라는 전사자 가족에게 수학여행 경비가 면제된다는 얘기를 듣고 엄마에게 아버지의 전사증명서를 받아오자고 한다. 에스마는 진실을 말해줄 수 없어 망설이지만 결국 사라가 출생의 비밀을 알게 되고 모녀는 갈등한다.

Ana and Nicolae, a young Romanian couple, travel by bus from Bucharest to Vienna with the prospect of making quick money by handing over a stolen car. As soon as they arrive, however, they are reassured that the car is not yet ready for them. Ana then wants to go back to Romania, Nicolae would rather travel further west. They are stuck penniless in Vienna.

Africa in the sixties. The Nile perch, a ravenous predator, is introduced into Lake Victoria as a scientific experiment, causing the extinction of many native species. Its meat is exported everywhere in exchange for weapons, creating a globalized evil alliance on the lake shores. An infernal nightmare in the real world that wipes out Darwin's Theory of Evolution.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Following the death of Manu (Resetarits) in a car accident, the film relates the interwoven stories of several people who become indirectly connected by the events and aftermath of the crash.

Following the death of Manu (Resetarits) in a car accident, the film relates the interwoven stories of several people who become indirectly connected by the events and aftermath of the crash.

Four film-makers embark on a cinematic survey of Austria, documenting the political and social state of the nation and its people. An eye-opening experience. In the wake of the 1999 elections, four filmmakers decided to go out with cameras in hand and gauge the mood of their countrymen, who had made Jörg Haider's FPO party the second most powerful in Austria. What they found was a country apparently "like any other" , filled with nice ordinary people. Who feel perfectly comfortable dreaming of a possible future without foreigners, or speaking with equanimity about the old days of the Third Reich.

Vienna, 1995. Jasmin, Tamara, Valentin, Senad and Roman live near the northern border of Austria. Their lives repeatedly intersect and drift apart. The characters involved are young migrants from the former Yugoslavia, Romania, Poland and Austria itself. Strangers in a strange land, they feel a sense of loss in their new, temporary environment. The five-some meet and get close to each other, hopelessly clinging to friendships and relationships with no future. They frequent cafés and train stations dreaming of a better tomorrow. Often, they just fall back on the prospect of short-term affection in yet another doomed romantic or sexual encounter. Trying hard to suppress the memories of war and alienation, they try to find moral strength and warmth through one another.

Vienna, 1995. Jasmin, Tamara, Valentin, Senad and Roman live near the northern border of Austria. Their lives repeatedly intersect and drift apart. The characters involved are young migrants from the former Yugoslavia, Romania, Poland and Austria itself. Strangers in a strange land, they feel a sense of loss in their new, temporary environment. The five-some meet and get close to each other, hopelessly clinging to friendships and relationships with no future. They frequent cafés and train stations dreaming of a better tomorrow. Often, they just fall back on the prospect of short-term affection in yet another doomed romantic or sexual encounter. Trying hard to suppress the memories of war and alienation, they try to find moral strength and warmth through one another.

Three stories by three directors, three journeys into the world of teenagers and countercultures. The stories are interlaced with each other. Characters with a small performance in one story will play a major part in one of the other two stories so we will learn more about them, on the other hand central characters appear again in the periphery of one of the other stories. It is done in a casual way, comparable with the situation in daily life when two friends are running into each other by chance. Petra and Nicole in their shrill world of brightness. Loafing around, bumming and teasing guys.

Three stories by three directors, three journeys into the world of teenagers and countercultures. The stories are interlaced with each other. Characters with a small performance in one story will play a major part in one of the other two stories so we will learn more about them, on the other hand central characters appear again in the periphery of one of the other stories. It is done in a casual way, comparable with the situation in daily life when two friends are running into each other by chance. Petra and Nicole in their shrill world of brightness. Loafing around, bumming and teasing guys.

Short film about a woman and a little girl.

Short film about a woman and a little girl.

To evade the incomprehensible world of adults seven-year-old Natascha creates her own world, influenced by her impressions of sexuality and religion. It is a world of mainly catholic imaginations and symbols - a world between frightening bogey men and flying Christ children.

To evade the incomprehensible world of adults seven-year-old Natascha creates her own world, influenced by her impressions of sexuality and religion. It is a world of mainly catholic imaginations and symbols - a world between frightening bogey men and flying Christ children.

To evade the incomprehensible world of adults seven-year-old Natascha creates her own world, influenced by her impressions of sexuality and religion. It is a world of mainly catholic imaginations and symbols - a world between frightening bogey men and flying Christ children.

Four months after the end of the war, four young people from Sarajevo share their experience, their thoughts and their hopes for the future, walking around the city in ruin.

Two girls in the disco give free rein to anger, nobody stops them.

Two girls in the disco give free rein to anger, nobody stops them.

Two girls in the disco give free rein to anger, nobody stops them.

In Garcia Lorca's mother tongue, death is a woman: "la muerte". Daniel slips into the role of "death as a female" and speaks before a video camera on the life and death of the famous Spanish poet. Then the story begins.

Based on Julia Franck's novel which retraces the journey of a woman who, after the WWII, is ready to do anything to start a new life. Helene, a central character with many faces, shares life between two men, two worlds far from being alike