Josef Illík

A remake of Vávra's 1948 atomic age thriller Krakatit.

A wonderful fairytale about looking for love, defeating evil and learning some valuable moral lessons on the way. The story begins with the young Prince Velen , who is left in charge of the castle and his three sisters. During the night he has a visitation and before he knows it, all his sisters are married off and gone away, and himself falls in love with beautiful Večernice.Now he is faced with the King's wraths and charged with a quest. The journey, however, hides obstacles and danger; not only treacherous merchants and robbers, but also a evil wizard Mrakomor...

It is the summer of 1968 and also in South Moravian Pálavice appear political clashes. The so far peacefully farming Unified farmers' cooperative starts splitting. Some of the farmers have found the cooperative called Vidrupa and want to deal with wine in private trade. Michal Janák, chairman of the farmers' cooperative is a deliberate man and refuses the latent return to the capitalism. As an excellent farmer he continues preparing planting out new vineyards. His adversaries do not agree - the returns will come many years later. Jozka Hrdlicka, an émigré, notices on the Austrian TV the interview with the representatives of Vidrupa and decides to visit his native village. The new suit and the hired car transform the bankrupt and criminal to the successful businessman with wine.

An only son, Jirí Valenta (Jaromír Hanzlík), has been drafted to the army. At the barracks he acquires the nickname Seamstress because he sews rugs in his spare time. One day, his friend introduces him to Julka Vávrová (Jorga Kotrbová), a girl he is desperate to get rid of. The naive Jirí falls in love with the girl and accepts her invitation to spend Easter together in the country. There he learns that the girl is the single mother of the young boy Martínek, whose father is the married tractor driver.

Popelka, a resourceful and independent young girl, is a servant in her stepmother's house and confides her closest friend the owl. When she comes across three magical acorns, she's granted a single wish for each one of them.

It is the 1920's. The good-looking hostess Věra demonstrates household robots to visitors of the Futurum exhibition. Young inventor Petr comes to her rescue when she tries to flee from two men wanting to take her away. Věra confesses that she has fled from home because her father, a factory owner, wanted to profitably marry her off. Petr is fascinated by the emancipated woman and shows her round his laboratory, where he plans to create a robot of his own - but one that would be far more advanced. Věra cuts herself on a broken test-tube and a drop of her blood gets in the solution. In the morning, they are taken aback to see Věra's double. This lucky chance has helped Petr create an artificial being, Miss Golem. She has a single motive for her actions: to take care of Věra and allow her to do only what is good for her.

It is the 1920's. The good-looking hostess Věra demonstrates household robots to visitors of the Futurum exhibition. Young inventor Petr comes to her rescue when she tries to flee from two men wanting to take her away. Věra confesses that she has fled from home because her father, a factory owner, wanted to profitably marry her off. Petr is fascinated by the emancipated woman and shows her round his laboratory, where he plans to create a robot of his own - but one that would be far more advanced. Věra cuts herself on a broken test-tube and a drop of her blood gets in the solution. In the morning, they are taken aback to see Věra's double. This lucky chance has helped Petr create an artificial being, Miss Golem. She has a single motive for her actions: to take care of Věra and allow her to do only what is good for her.

The life of the famous French writer Alexander Dumas the Elder. Screenwriter Jaroslav Dietl did not hide his admiration for this literary giant, and in addition to the screenplay he also wrote a three-part TV play about Dumas (starring Vladimír Menšík). In Kachyn's film, Dumas played the father and son of the Štěpánková brothers, and it was a very difficult and difficult task for these young actors.

This Czechoslovakian children’s film takes place during the last days of the Austro-Hungarian empire. The young son of a horse trainer loves nothing more than riding his horse, until he is stricken by polio…

파티에서 위험한 대화를 하지 않았는지 한번 의심하기 시작하면 모든 것이 의심스러워 보인다. 그리고 부엌의 틈새에 떨어뜨린 포크를 집으려다 도청 마이크를 발견한다. 화장실에서도, 다른 방에서도 찾아볼 수 있다. 그러나 이미 말해서는 안 되는 것들을 말해 버린 후였다. 베란다에서 보낸 두 사람은 아침을 맞이한다. 아내가 불안함을 흘리며 화면이 점점 어두워지다 영화는 끝난다.

A ruthless inquisitor spins the superstitions of local peasants into religious heresy, finding cause to accuse dozens of innocent men and women of witchcraft. The inquisitor targets nobles and merchants, whose property and goods are then confiscated. After suffering an array of medieval tortures, most of the accused confess—only to be burned alive at the stake as helpless villagers watch. With its bold and striking cinematography, the film captures scenes of both daring nudity and brutal torture.

At the funeral of his schoolmate, the nearly-fifty-year old architect Jirí Mánek (Václav Voska) meets his former close acquaintance - physician Jarmila (Blanka Bohdanová). They both are still single. Jarmila has recently returned to Prague after years of work on the frontier. Jirí leaves for a business trip. As a conservationist, he is to grant permission for an adaptation of a Baroque château to office spaces. On the road, a pretty young hitchhiker named Eva (Ida Rapaicová) stops him. Eva is Slovak and her spontaneous behavior enchants Jirí. He thus does not mind making a short detour and takes Eva all the way to the luxurious cottage of her parents. A romance develops between the two people, so different in age and temperament.

At the funeral of his schoolmate, the nearly-fifty-year old architect Jirí Mánek (Václav Voska) meets his former close acquaintance - physician Jarmila (Blanka Bohdanová). They both are still single. Jarmila has recently returned to Prague after years of work on the frontier. Jirí leaves for a business trip. As a conservationist, he is to grant permission for an adaptation of a Baroque château to office spaces. On the road, a pretty young hitchhiker named Eva (Ida Rapaicová) stops him. Eva is Slovak and her spontaneous behavior enchants Jirí. He thus does not mind making a short detour and takes Eva all the way to the luxurious cottage of her parents. A romance develops between the two people, so different in age and temperament.

A dark fable set in an early 1950s Czech village, a time of Soviet-style socialism which saw the implementation of collectivized agriculture and the mass closure of monasteries and convents.

2차 대전 말, 빈으로 가기 위해 숲 속에서 마차로 헤매는 한 체코 여인과 두 오스트리아인 독일군 병사의 이야기

A young man tries to enter the building of the Mammoth Cybernetic Supermachines Research Institute again and again but each time the doorkeeper spots him and kicks him out. The youth finally arrives with all his friends and a huge live bear from the circus where he works as an accountant. He is finally allowed in where he explains to the members of the directorate that he wants to work at the Institute, since he graduated in cybernetics and, besides, he has invented a machine for forecasting time of death. When the conniving research manager learns that their director is going to die in two days, he hopes to rise to his position.

Seven days, or rather evenings and nights, in the life of Jenka (Stanislava Bartosová), a young good-looking nurse. Jenka is attractive to men and enjoys their company, but there is a limit beyond which she won't go, since she is faithful to her Filip, who is doing his military service. On Sunday the girl awaits Filip to arrive on a short period of leave, but instead his friend Míla (Frantisek Nemec) turns up and apologizes for Filip, who has to stay in the barracks.

A film in five episodes, all based on an attempt to show the life of young people today, their feelings and relationships, their behaviour in public and private life.

During the Second World War, an old fortress is transformed into a detention camp for arrested allied generals who the Germans provide with every possible comfort. In the nearby garrison camp, however, hundreds of captured private soldiers try to survive hunger and cold.

This is an engaging drama by director Karel Kachyna about the growing pains of a young teen (Jorga Kotrbova) and the hardships of a noble steed mistreated by a cruel neighboring farmer. The teen is having a hard time figuring out adult modes of behavior, and at the same time her heart goes out to the horse that is suffering under the treatment of the farmer next door to her family. As the teen adopts the horse as a friend, some clarification will be sure to come on the meaning of adulthood and the benefits of compassion.

Based on a novel by Maria Majerova, this well-photographed but routine romantic drama is directed and co-scripted by Vaclav Krska. Set in a more old-fashioned time, the story centers around Lenka (Suzana Fisarskova), a young woman with a domineering, psychologically abusive father. When Lenka falls in love she suffers the ultimate injustice when her father and her family forbid her to marry the man. They see no advantage in such a union and want her to marry a wealthy local landowner instead, for obvious reasons. But Lenka is not as submissive as they think and she runs away to the city to look for the man she loves -- only to find a serious problem, though a surmountable one, is waiting for her.

A young Czech boy is freed from a concentration camp and now is working for the army against the Germans.

A movie about Czechoslovak border guards trying to arrest the famous escapee called "King of the Sumava".

A military film of marital infidelity in which furloughs pose danger not only to the army but also to a soldier's family.