Hélène Louvart

도굴꾼 아르투에겐 땅속 유물을 감지하는 특별한 능력이 있다. 부의 꿈에 도취된 동료들 사이에서 그는 잃어버린 연인, 베니아미나를 찾아 헤맨다.

Marcelo, 50 years old, has dedicated his life to teaching philosophy at the Public University and suddenly his mentor and boss, Professor Caselli, dies. Disoriented in this new landscape, Marcelo assumes that he will inherit the position left vacant by his mentor. What he doesn't expect is that Rafael Sujarchuk, a charismatic and pedantic philosopher trained in the best European universities, also covets the position. Between his multiple jobs as a philosophy professor in the local slums, at the university and privately with an 80-year-old millionaire, he must also prepare to run for office against this strong opponent who seems to have everyone on his side. Marcelo's clumsy efforts don't seem to be enough to get the job, but is that really what he wants?

In blood-soaked Tudor England, Catherine Parr attempts to navigate English politics when she becomes King Henry VIII’s sixth wife.

After a painful journey through Europe, Alex, the Belarusian, joins the Foreign Legion in France and clings to a confused hope of a European identity. Jomo, the Nigerian, fights for the survival and durability of his people in the Niger Delta and is ready to die to defend his ideas. These two young people who are sacrificed and smashed together will, against all odds, meet and their destinies will merge to continue across borders, bodies, life and death...

Lucile Chaufour’s Love & Crashes takes us for an unforgettable ride in partnership. With a mixture of fictional and documentary techniques, the film immerses us in the universe of sidecar racing, paying attention to the peculiarities of a vehicle driven by a magical alliance between pilot and passenger (or as it is known in sidecar jargon, 'monkey'). Aided by a dreamy musical score and Hélène Louvart’s deft cinematography, Love & Crashes explores technique and sensuality, control and spontaneity, the physical and the mental, speed and care.

끊임없는 공습으로 폐허가 된 도시지만, 14살 제이나와 그녀의 가족은 다마스커스의 자기 집을 떠나지 않는다. 공습으로 창문이 모두 박살이 나지만 제이나의 아버지는 천으로 뚫린 창과 천장을 가리고 집에 머무르는 선택을 한다. 어느 날, 제이나의 방 천장의 뚫린 구멍으로 밧줄이 내려오고 제이나와 친해지고 싶은 소년이 제이나를 옥상으로 올라오게 한다. 세상이 끝날 것 같은 절망적 상황에서도 소년과 소녀는 희망을 꿈꾼다. 그들은 이곳을 탈출할 수 있을까?

In the late 1980s, Rose moves from the Ivory Coast to the Paris suburbs with her two young sons, Ernest and Jean. Spanning 20 years from their arrival in France to the present day, the film is the moving chronicle of the construction and deconstruction of a family.

Julia, a 22-year-old mother of two, falls in love with Óscar, a troubled boy with whom she embarks on a love affair. The more time they spend together, the more Julia asks herself if Óscar is the person she really needs by her side, prompting her to set out on a personal journey to find happiness for herself and for her family.

전쟁 중에 가톨릭 여자 학교에서 크리스마스 케이크를 둘러싸고 벌어지는 순수, 욕심, 환상이 가득한 이야기. "pupil"은 라틴어 "pupilla", 즉 여자아이라는 뜻에서 파생됐다. 이 이야기는 20세기의 가장 유명한 작가였던 엘사 모란테가 1971년 크리스마스를 맞아 친구 고프레도 포피에게 쓴 편지에서 영감을 받았다.

A teenage girl decides to replace her controlling father with his wealthy foreign friend during a weekend trip to the Adriatic Sea.

메데릭이 거리에서 우연히 만난 이사도라에게 열렬한 구애를 펼치는 동안 테러리스트의 공격이 클레르몽페랑 시를 강타한다. 아파트 입구에서 노숙하는 아랍인 청년을 본 메데릭은 그가 특공대원일지도 모른다는 의심을 하면서도 그를 본인의 집에서 재워주기로 한다. 의심, 과대망상증, 여러 욕망이 한데 겹치는 가운데, 메데릭과 그의 주변 사람 모두가 광란의 소용돌이에 휘말린다.

그리스로 혼자 휴가를 떠난 대학 교수 레다는 딸을 가진 젊은 여자 니나를 보고 단번에 시선을 빼앗긴다. 매일 같은 해변에서 시간을 보내며 서로를 응시하던 두 사람, 갑자기 니나의 딸이 사라지고 레다는 옛 기억을 떠올린다.

1950년대. 앨리스는 그녀의 지겨운 고향 스위스를 떠나 햇빛이 내리쬐고 활기가 넘치는 땅 레바논으로 향한다. 그곳에서 그녀는 최초로 레바논인을 보낼 우주선을 개발하는 꿈을 갖고 있는 천체물리학자 조셉과 사랑에 빠지고, 금세 가족을 이룬다. 그러나 가족과 달콤한 일생을 보내길 몇 년, 레바논에서 시작된 내전은 그들의 파라다이스를 위협한다.

작은 마을의 한 여고생이 원치 않는 임신을 했다. 그러나 냉담한 부모님은 물론이고, 그 누구에게도 도움을 청하기 힘든 상황. 고민 끝에 낙태를 결심한 그녀는 유일하게 힘이 되어준 사촌과 함께 뉴욕을 향해 길을 떠난다.

The story of the decline of the Soares family in the final months of the 19th century. Isabel is the dying mother, and her daughters are Maria and Ana. The three women try hard to forget about their pasts in the coffee farm and face the industrial times that start to take over Brazil.

십대 소녀 록스는 어린 남동생과 단 둘이 살고 있지만, 보호자 없이 둘만 생활한다는 사실이 발각돼 동생과 헤어질까봐 늘 불안에 떤다. 친구들의 도움으로 아동 보호 당국의 눈을 피해 다니는 록스, 그녀 인생에서 가장 결정적인 날들을 헤쳐나가야 하는데….

십대 소녀 록스는 어린 남동생과 단 둘이 살고 있지만, 보호자 없이 둘만 생활한다는 사실이 발각돼 동생과 헤어질까봐 늘 불안에 떤다. 친구들의 도움으로 아동 보호 당국의 눈을 피해 다니는 록스, 그녀 인생에서 가장 결정적인 날들을 헤쳐나가야 하는데….

1950년, 브라질 리우데자네이루, 구스망 집안의 두 딸, 에우리디스와 귀다는 보수적인 아버지 밑에서 자란다. 아버지 마누엘의 엄격함에 지친 언니 귀다는 잘생긴 항해사와 사랑에 빠져 몰래 그리스로 달아난다. 피아니스트가 꿈인 여동생 에우리디스는 언니를 그리워하며 기다린다. 한편, 임신한 채로 홀로 돌아온 귀다를 아버지는 매몰차게 쫓아내고, 에우리디스는 언니가 돌아온 사실도 모른 채, 귀다의 행방을 찾는데… 언젠가 다시 만날 거라는 희망을 놓지 못하는 자매 이야기, 운명에 맞선 여성 서사의 매혹적인 걸작!

The film follows a 30-year-old man named Gabriel, a French war reporter who was taken to hostage in Syria and then heads to India after months in captivity.

페트라는 자신의 아빠가 누구인지 모른다. 이는 그녀에게 평생 비밀로 남아있었다. 엄마의 죽음 이후 그녀는 진실을 찾아 나서는 과정에서, 유명한 동시에 무자비한 예술가 하우메를 만난다. 뒤이어 그녀는 그의 아들과 아내도 만나게 된다. 이 인물들은 악의, 가족의 비밀 그리고 폭력의 소용돌이에 뒤엉킨다. 하지만 가혹한 운명의 처사는 반전에 부딪혀 탈주하게 되고 차츰 희망과 구원의 길이 열리게 된다.

어느 여름날, 마르셀라의 언니가 갑자기 세상을 떠났다. 슬픔 속에서 마르셀라는 언니의 유품을 정리해야 하는 고통과 마주한다. 이때 도움의 손길을 건네온 딸의 친구 나초는 뜻밖의 안식처가 된다. 서로의 관계가 발전함에 따라 이들은 함께 자동차 여행을 떠나거나 모험을 즐기기도 한다. 힘들고 혼란스러운 시기 속 마르셀라의 과거와 현재는 결국 뒤엉키게 되고, 급박히 밀려드는 일상의 압박 속에서 그녀는 스스로를 향한 질문을 던진다.

시간이 멈춘 것 같은 아름다운 시골 마을 인비올라타. 라짜로는 이웃들과 함께 마을의 지주인 후작 부인의 담배 농장에서 일하는 순박한 청년이다. 요양을 위해 마을을 찾아온 후작 부인의 아들 탄크레디와 라짜로는 둘만의 우정을 쌓는다. 자유를 갈망하는 탄크레디는 자신의 납치극을 꾸며 마을을 벗어나려고 결심하고, 라짜로는 그런 그를 돕는다. 한편, 납치 신고로 마을을 찾아온 경찰에 의해 이웃들은 뿔뿔이 흩어지게 되고 라짜로는 홀로 남게 되는데...

10대 후반 프랭키의 삶은 무료하고 그의 집안은 암울하기만 하다. 유일한 낙은 집 근처 바닷가에서 친구들과 어울려 다니는 것뿐. 어느 날 또래 소녀를 만나 친구 사이가 되지만, 그녀와 가까워질수록 자신의 성 정체성에 대해 혼란을 겪게 된다.

Dark Night enigmatically unfolds over the course of a lazy summer day, as it traces the events leading up to a mass shooting in a suburban multiplex. Abandoning the narrative confines of the true crime genre, the story is told through fragmented moments from the lives of several characters, whose fates are tragically intertwined. As the sky grows darker, the placid surface of daily life becomes disturbed by a lurking and inevitable horror.

캐서린은 친정엄마의 손에 자란 알바와의 시간을 회복하기 위해 10년의 해외생활을 마치고 룩셈부르크로 돌아온다. 캐서린은 알바를 납치하여 북부 호수로 데려간다.

Naples. Present day. Giovanna, a combative 60-year-old social worker on the frontline of the daily war against pervasive criminality, is confronted, like a modern Antigone, with a moral dilemma that threatens to destroy her work and her life. Giovanna runs an after-school centre that takes care of underprivileged children; a grassroots alternative to the mafia dominance of the city. But one day, young Maria, wife of a ruthless Camorra criminal on the run, and her two children take refuge at the centre, and ask Giovanna for protection.

In the middle of her wedding reception, the doubtful bride Unn Tove finds a new born baby girl abandoned in the hotel restroom. She turns her over to Child Services. 16 years later, a young and energetic girl shows up at her door step. It’s Rosemari, the baby from the wedding. Together they start investigating the cicumstances leading to Rosemari’s’s birth. They unravel a story about a young couple’s unrestrained love, an exentric ex-boxer with a taste for erotics, and a mother covering up her life’s biggest secret. “Framing Mom” is a touching and funny story about how sex, lies and biology created a beautiful flower, Rosemari.

Cora is a 19-year-old woman who has recently returned home for a gap year.  Her father is the mayor of Bucco, a town whose livelihood depends on the tourism of Christians who believe in the apparitions of the Virgin Mary.  While busy organizing the celebration of the Virgin of Bucco, an annual event that attracts numerous pilgrims, Cora notices a mysterious man whose presence will slowly rupture the tranquility of the town and her nascent adulthood.

A transfixing, rarely-seen 16mm miniature made as part of Rohrwacher's opera production of La traviata in 2016. In four minutes and with just a few delicate shots, she creates a moment of true cinema, one imbued with her distinct and elegant filmmaking voice.

The new film from Lebanese director Danielle Arbid follows a young Arab immigrant in Paris, whose encounters with three men reveal different facets of her new country, and of herself.

In the heart of the Danube Delta, superstition and religion are mixed together, like the earth and water that make up the mysterious mud from Tekir’s area, not far away. Chased away from her village because of her mysterious pregnancy, Mara finds herself employed at the Europa Hotel, providing treatment for infertile women using this miraculous mud. As she meets the rich and eccentric Mrs. Lili, Mara questions her beliefs and intuitions. The relationship between the two women is the key of the miracle of Tekir, between magic and power, tradition and modernity.

Arianna is nineteen, but she's still waiting to get her first period. As the summer begins, her parents decide to renew their acquaintance with their country house on Lake Bolsena, where Arianna lived until she was three, and has never been back. As the family settle in for the summer, long-repressed memories start to re-emerge, and Arianna decides to stay on after her parents return to the city.

The ninth short film of the Miu Miu’s Women’s Tales series reflects Alice Rohrwacher’s attention to the surreal world of ordinariness and exceptions.

In a lonely spot near the sea, a boy flies a kite made by his father. It's windy and the kite has become entangled in the vegetation. The boy needs an adult to help him keep it flying. Together, lost in the middle of nature, they will launch into the narration of a tale with myriad episodes.

Self-destructive teens go skateboarding, use drugs and turn tricks in Paris.

Strangers in their own birthplace, a camp 16-year-old, lollipop-sucking Dany and his 18-year-old brother Odysseus cross the entire country (along with pet rabbit Dido ) in search of their Greek father, who they only know as “The Nameless”, after the death of their Albanian mother. They hope to get Greek passports and citizenship but on the journey they encounter racism and prejudice.

Tarek and his mother Ghaydaa number among the tens of thousands of refugees crossing the border from Palestine, having been separated from Tarek's father amidst the chaos of the Six Day War. They ultimately settle at the Harir refugee camp, a makeshift home for a new generation displaced by conflict. Tarek dreams of being reunited with his father, and struggles to adapt to a new life far away from all he previously knew.

Gelsomina’s family works according to some special rules. First of all, Gelsomina, at twelve years of age, is head of the family and her three younger sisters must obey her: sleep when she tells them to and work under her watchful eye. But the world, the outside, mustn’t know anything about their rules, and must be kept away from them. They must learn to disguise themselves.

The horrors of war cast young fisherman Adisu adrift in vast Ethiopia. Forty years later, he is a taxi driver in a Northern European city, dreaming every night of his lost love. Surprising debut is dreamlike yet authentic, with no hint of false sentimentality.

Monique, happy and about sixty, is at the head of a small meeting agency, specializing in the third age. Her friend Madeleine is a regular and does not hesitate to make her organize meetings with the gents that she finds to her taste, more out of curiosity than of desire to find the soul-mate. While, the meetings follow each other and are all different. Love does not, necessarily, knock where we expect it too !

꽃피기도 전에 이미 꺾일 운명을 타고난 청춘들의 초상. 호화로운 관광지인 코르시카에 사는 십대 다섯이 인적 없는 별장에서 하룻밤 파티를 연다. 다음 날 골동품 소총 두 개를 몰래 갖고 간다. 별장 주인이 돌아와 지역 조직폭력 두목에게 도난사실을 알리면서 처참하고 비극적인 사건들이 연쇄다발적으로 발생한다.

마티 디옵은 전설적인 세네갈의 시인이자 영화감독이었던 지브릴 디옵 맘베티의 <투키 부키>를 모티프로 사적 기억과 판타지, 신화를 종합한다. 이를 통해 한 편의 영화에 숨겨진 천 개의 스토리를 상상해낸다.

Tangier. Dounia decides to sell on the black market the antiques uncovered on the building site she manages. She hopes to raise enough money to be able to leave Morocco with her son, who she hardly ever sees since her divorce. The death of a worker disrupts her plan...

Two young boys, Victor and Rainer, take the commuter train to spend the evening in Paris. In a nightclub on the banks of the Seine they go from one disappointment to another, from failed chat ups to street brawls. But as they get carried away by the night, they leave the city for the forest. In the silence of the moonlight nature, the desire between the two friends becomes increasingly vibrant. A new day is born from their friendship.

A group of young people are organizing. One night, they face the police who came to evacuate an African squat. Carmen meets Hussain, a young afghan poet. Crazy in love, they don’t leave each other. But a curse hangs over the city, papers are carrying death, bodies are falling. Panicked at the idea that he could get arrested, Carmen forbids him to go out, and locks herself with him. Gradually, Hussain get the feeling that she is watching him…

A love story of two women who meet up in their late forties and attempt to retrieve the romance they had in their youth.

Two teenagers meet one Saturday evening to hang out together. While they cross Paris, meetings and disappointments are linked and push them to ask themselves about the feelings they have.

Mademoiselle Julie is a naturalistic play written in 1888 by August Strindberg. It is set on Midsummer's Eve on the estate of a Count. The young woman of the title is drawn to a senior servant, a valet named Jean (Nicolas Bouchaud), who is particularly well-traveled, well-mannered and well-read. The action takes place in the kitchen of Mademoiselle Julie's father's manor, where Jean's fiancée, a servant named Christine (Bénédicte Cerutti), cooks and sometimes sleeps while Jean and Miss Julie talk. On this night the relationship between Miss Julie and Jean escalates rapidly to feelings of love and is subsequently consummated. Over the course of the play Miss Julie and Jean battle until Jean convinces her that the only way to escape her predicament is to commit suicide.

눈을 번쩍이며 도시의 광경, 소리, 냄새를 관찰하는 13세 소녀 마르타는 자신이 늘 이방인 같다. 재기발랄한 10대의 목소리를 자연스럽게 전하는 영화.

춤의 역사를 바꾼 천재 무용가 피나 바우쉬의 독창적인 예술세계가 시네마 거장 빔 벤더스에 의해 매혹적인 3D 영상으로 부활한다. 촬영 직전, 피나 바우쉬가 암 진단 5일만에 갑작스럽게 세상을 떠나 작품 자체가 무산될 위기에 처하지만 그녀의 오랜 예술적 동지였던 빔 벤더스는 생전 그녀와의 약속을 지키기 위해서 혼신의 힘을 다해 를 완성한다. 봄의 에너지와 생명력을 폭력적인 군무를 통해 보여주는 <봄의 제전>, 인간의 갈망과 외로움을 미니멀하게 담아낸 <카페 뮐러>, 남녀 관계에서 발생되는 호기심과 욕망, 그리고 잔인함을 다룬 <콘탁트호프>, 비바람 속에서 공포와 두려움의 내면세계와 싸우며 사랑을 갈구하는 거친 춤 <보름달>, 이렇게 피나 바우쉬의 대표작 4편을 통해 벤더스는 사랑, 자유, 슬픔, 갈망, 환희 등 인간의 원초적 감정들을 감각적으로 표현한다. 근육의 미세한 떨림과 땀방울은 물론 무용수들의 감정까지 생생하게 잡아낸 <피나>는 이제까지 어떠한 영화나 공연에서도 경험할 수 없었던 새로운 차원의 감각적이고 경이로운 시각적 여행을 관객들에게 선사한다.

A German flight attendant's life spirals downward after she leaves her husband, quits her job, and joins a radical group of animal rights activists.

In addition to an incipient fondness for greyhound racing, the young Arnau has two inseparable companions: a songbird and a fox. Both accompany him in his journey to adolescence, a difficult transition due to some hard circumstances: the mother of the boy is locked in prison, and he is forced to live with his uncles.

팔순을 앞둔 아녜스 바르다는 자신의 인생을 되돌아본다. 벨기에에서 살던 시절, 지중해의 섬과 파리에서의 생활, 사진과 영화, 누벨바그의 일원이 되었던 일 그리고 자크 드미와 아이들. 바르다는 자신의 영화와 사진, 인터뷰 영상 등을 활용해 마치 자화상과도 같은 다큐멘터리를 완성한다. 그리고 인간은 어떻게 늙어가는지, 나이가 들어서도 창의적일 수 있는지, 어떤 것을 기억하는지에 대해 사유한다. ‘사람들을 들여다보면 그들만의 풍경이 보일 텐데, 나를 들여다보면 해변이 있을 것이다’라고 말했던 바르다. 그녀는 파도가 지워버린 모래 위의 글씨를 다시 새기듯 과거의 순간을 현재로 가져온다. 바르다의 최근작으로, 자신의 삶과 영화를 돌아보는 자서전적 에세이와도 같은 작품.

Writer-director Pablo Agüero's feature debut follows Inti (Joaquin Aguila), a 6-year-old boy caught up in the madness of post-"Dirty War" Argentina. Upon her release from prison, Inti's mother, Alba (Dolores Fonzi), a former dissident, whisks him away from his grandmother's care. Still unsure of her own direction in life, Alba takes Inti to live in a hippie commune in Patagonia. Velvet Underground founder John Cale co-stars.

A rebellious teenager and a "border-line" young nurse will learn to tame each other and get a fresh start in life...

늘 손 끝에 두고 싶은... (당신은 나의 베스트셀러) 파리 대형 출판사의 잘나가는 편집장 주디스, 당차고 매력적이며 유능하기까지 한 그녀는 쌀쌀 맞고 까칠한 성격으로도 유명하다. 주디스는 어느 날 갑자기 아버지가 남긴 유물상자를 전해 받고 전혀 새로운 사실을 알게 되면서 혼란에 빠진다. 이 때 주디스를 찾아온 줄리앙. 줄리앙은 시골에서 소설가의 꿈을 안고 상경한 뭐 하나 내세울 것 없는 남자다. 아버지의 일로 충격에 휩싸인 주디스에게 시골에서 올라온 작가 따위는 안중에도 없는 것이 당연지사. 그러나 결국 우연의 연속으로 두 사람은 만난 지 하루 만에 침대까지 직행하게 되고 새로운 관계를 지속한다. 한편 주디스는 정신병원에서 생을 마감한 줄로만 알았던 아버지가 위대한 혁명가였음을 알게 되고, 유물 상자에는 딸을 그리워했던 아버지의 마음이 담겨 있지만 상처가 많은 주디스는 아버지에 대한 어떤 사실도 쉽게 받아들일 수가 없다. 줄리앙은 그런 주디스의 마음을 달래기 위해 유물 상자 안의 자료들을 가지고 몰래 소설을 쓰기 시작한다. 늘어가는 원고의 두께만큼 이나 두 사람의 사랑은 깊어져 가고 주디스는 순수하고 착한 남자 줄리앙에게 진심으로 끌리게 된다. 드디어 줄리앙의 소설이 완성되고 설레는 마음으로 주디스에게 원고를 안기지만 주디스는 가족의 동의 없이 유물을 도용했다며 줄리앙을 몰아 붙인다. 둘은 결국 서로에 이별을 고하고 원망하는 사이가 되지만 왠지 마음이 아픈 건 어쩔 수가 없다. 출판사 사장에게 넘겨진 원고는 그 재미를 인정받아 결국 출간 되고 이에 격분한 주디스는 토론 방송에 출현한 줄리앙을 곤경에 빠뜨린다. 결국 줄리앙은 시골로 돌아가고 주디스는 허전한 마음으로 홀로 남겨지는데….

The last minute of a man's life.

The french choreographer Mathilde Monnier and her preparation for her next performance is the main focus of this documentary. The choreography's practices and the bodies, everything is registered in some sort of anthropological way by the filmmaker's camera.

Blandine arrives at the Charles de Gaulle Airport, seeking a reunion with her husband Papi in Paris. Despite articulate claims for asylum, she is held in a cramped cell along with a number of fellow Africans, humiliated, mistreated and told that they can expect immediate deportation. Papi enquires of her whereabouts at Arrivals, and is met with disinterested, misleading responses. When Blandine is hurt in a skirmish on the runway as the authorities try and force her out of the country, circumstances and a sympathetic employee of the Ministry of Foreign Affairs save her from expulsion. She is finally reunited with Papi in a communal squat, its inhabitants sharing harrowing stories of their time in France. With work, money and food scarce, and her confidence shaken by her less than warm welcome to the country, Blandine cannot find the enthusiasm to leave her damp mattress.

Franssou, a charming Parisian English teacher, who shares part of her life with a boring middle-aged lover, dreams of another life. So, when she unexpectedly inherits 50,000 euros, she grasps the opportunity and goes to the French Riviera in order to take it easy in luxury. In the four-star hotel where she rents a room she comes across Stéphane, a strange guy who is in the process of arranging Elton John's next coming to the place. Intrigued by the noisy ostentatious fellow, she follows him until she finally comes into contact with him. She knows Stéphane is at bay and decides to take advantage of it.

At Christmas time, 19 year old Simon returns home to visit his dysfunctional family with Louise, a fearless girl he met during his train ride. While Simon struggles to cope with the growing distance between him and his parents, he starts to examine his feelings when Louise develop a liaison of her own with his childhood friend Mathieu.

Set in the summer of 1942 during WWII, the film traces the trajectory of simple people thrown into extraordinary lives, revealing the heart-warming flame of hope and humanity that endures, even in times of war and dispair. As young Julien, his family and a group of friends traverse the French countryside after fleeing the institution they called home, Julien must deal with his father's extreme violence and his mother's rosy fantasies and once again form a family that society tries to forget.

17살의 피에르는 어머니에게 맹목적인 사랑을 퍼붓지만 정작 그의 어머니는 아들의 사랑을 받아들이지 못한다. 결국 그녀는 모든 비밀을 드러내고 비도덕에 탐닉하는 자신의 본래 모습을 아들에게 보여준다. 하지만 피에르는 자신도 그 환락의 세계로 들여보내줄 것을 부탁하고 그들의 게임은 점점 더 위험해져만 간다.

A young woman tries to understand the real circumstances of the death of her mother.

Raja is a nineteen year old orphan literally and figuratively scarred by life. Fred is an emotionally bankrupt westerner living amid his plush gardens and palm trees. Set against the backdrop of contemporary Marrakech, Raja is a cross-cultural drama about a wealthy middle-aged Frenchman's complex relationship with this poor local girl. Fred's attempts to seduce Raja, and their mutual attempts at manipulation, are fractured by their gross disparity of income, age and cultural sophistication.

The life in a Catalan (Southern France) village near the border may be quite boring. A young man who is escaping from his homeland is seeking for something and may find it in this weird place. You see the relationship between the people in the village, their dreams, their past and their perspectives in life. The foreigner is hosted there and is messed in the deep whereabouts of these people and tries somehow to fit in.

A woman struggles to acclimate to prison life while her friend organises a labour strike on the outside.

Françoise Barnier, the film's heroine, is a mother. One day, she stole something. She was in dire straits but no more so than usual. She was not in debt. She had always refused the degradation of excessive debt and charities, attempting to live in line with the rules laid down by society and the law. We follow her journey through the judicial institution. Here, two ideas of justice and law collide.

A death in the family brings a man back to his family and his hometown in this drama. After his brother Alex goes missing under hazy circumstances, Pau gets the bad news that Alex has died after a successful suicide attempt. Pau travels to the village in Spain's Pyrenees mountains where he was born to break the sad news to his mother Merce; hoping to spare her feelings at a difficult time, he tells her that Alex was killed in an auto accident. As Merce mourns the death of her son, she and Pau set out to find Alex's friends and acquaintances and tell them of his sad fate. In their travels, they encounter Sara, Alex's girlfriend, who planned to move away to the city with him; Emil, an engineer who will be putting a highway through the town; Marta, Emil's daughter; and Toni, one of Emil's co-workers. Circumstances bring Pau and Marta together again when Emil disappears, and Marta finds herself searching for her father.

Agatha is a beautiful young woman from Romania who had a brief but passionate love affair with a French surgeon when he visited her country as part of a charitable medical team. Agatha has decided to come to France to rekindle their romance, but when she arrives in the city of Roubaix, she discovers he didn't take their relationship nearly as seriously as she did. With nowhere to go, Agatha is befriended by Mehdi, a cab driver who helps her find a place to stay. Mehdi is attracted to Agatha, and she returns his interest, but as it turns out Mehdi is already seeing someone -- Cecile, who is having an affair with Mehdi while involved with his close friend Marc. Hoping to move away from Roubaix with Agatha and start a new life, Mehdi gets a job as a bill collector, while Marc impulsively walks off his job and an angry Cecile gives him his walking papers.

First part of a "trilogy of modern times" (the second one is La Blessure, and third - La question humaine). Paria follows the path of two characters, Momo and Victor. Momo –remarkably played by Gérald Thomassin– lives in the streets, while Victor, on the edge of poverty, loses his apartment when he loses his job. Their destinies will come across during the night of the “millennium” which will be celebrated in a social pick-up bus.

In Algiers in 1993, while the civil war is starting, Mrs Osmane's tenants have to endure her bad temper. Her husband left her and the fear to lose her respectability haunt her. The former member of the Resistance during the Independence War persists in controlling the slightest moves of the households rather than struggle against her own frustrations. Learning her daughter is in love, the possibility of finding herself alone will push her to the limit: The symbolical Mrs Osmane "harem" is about to collapse.

Two women, angry Myope and happy Lunette (both played by Franssou Prenant), bounce ideas off each other in a small apartment, until Lunette fashions a story about Agathe (Cecile Garcia Fogel) and her husband Pierrot (Manuel Cedron), a one-time musician who now teaches gym. While the two love each other, they cannot communicate without quarreling.

Single mother Nadia is surviving on welfare while transport strikes are paralyzing France in December 1995. While watching the news, she recognizes the father of her child among the strikers and decides to go and search for him. But she has nowhere to go. The film, shot almost entirely at night, carries documentary qualities, part of which is due to the appearances of actual railroad workers in several group scenes.

This film deals with the aftermath of the Algerian war of liberation. Georges Montero, an Algerian-born Frenchman, manages an olive canning factory in Oran. He travels to Paris for a cataract operation. Marinette, his sister, and Belka, his friend and a recent immigrant, want him to return to France permanently. Friction develops between the two friends as Georges is pressured to sell his factory. Friendship developed between Georges and his surgeon, who as a French Arab has severed ties with his culture and country of origin.

A woman and her seven children live on a farm in Southern France. In spite of the hard work and the mediocre accommodation, their life would be a happy one, but for one person: the owner of the farm, an egotistic and authoritarian individual who is also the lover of the woman and the father of all her children. The farmer handles them as his property, uses them as cheap labour to work in the fields, and denies them the right to leave the farm. It is only the love of the woman for her children that allows them to endure their situation; but even for her, disenchantment has set in.

A young aristocrat is seduced by a young man who appeared to her in a dream one spring afternoon. Captive of this impossible love, the young girl is dying of melancholy. But the constancy of her love is stronger than death; she wins the pity of the judge of the underworld, manages to find her lover and come back to life. The opera "The Peony Pavilion" was composed in 1598 by the poet Tang Xianzu (1550-1617), one of the greatest playwrights of the Ming period. Of all the forms of Chinese opera that have followed one another since the 12th century, the kunqu is the one that best preserves the image of a classical art highly appreciated in educated circles for its musical, literary and gestural refinement.

A young aristocrat is seduced by a young man who appeared to her in a dream one spring afternoon. Captive of this impossible love, the young girl is dying of melancholy. But the constancy of her love is stronger than death; she wins the pity of the judge of the underworld, manages to find her lover and come back to life. The opera "The Peony Pavilion" was composed in 1598 by the poet Tang Xianzu (1550-1617), one of the greatest playwrights of the Ming period. Of all the forms of Chinese opera that have followed one another since the 12th century, the kunqu is the one that best preserves the image of a classical art highly appreciated in educated circles for its musical, literary and gestural refinement.