Friedrich, Pförtner im Krankenhaus
Old Baron
Hotelportier Xandl
Großfürst Michail Michailowitsch
Vinzenz Feuchtl
Alois
Charles Belleroy, Musikpädagoge und Manager
Opa
Franz
Diener
Franz
Anton
Melchior Folkner
Aloys Pirker
Diogenes
Adaptation of LYSISTRATA by Aristophanes
Kayser sen., ein Musikverleger
Franzl
Portier
Klaus
Onkel Strolz (scenes deleted)
The young ice skating talent, Liesl, lands a part in a new Revue at the Palast Theatre simply because she is confused with someone else. In reality, the roll was to be awarded to Lu Panther, the untalented girlfriend of the theatre's owner, Wildner. After a series of accidents and little disasters, Wildner shuts down the theatre before the Revue can take place. But the Revue's director, Ernst Eder, decides shortly thereafter to present the Revue on an ice skating rink belonging to Liesl's uncle. After a successful run, at first at the Wiener Prater, the performers move on to Spain, Hungary, and a night club with a Jazz orchestra. The Revue becomes a huge success ... and, of course, Ernst and Liesl end up together, too.
Pfandleiher
Puck Niklas (Jenny Jugo) loves her husband Peter even though her brother thinks he's a no-good. She's very charming and a bit crazy and does everything to help him get an engagement as an architect. Opportunity comes knocking in the form of factory owner Walter Baumann (Willy Fritsch) who sees through her trickery but at the same time charmed by her, he gives her Peter the job. Soon Walter finds out
Lehrer Stockhammer
President Ottokar Frühwirt
Jacob
Melodrama about an actress falling in love with a man who wants her to give up her job.
Hartenau
Orgelbauer
Theaterdirektor Knopp
The two stars of an upcoming operetta performance quarrel constantly. but they also fall in love with each other.
Fürst Paul
Tundler
Operetta (German: Operette) is a 1940 musical film directed by Willi Forst and starring Forst, Maria Holst and Dora Komar. The film was made by Wien-Film, a Vienna-based company set up after Austria had been incorporated into Greater Germany following the 1938 Anschluss. It is the first film in director Willi Forst's "Viennese Trilogy" followed by Vienna Blood (1942) and Viennese Girls (1945). The film portrays the life of Franz Jauner (1832–1900), a leading musical figure in the city. It is both an operetta film and a Wiener Film.
Fritz, Kellner
In 1910, the landlord's daughter Agnes from the Steiermark gets to know the diplomat Hans. They have a short love affair and then part from one another. Hans gets sent to Beijing, where he marries and American and has a son with her. Agnes, too, has a son by Hans and moves to Vienna, where she works in a restaurant. She is still in love with Hans ...
Rudolf Gerlach
Florian Brunnhuber
Eduard von Lamberg
After the operetta of the same name of Richard Heuberger in 1890-1914 all kinds of situation comic from happy-go-lucky Vienna of the turn of the century, the time of the first cars and the absurd bath costumes: Husbands in the Chambre Separee, her little dizziness and mistake plays, the tumultuous whirl of a grand ball... - A high-spirited comedy at considerable entertainment level.
Herr Ameiser
Gotthelf Matthias
Lämmle
Ludwig Tomasoni, Cafetier
A love story based in Munich in 1852: An Austrian officer belonging to the nobility has the mission of ensuring the young Kaiser Franz Joseph doesn’t endanger his future marriage to Princess Elisabeth by his acquaintanceship with the daughters of a coffee-house owner.
Hausportier
A GIRL YOU DON'T FORGET can be thought of as a backstage musical that treats the whole world as backstage. Melodies seem to be buzzing through the air, available to anyone in the right state of mind. Willi Forst always is, and he is also an actor who can transform any space into a stage. Fritz Kortner, one of the defining personalities of the German theatre scene of the 1920s, makes the most of his star’s talent in an intricately constructed romantic comedy that believes in the truth of artifice. Forst plays Paul Hartwig, a wannabe actor who is reduced to selling books in the cold streets of Berlin. While pursuing his big break, he meets Lisa Brandes (Dolly Haas), another victim of the global financial crisis who has just learned a new trick: cheating horny old men out of their money by selling promises she does not intend to keep. Dedicated theatre man Paul decides to win her over by putting on an act, but a misplaced slap leads to unintended consequences. - Lukas Foerster