Teco Celio

A drama set on New Year’s Eve 1999 in a luxurious hotel in the Swiss Alps where the lives of various guests and those who work for them intersect.

A drama set on New Year’s Eve 1999 in a luxurious hotel in the Swiss Alps where the lives of various guests and those who work for them intersect.

A pensioner with many phobias realises one day that four million francs have been mistakenly deposited into his account. Instead of notifying the bank, he makes an unexpected decision: he withdraws the money and flees on his moped.

Biasutti and Perbellini have the same name, Fausto, and they both hate life in the big city. They meet by chance during a trip for amateur photographers, become friends and begin to cultivate together the dream of going to live in the countryside, keeping with the fruit of their efforts. When Biasutti inherits his grandmother’s old house in Valvana, in the hills of the north east, the dream can finally become reality: the welcome in the village, however, proves less warm than expected.

The uneventful encounter between Eva and Rainbow will give each of them a chance to reconcile with themselves and take revenge.

An international incident threatens to break out a war between major European powers that only an unlikely couple of bickering lovers seems able to stop.

예기치 않은 자동차 사고로 시작하는 영화는 중산층 아파트에 살고 있는 세 가구의 이야기를 이리저리 구불구불 따라간다. 영화의 절반에서 5년이 지나가고, 다시 절반에서 5년이 지나간다. 그들은 자신들의 잘못에 용서를 구하기 위해 10년을 보내면서, 누구는 용서를 받고 누구는 받지 못한다. (제26회 부산국제영화제)

Benno and Allegra: he's over fifty, English, and drinks like a fish; she's twenty years younger, a travel blogger with lots of imagination. They both live off their lies and have no intention of stopping now. Next-door neighbors who had never met until the day he wound up on the wrong landing, and nothing would ever be the same. Sheer chance leads this odd couple on a flight towards lost or forgotten places, where their mutual support makes for self-discovery.

Ever since, at the age of six, Dario Cavalieri saw live images of the first moon landing, he has never stopped wanting to go there. Mario Cavalieri runs a neighborhood hardware store in Rome, until the day his existence is upset by the phone ring. His brother Dario is in prison. Mario finds himself being the only one who can take care of that brother he has seen only once in his life. The two brothers, as physically similar as they are different in character, will find themselves alone in the face of an impossible undertaking.

가난하게 살아가던 목공 제페토 할아버지는 멋진 꼭두각시를 만들어 돈을 벌 계획을 세운다. 나무를 구해 꼭두각시를 만들던 할아버지는 깜짝 놀란다. 나무 인형에게서 심장이 뛰는 소리가 들리고, 움직이기 시작한 것이다. 제페토 할아버지는 ‘피노키오’라는 이름을 지어주고, 아들로 삼기로 한다. 하지만 호기심이 많은 피노키오는 말썽만 부리며 할아버지를 걱정만 하게 만들고, 심지어 학교 책을 팔아 인형극 구경을 가게 되는데…!

Paola, a modern woman used to the hardships of modern life, takes her chance to make things right for herself.

During the evaluation of a plot of land, surveyor and distressed single mother Lucia meets a woman who claims to be Mary, the Mother of God.

A 27-year-old guy from a peripheral Roman suburb leads a normal but repetitive life: his conscience manifests in the form of an armadillo with whom he has conversations bordering on paradoxical during which he updates him on what's happening in the world. Based on the best-selling graphic novel.

The suicide of a prominent wine producer unleashes a series of mysterious murders.

Enrico Giusti works for a big corporation: his job is to save dying companies by persuading young scions to sell. However, his latest assignment is proving more difficult than anticipated, since it concerns two teens whose parents just died in a car accident.

60-something Henri meets 50-something Lila, and sparks fly - until they both must reconcile their very different lives and backgrounds.

Ambulance-chasing lawyers takes on the case of a convicted murderer who, just being released after doing 27 years in jail, claims he was innocent.

After twenty years, five high school classmates meet again at Daniele's wedding, the only one who has built a career for himself. During a long weekend in Switzerland, the five friends rediscover the affection and complicity of the past, and they get a chance to straighten out their destinies. A whirlwind of misunderstandings will bring down their shaky balances, and they'll all find the courage to put themselves on the line and start their lives afresh

Paolo, 40 years old, lives in a small Friulian town close to the north-eastern border. Unreliable and with a passion for good wine, he spends his days at the local tavern and stubbornly stalks his ex-wife.

Cetto and its city council were arrested, but in prison the conspiratorial former mayor makes no earning name as the gratitude of the powerful secretary. These decide to replace some MPs mysteriously killed precisely with Cetto and two other characters: Rodolfo Favaretto and Frengo Stop

Now in the Far North (i.e. Milan!), Alberto has accepted to manage a program for efficiency improvement in the Italian Post. He devotes all his time and all his energy to this noble task and neglects his wife Silvia, which of course annoys her beyond limits. Things do not fare much better in Castellabate where it is rather Maria, Matta's wife, who gets on his nerves by always blaming him for his lack of ambition. One day, due to a misunderstanding, Mattia is transferred to... Milan! And on whose doorstep does he land? Alberto's of course!

The story of the latest week on the earth before the announce of the landing of an extraterrestrial society on earth seen by the eyes of a misogynist man with only the desire solitude and routine.

교황의 급사로 새로운 교황을 선출한다. 새로운 교황 멜빌은 선언 연설(HABEMUS PAPAM)을 거부하고, 바티칸 교황청서 도망친다. 당황한 교황청 대변인은 경비병에게 교황 행세를 대신하게 한다. 잃어버린 시간을 찾아 나선 교황은, 진실한 소망과 소명의 참다운 가치를 발견한다. 전세계인들이 고대해 온, 진정한 휴머니티와 감동이 이제 시작된다!

Marco Ferretti is an Italian manager who is young and beautiful, but he cannot stand the presence of women after a difficult affair. When Marco goes to London for an appointment, he meets four beautiful girls who disrupt his life with love.

Five ordinary people disaffected with traditional politics -- a perennial temp, a docker, a university professor, a TV reporter, and a convict -- kidnap an elected politician and plan to donate the ransom money to the family of a blue-collar worker who died on the job.

Alberto (Claudio Bisio), post office manager of a small town in Brianza, under pressure of his wife Sylvia (Angela Finocchiaro), is willing to do anything to get the transfer to Milan. Even pretending to be disabled to climb in the ranking. But the trick does not work and as punishment, he is transferred in a small town in Campania, which to an inhabitant of the north is equivalent to a nightmare ...

Matteo, a boy from the city, goes to visit his grandfather in a secluded mountain village, where preparations for a local ancient festival are under way. Matteo spends the eve of the festival with Lidia and three other boys from the village. The group of kids begins a dangerous game, bringing up obscure mysteries that are rooted in the past of that mountain valley. Matteo thus goes through a sort of initiation, at the end of which he is able to exorcise his fears, but only after becoming uncomfortably conscious of the existence of evil.

Set in Genoa, the film concerns the financial struggles and emotional strain that occur after Michele loses his job. He and his wife Elsa are forced to give up their affluent lifestyle and cope with the tensions of moving into a smaller home, finding new work, and making sacrifices.

Having faced the reality of his failed career as a punk rock musician, 36-year-old Stefano Nardini returns home to his family in the small-town North.

London-based Italian Antonio bets on everything, from the lottery to horses and soccer matches without ever winning or losing the hope of winning; so convinced that his luck is going to turn that his betting companions have started to call him "Win tomorrow". One day Antonio notices that he's being followed by a suspicious looking stranger, well - dressed and obviously rich. This happens frequently, causing Antonio to become very concerned. Alarmed, he tells wife and gambling companions about the situation, but they all just make fun of him, convincing him he's the victim of his imagination.

Set in Milan, where people's lives are invisibly lead by money in its different shapes: too much, too little, stolen, earned, visible and even impalpable. The money flows from one story to the next, from one person to the other, becoming the engine of the film.Everything moves around two antagonist characters: Ugo and Rita. Ugo is a banker involved in a not really clean business. Rita, the Finance Police officer, is a strong and obstinate woman in charge of capturing Ugo. Other characters wander around them, with their weaknesses and fragility, their goodness, their evil and their contradictions. Characters meet, clash, love and hate each other, their lust for money becomes intense feelings.

Enrico, Carlo, Davide, Cinzia, Elisa. Three Saturdays in the life of a group of friends in a quiet town in Piedmont. One night in November, one in December close to Christmas, the third in February. A look at their lives and their daily problems, more or less important, which will lead someone to make even an extreme gesture.

This is an important day for Marc Chanois, an insurance advisor heading toward middle age: it's his fiancée Sabine's birthday, her parents arrive in Paris and Marc will meet them for dinner to announce the engagement (her father can't stand him), he's bought Sabine a Spitfire, and his most important client is to sign a policy. But, as the day wears on, he's vexed by an incompetent secretary, the unexpected return of a girlfriend he hasn't seen in five years, squatters who use his office at night, the jealous former lover of a flight attendant who lives in the building, and his boss's unexpected return from a Swiss clinic. Will he reach Sabine in one piece?

Othilie spends her vacations with her uncle Antoine, an old lonesome bear. In charge of a regional park, Antoine lives a long way from Paris, in company of the shepherd Tambourin, whose frightening face hides the innocence of a new-born child. Since the arrival of Othilie, odd things happen. A slaughtered sheep is found and weird howls are sounding through the night. The wolves are not far away.

Although liberated from Auschwitz on January 27, 1945, Levi did not reach Turin until October 19 of that year. After spending some time in a Soviet camp for former concentration camp inmates, he embarked on an arduous journey home in the company of Italian former prisoners of war from the Italian Army in Russia. His long railway journey home to Turin took him on a circuitous route from Poland, through Russia, Romania, Hungary, Austria and Germany.

One of puppet-maker Geppetto's creations comes magically to life. This puppet, Pinocchio, has one major desire and that is to become a real boy someday. In order to accomplish this goal he has to learn to act responsibly. This film shows you the adventures on which he learns valuable lessons.

Marie has had a tough childhood ever since her mother Elisa committed suicide. She has spent most of her life in an orphanage and now makes a living as a small time criminal in Paris. Now she wants to unravel her past and find her father whom she blames for her mother's death.

발렌틴은 스위스의 제네바 대학 학생이며 패션모델로 활동한다. 그녀의 이웃에는 오귀스트라는 법대생이 살고 있는데 두 사람은 빈번하게 지나치면서도 서로의 존재를 인식하지 못한다. 어느날 패션쇼를 마치고 귀가하던 중 발렌틴은 개를 치는 교통사고를 내게 된다. 개의 목에 달린 인식표의 주소지로 찾아가지만 개 주인인 노인은 냉담한 반응을 보인다. 개를 치료하여 다시 찾아갔을때 발렌틴은 노인이 남의 집 전화를 도청하는 기벽이 있다는 걸 알게 되고 혐오감을 느끼게 되는데...

Sentenced to ten years in prison for a murder he did not commit, Gaëtan Lantier has just been cleared thanks to the confession the real criminal made before he died. Back in Bellefontaine, his village, the good man is the host of a party organized in his honor. As a gift, the mayor and the inhabitants give him a magnificent hunting rifle. At first disconcerted, Gaëtan pulls himself together and tells the audience that his years of imprisonment give him the right to kill the biggest bastard in the village. Most of the inhabitants have something to reproach themselves with and fear being taken for the silhouette, the one who witnessed the murder but never made himself known, even though his testimony would have cleared Gaëtan. Fear invades Bellefontaine and everyone tries to coax Gaëtan with attentions and gifts.

A journalist is assigned to interview an eccentric anthropologist who has exhumed the skeleton of Jörg Jenatsch, a revered freedom fighter who was mysteriously murdered in 1639. Initially disinterested, the journalist begins to uncover unflattering truths about the national hero and experiences visions in which he seems to be witnessing events that transpired over 300 years ago. As he obsessively pursues the investigation, his personal life and his grip on reality disintegrate, drawing him relentlessly toward the fatal carnival at which Jenatsch was killed.

Madeleine, who runs a disco on the French-Swiss border, dreams of going to Paris to pursue a singing career. Her lover, Paul, who makes his living smuggling money, gold and goods across the border, plans to emigrate to Canada. Mali, a pretty young Algerian woman who lives in France and works in Switzerland, would like to be anywhere except where she is. Louis, born on a Swiss farm and trained as a clockmaker, would give anything to leave his mistress, Lucie, and move in with Mali.

Set amid the European community in an unspecified North African country, a colony on the verge of nationalism just before the war. And colonized is what happens to a French diplomat, Julien Rochelle, when he meets the mysterious beauty Clothilde de Watteville. Schmid 's favorite axiom, that love is projection, never had such a thorough airing. Is Clothilde really the wife of a French official now holed up in Siberia? Or is she Hecate, goddess of black magic and devourer of the Arab boys she meets far from the European quarter? Only our projections know for sure; for the rest, she is a "woman looking out into the night." Drawn from a novel by Paul Morand, who based the main character on his wife Helene, Schmid's film achieves an atmosphere of magic in which psychological credibility is not so much absent as irrelevant-a film that distances itself from the drama it invokes, perhaps as the elusive Clothilde turns her back on the madness she provokes.