Więcej światła. Festiwal operatorów filmowych Camerimage '97

Mort Rifkin e sua esposa Sue viajam para a Espanha para acompanhar o Festival Internacional de Cinema de San Sebastián. Na cidade, Mort passa a desconfiar que Sue pode estar tendo um caso com um atraente cineasta francês, enquanto ele mesmo se encanta por uma jovem espanhola, o que acaba influenciando consideravelmente a dinâmica do casamento deles.

Filip Mosz é um operário que resolve comprar uma filmadora 8 mm para registrar os primeiros dias da filha recém-nascida. No entanto, o que era para ser apenas um hobby se torna uma obsessão. Mosz começa a filmar tudo e todos. Pessoas do cotidiano transformam-se em "astros" de suas produções. Mas não tarda para que o "operário-documentarista" se depare com dilemas éticos, que trarão sérias consequências para ele e sua família.

Spain, 1970s. A Clockwork Orange, a film considered by critics and audiences as one of the best works in the history of cinema, directed by Stanley Kubrick and released in 1971, was banned by the strict Franco government. However, the film was finally premiered, without going through censorship, during the 20th edition of the Seminci, the Valladolid Film Festival, on April 24, 1975. How was this possible?

A publicitária Odile tenta promover um novo filme de terror em Cannes. O filme conta a história de um assassino com uma máscara de solda que mata usando um martelo e uma foice. Quando um verdadeiro assassino com o mesmo modus operandi começa a eliminar os projecionistas, tudo vira de pernas pro ar.

Numa viagem de trabalho ao Festival de Cannes, Jeon Manhee (Minhee Kim) é demitida por sua chefe, que não revela o real motivo da demissão. Ao mesmo tempo, Claire (Isabelle Huppert), uma professora que sonha em trabalhar como poeta, sai pelas ruas tirando fotos em sua câmera Polaroid. Essas duas mulheres se conhecem e tornam-se amigas. Por acaso, as imagens de Claire ajudam Jeon a compreender melhor o momento pelo qual está passando.

Delightfully comic exploration of the emotional and social geography of an art-house film director.

A Chinese Superstar attends the Berlin Film Festival. Soon she finds out that sometimes reality can be far more frightening than any Hollywood script.

Contado pelos olhos de um repórter de televisão australiano que se mudou para o Reino Unido para escapar da depressão, aprendemos que às vezes você pode encontrar a felicidade onde menos espera. Acompanhamos a jornada de 3 personagens no clube: a treinadora lésbica lutando contra a misoginia, até mesmo no mundo gay. O jogador semi-profissional que entrou em depressão após sua saída não saiu como planejado. E o suporte que descobriu que era uma drag queen pelo clube.

Walt Disney said “We have created characters and animated them in the dimension of depth, revealing through them to our perturbed world that the things we have in common far outnumber and outweigh those that divide us.” Outside of Walt himself there are few people who have brought together and united more animators in the history of the genre than Craig "Spike" Decker and Mike Gribble, known to all as Spike & Mike. They created an animation festival that helped launch the careers of John Lasseter, Peter Lord, Will Vinton, Bill Plympton and Mike Judge to name just a few. Their Spike & Mike festival had an enormous impact on animation that was felt the world over. The festival was known as much for the breakthrough animation it presented as the outrageous antics of the founders.

Um jovem que nunca conviveu com sua família na infância, se encontra perdido, e tendo que enfrentar seu problemas e dores interiores, quando surge a oportunidade de finalmente ser parte de uma família.

Sci-Fi Horror has led us into the depths of fear and back again, from the mundane to the fantastical. It's the fear of the unknown, the fear of the depths of space, and the fear of where our technology will lead. Here, the winners of Nyx Horror Collective's 13 Minutes of Horror 2022 60-Second Film Challenge lead you through the wicked, the weird and the worrisome all within one terrifying minute. =

A short documentary about the rapidly disappearing era of heritage movie palaces and the film going experience once offered within those hallowed walls.

Uma análise profunda sobre a carreira do polêmico crítico espanhol Carlos Boyero e as mudanças vividas pela crítica cinematográfica como gênero na era das redes sociais.

Going into my interview with Laurel Greenfield, I thought the majority of our conversation would be about her inspiration for painting food and why she chose to pursue painting as a career. We spoke about that but ended up having a much bigger conversation about pursuing a creative career. We talked a lot about finding the balance between having a business plan and taking a leap of faith into the unknown, something anyone pursuing a creative field on their own can relate to.

A journey of years through many countries and film festivals; a nostalgic, adrenaline-fueled and rock-spirited immersion into the universe of cinephilia, in search of genre specialists, fans and filmmakers who speak of their shared passion for fantastic cinema; a whole international spiritual community united under the cathartic shadow of horror.

The Midnight Sun Film Festival is held every June in the Finnish village of Sodankylä beyond the arctic circle — where the sun never sets. Founded by Aki and Mika Kaurismäki along with Anssi Mänttäri and Peter von Bagh in 1985, the festival has played host to an international who’s who of directors and each day begins with a two-hour discussion. To mark the festival’s silver anniversary, festival director Peter von Bagh edited together highlights from these dialogues to create an epic four-part choral history of cinema drawn from the anecdotes, insights, and wisdom of his all-star cast: Coppola, Fuller, Forman, Chabrol, Corman, Demy, Kieslowski, Kiarostami, Varda, Oliveira, Erice, Rouch, Gilliam, Jancso — and 64 more. Ranging across innumerable topics (war, censorship, movie stars, formative influences, America, neorealism) these voices, many now passed away, engage in a personal dialogue across the years that’s by turns charming, profound, hilarious and moving.

Mulheres aposentadas da Espanha, Uruguai e Argentina, têm o hábito de ir ao cinema todos os dias. Para elas, os filmes não são apenas um entretenimento, mas também um lugar onde podem aliviar a solidão e esquecer a passagem do tempo.

After the film screening, five people hold a meeting. Director Jeong asserts that a film should move the heart. Actress Soo-yeon emphasizes on the message of the film, Film critic Tony just discusses about the current trend of Korean cinema. Tomiyama cannot fully express her thoughts because of the language barrier. And, the head of jury, Sung-ki can’t control the situation. Will this jury reach an agreement against all odds? A satire for those who make, watch, and criticize films is about to begin.

As Alex struggles with disturbing hallucinations, his wife Vera tries to help, until they both experience their own profound revelations.

Óscar Peyrou is a veteran Spanish film critic who writes his reviews according to a very peculiar method: in his opinion, it is not really necessary to watch the films since it is possible to judge them simply by looking at their promotional poster.