Więcej światła. Festiwal operatorów filmowych Camerimage '97

The story of a married American couple who go to the San Sebastian Film Festival. They get caught up in the magic of the festival, the beauty and charm of Spain and the fantasy of movies. She has an affair with a brilliant French movie director, and he falls in love with a beautiful Spanish woman who lives there.

Filip buys an 8mm movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen when he is sent to regional film festivals with his first works but his focus on movie making also leads to domestic strife and philosophical dilemmas.

Spain, 1970s. A Clockwork Orange, a film considered by critics and audiences as one of the best works in the history of cinema, directed by Stanley Kubrick and released in 1971, was banned by the strict Franco government. However, the film was finally premiered, without going through censorship, during the 20th edition of the Seminci, the Valladolid Film Festival, on April 24, 1975. How was this possible?

A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.

만희는 칸 영화제 출장 중에 부정직하다는 이유로 일자리에서 쫓겨난다. 클레어라는 여자는 선생인데 거기서 폴라로이드 카메라로 사진을 찍고 다닌다. 그러다 만희를 만나 그녀의 사정에 공감하게 된다. 클레어는 마치 여러 가능성의 만희를 미리 혹은 돌아가서 볼 수 있는 사람인 듯 하고, 그건 칸 해변의 신비한 굴을 통해서 그렇게 할 수 있을 것이다.

영화제에 심사위원으로 초청된 구경남. 프로그래머 공현희를 비롯한 영화인들과의 술자리를 핑계삼아 심사는 뒷전이다. 의무적인 영화관람이 계속되던 중 우연히 만난 오래전 절친 부상용을 만나고, 그의 집으로 향한다. 어김없이 벌어진 술자리는 부상용의 아내, 유신으로 인해 묘한 분위기로 마무리되고, 다음날 구경남은 뜬금없이 파렴치한으로 몰린채 도망치듯 제천을 떠난다. 제주도에 특강을 가게 된 구경남. 학생들과의 뒤풀이 자리에서 선배인 화백 양천수를 만나 다음날 그의 집으로 동행한다. 그는 양천수의 아내가 자신이 연모했던 후배 고순임을 알게 되고, 그녀는 구경남에게 은밀히 쪽지를 건넨다. 이 후, 고순을 다시 찾은 구경남. 두 사람은 불장난 같은 관계 중, 우연히 들른 동네주민 조씨에게 현장을 들키고 마는데….

A Chinese Superstar attends the Berlin Film Festival. Soon she finds out that sometimes reality can be far more frightening than any Hollywood script.

Told through the eyes of an Australian news reporter, Eammon Ashton-Atkinson, who moved to the UK to escape depression, the documentary, follows 3 characters on their journey to overcome their struggles as the club competes against 60 other gay clubs in the Bingham Cup in Amsterdam – the World Cup of gay rugby.

Walt Disney said “We have created characters and animated them in the dimension of depth, revealing through them to our perturbed world that the things we have in common far outnumber and outweigh those that divide us.” Outside of Walt himself there are few people who have brought together and united more animators in the history of the genre than Craig "Spike" Decker and Mike Gribble, known to all as Spike & Mike. They created an animation festival that helped launch the careers of John Lasseter, Peter Lord, Will Vinton, Bill Plympton and Mike Judge to name just a few. Their Spike & Mike festival had an enormous impact on animation that was felt the world over. The festival was known as much for the breakthrough animation it presented as the outrageous antics of the founders.

Evan, an orphaned 22-year-old who grew up in the foster care system, buys a vintage 8mm camera in a yard sale from an elderly man, ends up with reels of the man's old home movies, and begins to live vicariously through these home movies.

Sci-Fi Horror has led us into the depths of fear and back again, from the mundane to the fantastical. It's the fear of the unknown, the fear of the depths of space, and the fear of where our technology will lead. Here, the winners of Nyx Horror Collective's 13 Minutes of Horror 2022 60-Second Film Challenge lead you through the wicked, the weird and the worrisome all within one terrifying minute. =

A short documentary about the rapidly disappearing era of heritage movie palaces and the film going experience once offered within those hallowed walls.

Carlos Boyero is one of Spanish cinema's most followed and feared figures. Controversy has hounded him since he published his first article more than forty years ago, and he has remained in the eye of the hurricane ever since. Is he the last representative of a disappearing time? Has social media put an end to the traditional influence of the critics. Taking the background and personality of this very controversial figure as its basis, El crítico / The Critic will also endeavour to reflect on the enormous changes taking place in Spain in the field of film criticism.

Going into my interview with Laurel Greenfield, I thought the majority of our conversation would be about her inspiration for painting food and why she chose to pursue painting as a career. We spoke about that but ended up having a much bigger conversation about pursuing a creative career. We talked a lot about finding the balance between having a business plan and taking a leap of faith into the unknown, something anyone pursuing a creative field on their own can relate to.

A journey of years through many countries and film festivals; a nostalgic, adrenaline-fueled and rock-spirited immersion into the universe of cinephilia, in search of genre specialists, fans and filmmakers who speak of their shared passion for fantastic cinema; a whole international spiritual community united under the cathartic shadow of horror.

The Midnight Sun Film Festival is held every June in the Finnish village of Sodankylä beyond the arctic circle — where the sun never sets. Founded by Aki and Mika Kaurismäki along with Anssi Mänttäri and Peter von Bagh in 1985, the festival has played host to an international who’s who of directors and each day begins with a two-hour discussion. To mark the festival’s silver anniversary, festival director Peter von Bagh edited together highlights from these dialogues to create an epic four-part choral history of cinema drawn from the anecdotes, insights, and wisdom of his all-star cast: Coppola, Fuller, Forman, Chabrol, Corman, Demy, Kieslowski, Kiarostami, Varda, Oliveira, Erice, Rouch, Gilliam, Jancso — and 64 more. Ranging across innumerable topics (war, censorship, movie stars, formative influences, America, neorealism) these voices, many now passed away, engage in a personal dialogue across the years that’s by turns charming, profound, hilarious and moving.

스페인, 우루과이, 아르헨티나에 사는 세 명의 은퇴 여성들의 삶에 관해 이야기한다. 그들이 매일같이 영화관에 가서 접하는 영화 속 이야기는 마치 물방울이 떨어지듯 그들 삶에 파문을 일으키고, 그들 기억에 흔적을 남긴다.

영화제 심사를 위해 다섯 명의 심사위원이 모인 자리. 영화는 마음이라고 말하는 정감독, 마음 보다는 메시지를 강조하는 강수연, 한국영화의 경향을 비판적으로 논하는 토니, 서투른 영어 때문에 생각을 제대로 전달하지 못하는 토미야마, 그리고 이들 사이에서 갈팡질팡하는 심사위원장 안성기. 영화제 심사를 위해 모인 다섯 명의 심사위원들의 묘한 갈등은 극에 달하고 결국 서로의 감정이 폭발하는 영화제 사상 초유의 사태가 발생 하는데…

As Alex struggles with disturbing hallucinations, his wife Vera tries to help, until they both experience their own profound revelations.

Óscar Peyrou is a veteran Spanish film critic who writes his reviews according to a very peculiar method: in his opinion, it is not really necessary to watch the films since it is possible to judge them simply by looking at their promotional poster.