Pai e filho (2003)

Em Paris, o amor está por todos os lugares. Está nos bares, nos cafés, na Torre Eiffeil, até no metrô que circula abaixo de suas ruas. Paris, Te Amo é uma declaração à Cidade Luz através dos olhos de alguns dos maiores diretores do mundo incluindo Walter Salles ,os Irmãos Coen, Alfonso Cuarón, Wes Craven. Cada um retrata, de um jeito ou de outro, a alegria, a separação, os encontros inesperados e acima de tudo o amor.

Tenoch e Julio são dois adolescentes de 17 anos que são controlados pelos seus hormônios e desejam se tornar adultos rapidamente. Em uma tarde festiva eles encontram Luisa, uma garota espanhola 11 anos mais velha que eles e que é casada com o primo de Tenoch. Eles a convidam para uma viagem à praia de Boca del Cielo, convite este inicialmente recusado e posteriormente aceito, após Luisa receber uma desagradável notícia. Porém, tanto Julio quanto Tenoch não conhecem o caminho até a praia e nem mesmo se ela realmente existe, fazendo com que os três se aventurem em uma viagem onde inocência, sexualidade e amizade irão colidir.

Marco é um cara pouco otimista, que pelas vicissitudes da vida, torna-se treinador de um time de basquete formado por crianças com deficiência. Relutantemente inicia a tarefa, mas o que começa como trabalho forçado, acaba ajudando-o a sair de sua crise existencial.

Um conto premonitório sobre as relações entre uma espécie superior e o seu inferior caído em desgraça. Banido e traído, "o melhor amigo do homem" revolta-se contra o seu antigo mestre.

Derek DelGaudio, um homem que luta para ver através da ilusão de sua própria identidade, apenas para descobrir que a própria identidade é uma ilusão. Uma exploração íntima e poderosa do que significa ser e ser visto e uma crônica da tentativa de responder à pergunta: "Quem sou eu?

In her search for answers, 17-year-old Haru sets out on a long journey across the country to the town where, in 2011, the devastating tsunami swept away her brother and parents. This road trip takes the young woman, who is still haunted by her loss, from Hiroshima to Tokyo and Fukushima and all the way to Ōtsuchi, where her family home once stood. On the way she encounters other people, other stories, other lives and other losses. Landscapes and faces. The journey ends in the middle of a garden in full bloom among the scarred surroundings of her coastal hometown.. In it stands a telephone box which, even though it is no longer connected, is used to speak to those who cannot be reached any other way.

Bird droppings on a work shirt lead to extreme unintended consequences.

Um pai e seu filho, Aleksei, moram juntos em um apartamento no topo de um telhado em uma cidade à beira-mar não identificada. O Pai é um veterano e Aleksei freqüenta a escola militar para estudar medicina. Eles viveram sozinhos por anos em seu próprio mundo privado. Às vezes eles parecem irmãos. Às vezes, até mesmo como amantes. Apesar de saber que todos os filhos devem viver um dia suas próprias vidas, Aleksei está em conflito. O pai sabe que ele deveria aceitar um trabalho melhor em outra cidade, talvez procure uma nova esposa.

Since her parents passed away, Princess Mona lives by herself in a castle with two hideous, ghastly characters, Goomi and His Lordship. One day her sobs draw the attention of a unicorn, called U, who wants to comfort and protect Mona for as long as she needs. U becomes Mona's companion, her confidant and her inseparable friend. While Mona grows into a beautiful princess, a group of charming, peaceful and fanciful Yeah-Yeah’s settles in the neighboring forest. They have no particular special powers, yet they soon bring about major changes in everyone's lives, especially in Kulka, the dreamy musician.

By Tanuj Nath

The action in this lavishly produced film takes place at an oddly ark-shaped mansion during World War I, and in spirit (although not in story) it reflects the play which inspired it, the ferociously antiwar Heartbreak House by George Bernard Shaw. A large group of family and friends have gathered at this country house to dance, drink, and converse. Their conversation, in particular, is adorned with erudite literary references and quotations. Despite their apparent refinement, their preoccupations are simple: sex and violence. Disquieting images break the tranquility of the vacationers' inappropriate idyll: some of these include documentary footage of starving African children, images (both real and re-enacted) of George Bernard Shaw going about his daily life, and a corpse coming to life on an autopsy table, only to cheapen that miracle by scolding a group of women. The music used in the film ironically points to its disturbing message and is uniformly anachronistic.

Los desafíos presents three separate stories that are linked by an American presence in Spain in the 1960s, with Dean Selmier playing the role of the American male in all three.

An update to Steve Cutts' original film "MAN" with "In the Hall of the Mountain King" by Edvard Greig as music.

The war is over. Once a young sculptor, and now a soldier, he returned home. Married, there were children. In search of work, he was hired to make grave monuments. Time passed... At one time, visiting a cemetery with friends, he saw with different eyes all his work done over the years...

At a big party, Roger Fallon, now a woman-hater, right to the core - this all due to a failed marriage and disastrous love affairs - talks to Herbert Drake. Herbert who is happily married, bets Fallon that the next woman who walks into the room, whoever she is, won't let Fallon kiss her for 48 hours. Fallon takes the bet. Suddenly, a very beautiful and sexy woman walks in. It's Herbert's wife, Jeanne Drake...

Two couple leave Kathmandu to go the village where a lot of conflict happen.

When a lonely, intrusive man inserts himself into their business, Jenny and Andy's relationship gets even more complicated.

This enticing period melodrama depicts a long-suffering woman's relationship with her brilliant but self-destructive writer husband in postwar Tokyo. Based on a semi-autobiographical 1947 novel by Osamu Dazai, the story centers less on the womanizing, heavy-drinking, suicidal hero than on the wife who loves him. Written by Palm Springs International Film Festival

Banned in the Soviet Union for its "negative" content and never released, Kalatozov was forced to retreat from filmmaking for seven years because of this film. The film sets out to illustrate the old adage, "For want of a nail, the battle was lost," showing how the inferior quality of something so trivial as a nail in a soldier's boot leads inexorably to the capture of an armored train. Kalatozov had intended to demonstrate the crucial and universal importance of efficiency in Soviet industry, but the government decided that his fable gave a negative impression of the Red Army's capabilities.

Lithuania, 1977. Memories of childhood, adolescence, and first love in a small provincial town, shown through complexity of human relations at this periodical film.