Ryouichi Nakano

Continuación directa de Promare: Galo-hen, ambientada un día antes de la película Promare. Hace 30 años, una nueva raza de mutantes con llamas apareció repentinamente, destruyendo una gran parte de la humanidad. Estos llamados «Burnish» han seguido apareciendo al azar, dejando un rastro de muerte y destrucción a su paso.

La Ley del Ciclo guía a las Puella Magi salvándolas de la desesperación, ¿pero siempre fue así? Madoka Kaname, la que una vez fuera una chica normal y corriente que vivía los días más felices de su vida, sacrificó su propia existencia para romper la cadena que ataba a todas las Puella Magi a un destino cruel. (FILMAFFINITY)

Shiki "El León Dorado" que desea traer el infierno a la Tierra es el unico hombre que ha escapado de la gran prisión Impel Down. Justo después de su salida de Thriller Bark la Tripulación del Sombrero de Paja y Shiki entra en un enfrentamiento, Shiki secuestra a Nami, entonces Luffy y sus compañeros se embarcan en su búsqueda.

Birdy, or Shion Arita, gets a new assignment in Kobe where Sayaka Nakasugi live now. Tsutomu Senkawa is worried about her, so Birdy decides to pay her a visit. However, they are not the only one interested in Nakasugi.

Inspired by British director Mike Leigh's 'Secrets and Lies', the film was shot using a script with "no dialogue, only scene breaks", believing that "just by seeing two people in a situation, you can understand the situation and the feelings of the characters, rather than trying to explain them in a bad way". The actors were given only the events and situations and asked to move freely in the rest of the film. The actors did not try to speak excessively but instead tried to convey the psychology of the moment by performing everyday actions such as eating, washing the bowl, cleaning and sleeping in a restrained tone, and they succeeded well. The fixed-point cameras in several locations inside the house also play a major role in carefully following the small changes that occur in real life.

Inspired by British director Mike Leigh's 'Secrets and Lies', the film was shot using a script with "no dialogue, only scene breaks", believing that "just by seeing two people in a situation, you can understand the situation and the feelings of the characters, rather than trying to explain them in a bad way". The actors were given only the events and situations and asked to move freely in the rest of the film. The actors did not try to speak excessively but instead tried to convey the psychology of the moment by performing everyday actions such as eating, washing the bowl, cleaning and sleeping in a restrained tone, and they succeeded well. The fixed-point cameras in several locations inside the house also play a major role in carefully following the small changes that occur in real life.

Inspired by British director Mike Leigh's 'Secrets and Lies', the film was shot using a script with "no dialogue, only scene breaks", believing that "just by seeing two people in a situation, you can understand the situation and the feelings of the characters, rather than trying to explain them in a bad way". The actors were given only the events and situations and asked to move freely in the rest of the film. The actors did not try to speak excessively but instead tried to convey the psychology of the moment by performing everyday actions such as eating, washing the bowl, cleaning and sleeping in a restrained tone, and they succeeded well. The fixed-point cameras in several locations inside the house also play a major role in carefully following the small changes that occur in real life.