Key Animation
A second prequel set one day before the events of the Promare film.
Key Animation
Madoka Kaname, uma menina normal que tinha uma vida feliz se sacrificou para poder salvar as outras garotas mágícas de um destino cruel que aguardava por elas. Para evitar que suas lembranças sobre Madoka sejam apagadas, a garota mágica Homura Akemi continua lutando sozinha no mundo que Madoka deixou para trás, sonhando um dia em encontrar novamente com aquela que ao sorrir, lhe trazia muita nostalgia.
Key Animation
O East Blue está em crise? A notícia atinge os Chapéus de Palha ao longo de sua jornada. Com suas cidades natais enfrentando momentos difíceis, Luffy e seus amigos colocam suas aventuras em espera e decidem voltar para o East Blue, quando de repente um misterioso navio pirata aparece voando no céu. O homem que dirigi o navio não é outro senão o usuário de Akuma no Mi, Shiki “O Leão Dourado”, o mesmo lendário pirata que conseguiu escapar da grande prisão submarina Impel Down, e ficou entre os mais infames piratas como o “Rei dos piratas” Gol D. Roger e Barba Branca. Depois de sequestrar Nami por suas habilidades de navegação intuitivas, Shiki envia Luffy e sua tripulação hurdling para baixo a suas próprias ilhas flutuantes pessoais. Separando, a tripulação encontram-se então colocados em uma batalha de sobrevivência com feras terríveis em ambientes misteriosos.
Key Animation
Birdy, or Shion Arita, gets a new assignment in Kobe where Sayaka Nakasugi live now. Tsutomu Senkawa is worried about her, so Birdy decides to pay her a visit. However, they are not the only one interested in Nakasugi.
Assistant Director
Inspired by British director Mike Leigh's 'Secrets and Lies', the film was shot using a script with "no dialogue, only scene breaks", believing that "just by seeing two people in a situation, you can understand the situation and the feelings of the characters, rather than trying to explain them in a bad way". The actors were given only the events and situations and asked to move freely in the rest of the film. The actors did not try to speak excessively but instead tried to convey the psychology of the moment by performing everyday actions such as eating, washing the bowl, cleaning and sleeping in a restrained tone, and they succeeded well. The fixed-point cameras in several locations inside the house also play a major role in carefully following the small changes that occur in real life.
Inspired by British director Mike Leigh's 'Secrets and Lies', the film was shot using a script with "no dialogue, only scene breaks", believing that "just by seeing two people in a situation, you can understand the situation and the feelings of the characters, rather than trying to explain them in a bad way". The actors were given only the events and situations and asked to move freely in the rest of the film. The actors did not try to speak excessively but instead tried to convey the psychology of the moment by performing everyday actions such as eating, washing the bowl, cleaning and sleeping in a restrained tone, and they succeeded well. The fixed-point cameras in several locations inside the house also play a major role in carefully following the small changes that occur in real life.
Script
Inspired by British director Mike Leigh's 'Secrets and Lies', the film was shot using a script with "no dialogue, only scene breaks", believing that "just by seeing two people in a situation, you can understand the situation and the feelings of the characters, rather than trying to explain them in a bad way". The actors were given only the events and situations and asked to move freely in the rest of the film. The actors did not try to speak excessively but instead tried to convey the psychology of the moment by performing everyday actions such as eating, washing the bowl, cleaning and sleeping in a restrained tone, and they succeeded well. The fixed-point cameras in several locations inside the house also play a major role in carefully following the small changes that occur in real life.
