Ryouichi Nakano

プロメアの1日前を舞台にした前日譚

見滝原町に暮らす中学生のまどかは魔法少女。親友のさやか、先輩のマミ、隣町から転校してきた杏子とともに、人の悪夢が具現化した怪物・ナイトメアと戦い続けていた。そんなある日、まどかのクラスにほむらという転校生がやって来る。彼女もまた新たな魔法少女だった。5人となった魔法少女たちは、激しい戦いの一方で仲間との絆に充実した日々を送る。だがやがて、ほむらはあまりに理想的なこの世界に強い違和感を覚え始める。

2009年12月12日に公開された日本のアニメーション映画。漫画『ONE PIECE』を原作としたテレビアニメの劇場版第10作目。 「偉大なる航路（グランドライン）」での航海を続ける麦わらの一味のもとに、ルフィたちの故郷である「東の海（イーストブルー）」でいくつもの島が襲われているという衝撃的なニュースが飛び込む。一味は旅を中断して「東の海」へ戻ろうとするが、そこに空飛ぶ巨大な海賊船が現れた。その船に乗っていたのは、かつて海賊王ロジャーの時代に暴れていた伝説の大海賊金獅子のシキだった。 ナミの気象センスに目をつけたシキは、ナミを誘拐。ルフィたちはシキの能力によりサニー号と共に空飛ぶ島メルヴィユに落とされ、離散してしまう。メルヴィユは、凶暴な動物たちが住む弱肉強食の世界だった。奪われた仲間を取り戻すため、「東の海」を守るため、海賊王と鎬を削った伝説の男との戦いが始まる。

Birdy, or Shion Arita, gets a new assignment in Kobe where Sayaka Nakasugi live now. Tsutomu Senkawa is worried about her, so Birdy decides to pay her a visit. However, they are not the only one interested in Nakasugi.

Inspired by British director Mike Leigh's 'Secrets and Lies', the film was shot using a script with "no dialogue, only scene breaks", believing that "just by seeing two people in a situation, you can understand the situation and the feelings of the characters, rather than trying to explain them in a bad way". The actors were given only the events and situations and asked to move freely in the rest of the film. The actors did not try to speak excessively but instead tried to convey the psychology of the moment by performing everyday actions such as eating, washing the bowl, cleaning and sleeping in a restrained tone, and they succeeded well. The fixed-point cameras in several locations inside the house also play a major role in carefully following the small changes that occur in real life.

Inspired by British director Mike Leigh's 'Secrets and Lies', the film was shot using a script with "no dialogue, only scene breaks", believing that "just by seeing two people in a situation, you can understand the situation and the feelings of the characters, rather than trying to explain them in a bad way". The actors were given only the events and situations and asked to move freely in the rest of the film. The actors did not try to speak excessively but instead tried to convey the psychology of the moment by performing everyday actions such as eating, washing the bowl, cleaning and sleeping in a restrained tone, and they succeeded well. The fixed-point cameras in several locations inside the house also play a major role in carefully following the small changes that occur in real life.

Inspired by British director Mike Leigh's 'Secrets and Lies', the film was shot using a script with "no dialogue, only scene breaks", believing that "just by seeing two people in a situation, you can understand the situation and the feelings of the characters, rather than trying to explain them in a bad way". The actors were given only the events and situations and asked to move freely in the rest of the film. The actors did not try to speak excessively but instead tried to convey the psychology of the moment by performing everyday actions such as eating, washing the bowl, cleaning and sleeping in a restrained tone, and they succeeded well. The fixed-point cameras in several locations inside the house also play a major role in carefully following the small changes that occur in real life.