Key Animation
Небольшая предыстория аниме «Промар», сфокусированная на фигуре Лио.
Key Animation
Третий и последний фильм трилогии. В отличие от двух предыдущих является прямым продолжением истории. Мадока Канамэ была обычной японской школьницей, которая проживала счастливые деньки своей обыкновенной девчачьей жизни. Но все это закончилось, когда она принесла себя в жертву чтобы освободить девочек-волшебниц от жестокого и неминуемого рока. Будучи терзаемой несдержанным перед Мадокой обещанием, Хомура Акеми одна продолжает сражаться в мире, где та оставила свою человеческую сущность, с неугасающей надеждой увидеть ее улыбку еще раз.
Key Animation
Фильм повествует о пирате, бывшим главным противником Гола Д. Роджера — Шики «Золотым Льве». Он крадёт у Мугивар Нами и просит её вступить в его команду. Остров с загадочными животными. Коварные планы Шики. Что ждёт Мугивар в поисках Нами?
Key Animation
Birdy, or Shion Arita, gets a new assignment in Kobe where Sayaka Nakasugi live now. Tsutomu Senkawa is worried about her, so Birdy decides to pay her a visit. However, they are not the only one interested in Nakasugi.
Assistant Director
Inspired by British director Mike Leigh's 'Secrets and Lies', the film was shot using a script with "no dialogue, only scene breaks", believing that "just by seeing two people in a situation, you can understand the situation and the feelings of the characters, rather than trying to explain them in a bad way". The actors were given only the events and situations and asked to move freely in the rest of the film. The actors did not try to speak excessively but instead tried to convey the psychology of the moment by performing everyday actions such as eating, washing the bowl, cleaning and sleeping in a restrained tone, and they succeeded well. The fixed-point cameras in several locations inside the house also play a major role in carefully following the small changes that occur in real life.
Inspired by British director Mike Leigh's 'Secrets and Lies', the film was shot using a script with "no dialogue, only scene breaks", believing that "just by seeing two people in a situation, you can understand the situation and the feelings of the characters, rather than trying to explain them in a bad way". The actors were given only the events and situations and asked to move freely in the rest of the film. The actors did not try to speak excessively but instead tried to convey the psychology of the moment by performing everyday actions such as eating, washing the bowl, cleaning and sleeping in a restrained tone, and they succeeded well. The fixed-point cameras in several locations inside the house also play a major role in carefully following the small changes that occur in real life.
Script
Inspired by British director Mike Leigh's 'Secrets and Lies', the film was shot using a script with "no dialogue, only scene breaks", believing that "just by seeing two people in a situation, you can understand the situation and the feelings of the characters, rather than trying to explain them in a bad way". The actors were given only the events and situations and asked to move freely in the rest of the film. The actors did not try to speak excessively but instead tried to convey the psychology of the moment by performing everyday actions such as eating, washing the bowl, cleaning and sleeping in a restrained tone, and they succeeded well. The fixed-point cameras in several locations inside the house also play a major role in carefully following the small changes that occur in real life.
