심볼 (2009)
장르 : 코미디, 판타지
상영시간 : 1시간 33분
연출 : Hitoshi Matsumoto
각본 : Mitsuyoshi Takasu
시놉시스
일본 제일의 인기 연예인이자 코미디계의 카리스마로 불리는 마츠모토 히토시의 두 번째 작품인 은, 제12회 부산국제영화제에 초대되었던 처럼 그만이 갖는 황당하면서도 기발한 수준 높은 상상력을 보여 주는 작품이다. 사방이 하얀 방에 갇히게 된 한 남자는 어떻게 해서든지 방에서 나가보려고 별의별 시도를 다하는데, 남성기를 닮은 돌기(말 그대로 심볼)를 발견을 하게 되면서 이걸 이용해 탈출하려 하나, 그가 직면해야만 하는 가지각색의 고난은 웃음을 연발케 만든다. 이전 때도 그러했지만, 보는 이로 하여금 이 이상의 세부내용을 거론치 못하게끔 장치한 스토리의 흐름과 있을 수 없는 폭소의 종결은 코미디언으로서 마츠모토가 가진 장인정신이라 할 것이지만, 그가 에서 보여주는 감독으로서의 재능은 ‘영화란 영상으로 전하는 언어’라는 너무나도 평범해서 잊어버리기 쉬운 기본 중의 기본 전제를 재인식시켜줌에 있다고 할 것이다. 절제된 대사와 절제된 화면으로 표현된 영상이 아주 인상 깊이 남는 작품이다.
In Guatemala, violence is contagious. The neighbors of Villas de La Esperanza, in fear of an eventual invasion of those infected by violence, arm themselves and patrol nights, risking their lives for the safety of their families. But battling violence with violence only spreads the contagion, and the neighbors will realise that the greatest danger is not what lurks outside their secure gated community. The real danger lies within. In Guatemala violence is contagious, and we are all infected.
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하비슨 여사의 그린하우스에서 수선공인 프레드가 화초 가지에 찔린다. 얼마 후 그는 맥박이 빨라지고 고열에 신음하며 쓰러지고, 곧 병원으로 옮겨지지만 그의 몸은 점점 썩어 들어가고 입에서 끔찍하게 생긴 벌레가 기어나온다. 여의사인 레이첼은 정체불명의 이 벌레를 실험실에 보관한다.
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홀아비인 해리(폴 뉴먼)는 공사 현장에서 크레인을 운전하며 생활하는데, 그는 남성다움을 중요한 미덕으로 생각하는 권위적인 아버지다. 하지만, 아들 하워드(로비 벤슨)는 낮에는 세차장에서 일하면서, 밤에는 문학가를 꿈꾸며 습작을 쓰며 꿈을 키우는 감성적인 젊은이다. 해리는 국가의 발전에 큰 공헌을 하고 있다는 자부심을 가지고 있고, 동료나 아들이 자신을 좋아한다고 믿는다. 그러나 해리와 하워드는 가치관의 차이를 극복하지 못하고 계속 갈등하게 된다. 그러나 해리의 건강이 악화되면서 더 이상 일을 할 수 없게 되자 큰 절망감에 빠지는데..
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Tells the story of an African immigrant surviving on the fringes of New York City where music is his passion, life is a hustle and falling in love is his greatest risk.